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Tender is the night's relation to Fitzgerald's life
Literary element used in tender in the night by f. scott fitzgerald
Literary element used in tender in the night by f. scott fitzgerald
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Implications of Modernist Thought in Tender Is the Night
The implications of modernist thought in F. Scott Fitzgeralds' Tender Is the Night, become apparent when conceptualizing crime and punishment. Besides the murder of the Negro in the Parisian hotel, the idea of crime is plastic; adultery, deceit, moral depravity barely have consequences. Actions committed with good intentions often end in despair, such as the marriage of Dick and Nicole Diver. Similarly, seduction and dissimulation are not often met with ensuing punishment. Actions, whether they be morally right or wrong, tend to remain in a staid state without the traditional response. The modernists place characters in various moments and situations that do not necessarily conclude in the set conception of "punishment."
Nicole and Dick Diver both commit "crimes" of infidelity during their marriage. While Dick's tryst with Rosemary ceases without any succinct culmination, Nicole sleeps with Tommy and ends her marriage to elope with him. Neither crime however, is met with a punishment. While Dick slowly loses his manner of attraction and wiles with women, he sinks into apathy and alcoholism. Fitzgerald does not seem to be punishing Dick in any way for his fleeting romance with Rosemary; rather, his empty life is almost an inevitability, another set of moments without weighty cause or effect. Nicole's actual instant of infidelity is described as a "moment" - not as a crime, a moral dilemma or anything deserving traditional punishment. She drifts into her affair in the same way she tends to her garden or glances at her children. Her love for Tommy Barban is simply situational; Dick was no longer fulfilling her in the manner she expect...
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...s vision of Rosemary and his undying need for her body in his arms, he calls Nicole and demands that they have dinner and see a play in the evening. The crime is masked completely by the conventions that surround their lives. The punishment, therefore, remains unclear. They both continue a farce of a relationship while lying to themselves and negating any concept of criminality in their own actions. The moments come and go, the crimes and punishments are vague and ephemeral. The crimes of each of all the characters eventually effect their own psyches - their lives are damaged by their apparent neglect of reality. Living in each moment without bearing the consequences has a acute effect on Dick, but mostly leaves Nicole, Tommy and Rosemary unbroken.
Works Cited
Fitzgerald, F. Scott. "Tender is the Night" Scribner Paperback Fiction, 1933.
Background Information In implementing a strategic plan for Coastal Medical Center, our consulting team has conducted many analyses and formed numerous strategies in order for Coastal Medical Center to be successful. Such assessments include an internal analysis, external analysis, gap analysis, and SWOT analysis. In conducting these analyses, our consulting team was able to better understand the internal environment, external environment, where the organization currently stands in terms of performance, and the major strengths, weaknesses, opportunities and threats that oppose the Coastal Medical Center. From our inquiry, we will be able to establish a strategic plan that best fits the organization’s needs.
Fitzgerald uses his character’s immoral behaviors to show how individuals of the Lost Generation are trying to fill the void that they have after World War I. The character’s loss of morals are a result of their carelessness and
Dick is annoyed by Perry’s statement, mostly because he is uninterested in dwelling on what they had done to the Clutters, but also because Dick thought much higher of himself than he did of Perry, after reviewing what he had known of Perry and his peculiarities, Dick remarks, “Deal me out, baby, I'm a normal.”(108). Perry thinks in a self deprecating way, he reflects upon his childhood, his siblings, and the Clutters. Perry cannot shake an unrelenting guilt and is driven to the conclusion that in order for two men to commit an act as grisly as theirs, they must have had some form of mental instability. Dick becomes incredibly irritable at the mention of what he and Perry had done and demonstrates a lack of concern for what it takes for two men to butcher a family of four they had never known.
After analyzing the Coastal Medical Center, it is apparent that the employees and staff have no conception of the mission, vision, and values of this health care facility. In addition to this lack of structure, CMC has many projects in the midst of production that lack support of a common goal, employees are unsatisfied with their jobs, the two boards lack ability to agree on strategic decisions for the organization,, and the medical center has a dismal reputation when it comes to quality care.
Unlike Perry, Dick actually had a very nice childhood with a family who loved him. When Detective Nye was questioning Dick’s parents, Mr. Hickock began explaining the life of Dick, starting with him being “‘an outstanding athlete… always the star player. A pretty good student, too, with A marks in several subjects’” (Capote 166). Although Dick had a much better childhood than Perry, he still had a very limited ability to feel compassion compared to Perry’s instinct to nurture. Dick’s lack of consideration is shown greatly when Perry recounts the events of the murder and tells the detectives that Dick said “‘I’m gonna bust that little girl.’ And I [Perry] said ‘Uh-huh. But you’ll have to kill me first… He says ‘What do you care? Hell, you can bust her, too’” (Capote 243). Dick had no regard for other people or how they feel, while Perry intervened with Dick’s self-interest in order to consider the emotions of the Clutters. Even after the murders, Dick felt no remorse for what he and Perry had just done, only feeling that they had “scored” by getting a little bit of money. The life and development of Dick show that even a nurturing environment may not contribute to a compassionate soul. The instinct to nurture may not always come from surroundings, as Dick shows, but beliefs and religions show that nature and nurture are a part of each other and both contribute to the development of a
In Italy, after he begins his affair with Rosemary, Dick is disillusioned with her. He finds that Rosemary belongs to other people. In his disillusionment, his thoughts turn to Nicole, and how she is still "his girl - too often he was sick at heart about her, yet she was his girl" (213). Rosemary is no longer his possession solely and this cracks his surface. He returns to his love for Nicole like a guard, because he is weak without it. He refers to it as "an obscuring dye" (217). He is Nicole, and Nicole is he, and at this point the line between them has been blurred to bring them together. Dick does not realize that as much as he believes Nicole depends on him, he is dependent on her. He depends on her neediness to define him. Dick knows, however, that Nicole is important to him and that the thought "that she should die, sink into mental darkness, love another man, made him physically sick"(217). Not only is this excellent foreshadowing on Fitzgerald's part, but it gives us a measure just how dependent Dick is. Physical illness is uncontrollable. If even the thought makes causes him to have psychosomatic symptoms, it is imaginable what the actuality would bring. Dick needs Nicole badly, more so than ever at this point.
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Bruccoli, Matthew J. and Judith S. Baughman. Reader's Companion to F. Scott Fitzgerald's Tender Is the Night.
This novel is brought to life by narrator Nick Carraway who is a moral Midwestern man, infatuated, much as Fitzgerald was, by the parties and pizzazz of the east. Gatsby is a mysterious rich man, taken by love, but caught up in the deviant nature of the days. The morals of the entire cast in this ballet are as whimsical as the sheets of Jazz music that emanated from the musicians of the day. This constant change of character was always more eloquently explained by the language Fitzgerald used, than the actual plot of the story. The language that Fitzgerald used within te story, was more indicative to the actual story than the plot itself. While the character analysis of many of the characters may seem incomplete, by simply analyzing the words that were used to describe the characters and their surroundings, one can derive an in-depth hypothesis about each.
New businesses will take longer to thrive with the United States falling economy. The faltering job market and the deepening slump in housing threaten to hurt consumer spending. Consumers are becoming more conscious of their spending and therefore using cash to pay for smaller necessary purchases. The cost of entertainment and other presumed luxuries may be pushed to the background by most families, when having to choose whether to pay for a bill or treat the family out. Thriving businesses will understand the need to provide a service or product at affordable prices.
The ethics of society in F. Scott Fitzgerald’s The Great Gatsby are clearly noted through the endless partying, fancy houses, and the lavishness of their lives. Time and time again Fitzgerald displays his skills of developing his characters through plots and scenes of enchanting parties and mansions. Through these scenarios, the reader develops a sense of the purposelessness of the rich, the values of West and East Egg society, and Gatsby. Each individual scene reveals the subtle nuances of each and every character. Is shown to the reader in such a way that the reader picks up an idea of who each character is. By a landslide, the Great Gatsby owes a lot of its character development to its settings. The settings of The Great Gatsby provides for its substantial character development.
...th the trip back. Usually, Rosemary didn’t cook much. So once the beans went bad Lori, Brian and Jeannette would put extra spice in them. In this case, a parent that leaves their kids to fend for themselves is emotional neglect. The Walls’ children might grow up feeling like Rosemary never took care of them, which can lead to low self-esteem issues and behavioral problems. Lastly, Rosemary decides Maureen needed to enroll in preschool. In this case, Rosemary didn’t want Maureen dressed in thrift store clothes like the rest of the Walls’ family. Rosemary told Lori, Brian and Jeannette they would have to go shoplifting. This was clearly a violation of the law and is negatively influencing the morals of such young minds. Lori, Brian, and Jeannette were nervous and scared at the thought of getting caught for something that is wrong, which they are being forced to do.
The author also takes many universal literary ideas and alters them to demonstrate that just as the reader doesn’t expect certain twists in the plot of the novel, the people of the time did not expect the 1920s to experience such a terrible change in fortune. Fitzgerald switches around
Fitzgerald first demonstrates that ideological oppression by revealing a proletarian’s desire for prestige through admiration for wealthy people. Since a young age, Dexter Green, a “willing” and “intelligent” (Fitzgerald 33) young man of humble origin, often dreams that he becomes golf champion and defeats a respectful opponent, or that he is admired by the most notable figures in the state. In fact, working as a caddy at the prestigious Sherry Island Golf Club has taught him that happiness and respect come with success and status. This idea is even emphasized after he meets the eleven-year-old rich girl Judy Jones, who treats Dexter and her nurse with rudeness and disdain. Furthermore, although Dexter is three years older than her, she calls him “boy” (33). Accordingly, Judy’s socio-economic status has given her a superiority, which irritates Dexter, leading him to quit this job. Under the shock, his willingness and intelligence impel him to become one of the most...
One example of a modernism technique that Fitzgerald uses is loss of control. The characters often lose control and make bad decisions that have horrible effects. For example Tom Buchanan to whom is married to Daisy Buchanan who is the second cousin to nick the main character and narrator of the story, is having an affair with a Mrs. Myrtle Wilson and because she is saying Daisy’s name hits her. “Making a short deft movement Tom Buchanan broke her nose with his open hand,”(page 41). This shows his loss of control over his emotions. He was showing anger toward his mistress and because she was not obeying his demand of not mentioning Daisy’s name. In another instance in The Great Gatsby, Daisy Buchanan ran myrtle Wilson-her husband’s mistress-which killed her instantly. She was hysterical when she discovered Gatsby‘s true source of his money and she could not be linked with someone of “Dirty Money,“(page153). George Wilson, who is Myrtle Wilson’s Husband, is so upset over myrtle’s death that he, after being misinformed, shoots and kills Gatsby to whom he believes is responsible for his wife’s death and then takes his own life. “…the gardener saw Wilson’s body a little way off in the grass, and the holocaust was complete,”(page170).