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Symbolism in birthmark
Symbolism in birthmark
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Imperfections in The Birthmark by Nathaniel Hawthorne
Too often in this world does man attempt to perfect nature. Tampering with this sort of element most commonly leads to a disaster to come extent. Because man is never satisfied, he is constantly vying for perfection, regardless of the outcome. Such is the case in Nathaniel Hawthorne's short story, 'The Birthmark.' Aylmer's persistent attempt to perfect nature is the cause of Georgiana's demise and the affirmation that when man tampers with such a powerful component terrible things may occur.
In this short story, Hawthorne uses symbolism to emphasize the strange shape of the 'earthly imperfection' (204) and his desperate need to change it. The shape of the birthmark 'bore a little similarity to the human hand' (204). Here, Hawthorne?s use of symbolism clearly illustrates a distinct connection between the shape of the birthmark as a human hand and the need to remove it by the same means. In Aylmer?s quest for perfection, he simply ignores the fact that he is tampering with an incredible force: Nature. The ?crimson hand? (206) symbolizes man always trying to change something natural: something that need not be changed. Aylmer?s subconscious obsession with science quickly becomes apparent when he realizes that he has the knowledge to potentially change something that nature has brought. At one point in the story Aylmer becomes so infatuated with removing this birthmark he dreams about how he will do so. He goes a...
In the short story, “The Birthmark” Nathaniel Hawthorne uses the characters, foreshadowing, symbolism, and other rhetorical devices to alert people of the consequences of man having the power to control and alter nature. Additionally, through his skillful usage of diction, Hawthorne warns of the effects of seeking perfection through science. In “The Birthmark”, Aylmer, a man devoted entirely to science, marries Georgiana, a beautiful young woman with a single imperfection. Georgiana’s imperfection bears the resemblance of a tiny crimson hand and is visible on her left cheek. The birthmark becomes the object of Aylmer’s obsession and he resolves to use his scientific prowess to correct “what Nature left imperfect in her fairest work.” He succeeds in removing the birthmark; however, he unfortunately causes his wife’s death in the process. Through “The Birthmark”, Hawthorne suggests that nothing paradisiacal can exist on this earth, and that being imperfect is just part of being human.
In Nathaniel Hawthorne’s short story “The Birth-Mark,” Aylmer, a married scientist, believes himself to be above nature. Acting on these beliefs, he prepares
Hawthorne. “The Birthmark.” The Norton Anthology of Short Fiction. R.V. Cassill, Richard Bausch. 7th ed. New York: W.W. Norton, 2006. 648-660.
Fabricating a type of the romantic artist who has radically creative powers that he exercises, Hawthorne creates in “The Birth-Mark” an extreme situation that bares the fundamentalism of the transcendental aesthetic. Accepting the premise that the artistry of nature, regardless of the apparent coarseness and lack of finish that some products may exhibit, is superior to the artistry of humanity because nature "works from the innermost germ," Hawthorne was initially critical of any discontent with the quantity and quality of nature's bounty. Should the reader emphasize Aylmer's Neoplatonism and his quest for ideal beauty, the disjunction between drama and assertion assumes a thematic function: it is Hawthorne's means to test the values of the ideal artist. Hawthorne even more
...iteracy and the Death of the Narrative in Hawthorne's 'The Birthmark'." ATQ 9.4 (1995): 269-82.
The words “beautiful” and “perfect” are both vague yet relative concepts as they are defined from person to person. In Hawthorne’s “The Birth Mark,” imperfections perceived by one are also seen as defining in beauty by another. Perfection, as sought by Aylmer, became an obsession which in the end required Georgiana to undergo a process of transmutation to become perfect and therefore a more desirable human being in Aylmer’s eyes. The concept of “bodily perfection” remains the same today as it was in Hawthorne’s time: beauty is in the eye of the beholder, but it is who the beholder is that is of greatest importance when determining the value of the opinion being shared. For Georgiana, Aylmer’s happiness, or lack thereof, defined the way in
In Nathanial Hawthorne’s “The Birth-Mark,” Aylmer, a crazed, “mad-scientist,” seeks to remove the scarlet handprint birthmark from his wife, Georgiana’s cheek. From the opening of the work, the third person narrator describes Aylmer’s obsession with science and the adverse effects it has had on his social life. Aylmer is tied up in this battle within himself and with his assigned association between the natural and the spiritual world. He wishes to have as much control over these colliding worlds as possible, granting himself god-like power and control in the process. In the art of manipulating nature through science, Aylmer believes he is able to alter the spiritual aspects of the natural as well. Aylmer’s focus on spirituality is Hawthorne’s way of commenting on mankind’s fixation on sin and redemption.
There are numerous instances of ambiguity in Nathaniel Hawthorne’s “The Birthmark”; this essay hopes to explore critics’ comments on that problem within the tale, as well as to analyze it from this reader’s standpoint.
Uttering heartless words to a partner about their flaws is a reflection of one’s insecurity in the relationship. The short story “The Birthmark” gives readers insight into Aylmer, a questionable scientist who fails at experiments, and his wife Georgiana, an obedient wife who fulfills her husband’s commands. Aylmer is insecure and as a result denigrates Georgiana about her birthmark to purposefully make her despise the mark. Georgiana never thought of her birthmark as a flaw because men were enchanted by her fairy-like miniature hand with a shade of crimson. However, Georgiana being the good wife that she is, agrees to become her husband’s experiment to get the birthmark removed in order to make Aylmer happy. In this story it is evident that
In today’s society, it seems that we cannot turn the television on or look in a
...ection. By removing the birthmark from Georgiana’s face, Aylmer has taken away her humanity thus leading Georgiana to her death. Georgiana cannot live anymore because she is no longer a human being. Therefore claiming that science has its limits over nature and if those limits are crossed the consequences could be fatal.
Even though it is ethical to remove the birthmark for the couple’s culture since it will resolve their looming problem, is it moral in their perspective? Initially, it was implied that Georgina found it wrong to remove it since she first believed the mark as a “charm” (419) but the soon changed when Aylmer believed the opposite of it. Aylmer has always found it morally correct in his eyes that the removal of the birthmark is a need since he only ever saw it as a scorching stigma that derails him from reaching total happiness and bliss. The wrong becomes right and the right becomes wrong, and together, these events led to the ethical extermination of the birthmark.
Nathaniel Hawthorne did not do much explaining when it came to the characters involved in "The Birthmark". He did not portray the main characters: Aylmer, Georgiana, and Ambidab as human beings, but rather as symbols. While analyzing the story "The Birthmark", I have achieved some great insight of the author 's articulate writing style; especially, his style of making characters have symbolic meaning. In this story, Hawthorne uses his characters to symbolize specific things. In this ambiguous, short story, the three characters each symbolize Science, Beauty, and Nature. Each character represents an unusual force that has equally worked against each other.
Nathaniel Hawthorne’s “The Birthmark”, is the story of a crazed scientist whose strive for perfection not only leads to the death of his beautiful wife, but the attempt of man to have power over nature. It follows the story of Aylmer and his obsession with removing the birthmark off his beautiful wife, Georgiana. “His unnatural fixation to his wife’s birthmark even consumes him in his sleep as he dreams of cutting it off much like scraping an apple off its skin.” (Snodgrass 29). This narrative explores the themes of perfection, and the conflict between science and the natural world.
The tone adopted by Hawthorne from the inception of the narrative toward Aylmer urges the reader to respect Aylmer’s scientific ambition—directly his triumph of head over heart, but indirectly his objectification of Georgiana and subsequent attempts to fix something that she never thought was a flaw. Not only is Aylmer’s obsession with getting rid of her birthmark selfish in that he does it for “the sake of giving himself peace” (647) rather than any desire to make his wife happy, he also admits to feeling guilt over his tyrannical treatment of her. For example, his “horror and disgust” in response to her facial blight rarely escapes her notice, and when she reacts poorly to his “convulsive shudder,” he attempts to soothe her and “release her mind from the burden of actual things” (650) as if she is an empty-headed infant in need of a pacifier. Furthermore, in response to her desperate request for its removal, he isolates her from humanity, administers potentially harmful concoctions into her rooms and body without her knowledge, and ultimately—and rapturously—succeeds in shrinking the mark at the cost of her