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The Character of Othello
Critical analysis of Othello
The character analysis of othello
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Recommended: The Character of Othello
Importance of Act One in Othello by William Shakespeare
William Shakespeare's Othello is a tragic play consisting of five acts. Although each act is not of equal importance, each serves a distinct role that affects the quality of the play in its entirety. Removing any act would therefore greatly diminish the final product of this play; consequently, reducing the play's appeal to the audience. Since Act I satisfies several essential purposes, removing it would be a mistake. Ultimately, we would no longer be seeing Othello the way Shakespeare had intended us to.
First of all, Act I serves as an introduction. As a result of Act I, we get a feel for the setting, the characters, and prior events that are required to thoroughly appreciate this play. Without receiving this vast amount of information, unfortunately the rest of the play does not have the same impact. For example, it is in Act I that we learn of Othello's ethnic as well as military background. Although the Moor finds himself the target of racial comments, the impression we get of him, throughout Act I, is one of simplicity combined with dignity and honesty. In Scene I, we are also informed of Othello and Desdemona's recent marriage. The situation regarding Othello's choice of lieutenant is another important event described in the first scene of Act I. Iago had attempted to bribe his way into this position, but Othello chose Cassio, a Florentine, whose knowledge of war was great despite his lack of experience. All of these events occurred prior to the start of the play, but are involved in the development of the play; therefore, they are recalled for our purposes in Act I. Removing the first act of Othello would consequently prevent us from realizing that these e...
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...arding Desdemona, is similarly important. Brabantio words, "Look to her, Moor, if thou hast eyes to see; She has deceived her father and may thee" ,carry no truth but are used by Iago as ammunition to deceive Othello. Act I initiates Othello in a way that the play can progress smoothly to it's tragic ending.
In conclusion, the removal of Act I, of Othello would significantly alter the audience's response to the play. The play would not be as effective if the audience was not aware of the information presented in Act I. In order to classify Othello as a tragedy act I must be included, or the downfall of the main characters may not be as noticeable. In addition, the minor events of Act I are crucial to initiate the play, and set it into action. Essentially, removing Act I from this tragic play would diminish the play's appeal; which would be a tragedy in it's self.
	Iago uses a different tactic to manipulate Brabantio. He changes Brabantio's way of looking at the marriage of his daughter Desdemona to Othello. He awakes Brabantio by saying "Awake! What, ho, Brabantio! Thieves! Thieves! Look to your house, your daughter, and your bags! Thieves! Thieves!" (I.i.76-78) By saying this, Iago shows a new perspective to Brabantio by insinuating that Othello has stolen his daughter. Iago reinforces this when he say's,
The Significance of Act 3 Scene 3 of William Shakespeare's Othello Othello was written by Shakespeare around 1602 and was set 35 years previously to that time (around 1571) during the Elizabethan era. Shakespeare got the idea for the play from the Italian Novella 'Gli. Hecatommithi and only changed minor details slightly. He kept the same plot but some of the characters and themes in the play were very different.
Nick Potter states: “Othello is a tragedy of incomprehension, not at the level of intrigue but at the deepest level of human dealings. No one in Othello comes to understand himself or anyone else.” Within Shakespeare’s Othello, no character fully understands themselves of one another. This is especially true in human dealings, where the intentions of characters and how others interpret them are often misaligned. Conflict, and eventually, tragedy arises in Othello due to the incomprehension between characters, as well as within the characters themselves. From the reader’s perspective, it is tragic to understand the reality behind all the incomprehension, since the characters are oblivious to what the readers are aware of.
The Delay of Othello's Entrance in Act 1 of William Shakespeare's Othello In this piece of coursework I will be looking at the reasons why Shakespeare delayed Othello's entrance until Scene 2 of Act 1 in the play. I will also look at points such as the audience's perception of Iago, and our views of Othello before and after his entrance. I will also talk about the historical, social and cultural contexts and I will look at critical opinions, authorial intentions and language analysis. Othello is set in the early 17th Century when Shakespeare (the playwright) was in his middle ages.
In Shakespeare’s Othello, the character of Othello is seen as an unfit man due to his propensity to jealous and his weak character. Leavis’ evaluation of Othello’s character can be seen to be true to a very high extent because during the course of the play, Othello evolves into a weak, jealous character who is easily manipulated and made jealous by the scheming of Iago. We can see this change in his character through the use of a number of techniques such as stage directions, soliloquies, dialogue and stage action. This makes it easier for the audience to follow and plot exactly where during the play Othello begins to show jealous and a weak character.
Barthelemy, Anthony G. "Introduction" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 1-19)
The play Othello is Shakespeare's own version of a classic Greek tragedy. A classical dramatic tragedy derives its essence from the ancient Greek plays that were often popular in Athens. These plays would typically consist of the downfall of a famous Greek character in history/legend, or the breakdown of a hero. Typically the hero is forced to struggle against overwhelming odds, and fate only that this characters downfall would be so imposing that regardless of these forces of nature and fate that destroy him, that he would rise and regain glory due to his moral victory. These tragedies would invoke terror and pity on the audience, in a sense a tragedy could be considered a form of a catharsis, literally cleansing the soul as it is performed, even though the horror typically disturbed audiences, at the same time it cleansed their soul and purified the spirit.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare’s Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
In the very beginning of Act I Iago displays his hatred for Othello. He is angry with him for making Cassio the lieutenant. Jealousy is his first motive. He then tells Roderigo (a former suitor of Desdemona) that Othello and Desdemona are getting married. The two of them then go and tell Desdemona's father, Brabantio, that Othello and his daughter have just eloped. This infuriates Brabantio. Soon after, Brabantio gets a gang after Othello. Iago's treachery is first displayed here. When Othello is confronted Iago is on his side. Iago was the person who instigated the whole situation. Shakespeare does a very good job in showing what kind of person Iago is, right from the beginning of the play. The reader begins to realize this before any of the characters in the play do. He did this so the reader will begin to see how evil Iago is, yet how unjustified his reasoning is. Act I is where Iago pieces together his whole sinister plot to get revenge. He first tells Roderigo to sell all he has and move to Cypress to court Desdemona. The last stanza of Act I is where he manifests his grand scheme. His idea is to get Othello into thinking Cassio is in love with Desdemona.
The plot of a play is defined by Aristotle to be "the arrangement of incidents," and it is therefore logical that the events of Othello perform an integral part in sustaining the interest of the audience. Shakespeare was clearly well aware of the importance of a good script and captivating plot, as the tragedy of Othello, the Moor of Venice, features twists, turns and revelations, each grasping and holding the attention of the audience. For example, within only one scene of the tragedy, Act IV Scene I, the readers and viewers of Othello witness Othello's emotional breakdown, the continued manipulation of characters by Iago and the arrival of Lodovico to Cyprus. The intriguing plot maintains it's momentum throughout the play, never giving the audience a chance to focus their attention elsewhere, and thus holding their interest until the final line.
...w and why they act and react to one another. The essay gives the reader a clearer vision as to why Othello was easily manipulated by Iago. The essay asserts in the forefront the class level of the major characters and rationalizes why their acceptances of each other ends in tragedy. The explanations of classes in the article allow the reader to draw a different perspective on the play and the characters actions. The first reading of the article may present a challenge to some readers who are not familiar with terminology associated with linguistics and hegemony. Overall the article is a positive tool to include in any teaching of Othello.
The tragedy “Othello” is written by William Shakespeare in 1604. The story is based on revenge of two characters, Othello and Iago. Othello, the play’s protagonist and hero, who has great reputation as one of Venice’s most competent generals. However, his jealousy causes the major tragedy in his life. This tragedy is brought by a simple manipulation of Iago, the villain of the play. The jealousy led Othello to a path of constant questioning to his wife, and his friend Cassio. Throughout the play, he sinks deeper and deeper into his doubt and eventually that causes him to kill not only the love of his life, but also himself.
William Shakespeare masterfully crafted Othello, the Moor of Venice as an Aristotelian tragedy play. The main protagonist of the play, Othello, is the perfect example of a tragic hero. Shakespeare was influenced by Aristotle’s concept of a tragic hero and used Aristotle’s principles to create Othello. William Shakespeare attempted to create an Aristotelian tragedy play with a tragic hero and succeeded in Othello, the Moor of Venice by weaving in pity and fear into each line and action. The power of pity and fear creates the upmost tragic situation and follows in accordance of Aristotle’s definition of tragedy. Othello makes the ultimate act as a tragic hero by killing himself at the end of the play. “Othello, more than any play in the canon, has a fascinating and contentious performance and reception history,”
Iago can be viewed as the narrator of this play. He is left alone on stage several times trough out the play to more or less speak to the audience. One such instance is the last part of the first act where Iago devisee’s his plan of attack on every character in the play. At this point the only reason we have seen for his anger is that he has not been appointed Othello’s lieutenant, despite his recommendations. “But for my sport and profit, I hate the moor…”(1.3.365). It is obvious that Iago is the villain in the play. But this line is very important. Iago hates Othello it seems because of his unapointed position. This line asks us, the audience, a good question: does Iago hate Othello enough to go trough all the trouble creating enemies of the entire cast? There could have been much simpler ways to get at Othello without dragging everyone else into the picture. Also after Rodrigo lost his luetiency it would have been simple for Iago to fill the newly vacant position. I believe, as the line says, Iago hates Othello only for amusement. “But for my sport and profit…” (1.3.365) Iago engages in the act of hating not because he has a disregard for Othello. Iago engages in the act of hating only to hate, whether it be Othello or his own mother. Iago hates for his own “sport and profit.” thus understand this concept of Iago puts a whole new spin on the evil which consumes him.
Shakespeare wrote different types of plays such as comedies, tragedies, and historical plays. The play Othello is one of his tragedies. It is about a character named Othello who is a Moor, in the service of Venice. Throughout the play Iago, Othello's lieutenant, manipulates Othello to believe that Desdemona, Othello's wife, is cheating on him. Various characters in the play Othello appear to be virtuous, upstanding individuals, but their actions reveal that they are not as they appear to be.