Imperfection In Andrew Niccol's Film 'Gattaca'

In Andrew Niccol’s film, Gattaca, where imperfections are minimized and genetic mutation is the standard, very few “love babies” exist. Because they are an oppressed minority, their existences do not equate to the lives of the genetically altered children, as the “invalids” are dehumanized and discriminated against in almost every facet of their lives. Mutated children receive the good jobs, homes, friends, and lives. Conversely, the untouched babies are left with menial jobs, few benefits, and are generally ostracized by the rest of the population. The main character of the film, Vincent Freeman, gives viewers insight on the disparities between the two castes by experiencing both ends of the spectrum. By comparing the life of “Jerome” to the life of Vincent, viewers are able to guage just how severe the dehumanization of

In the film, when the main character attempted to apply for a job, the interviewer asked for DNA samples in order to confirm that his genes were in god condition. Upon refusal, he was automatically dismissed without another word uttered. As for social relationships, invalids are the main subjects of harassment and bullying. In the film, Vincent did not have any friends (or at least not any who were aware of his true identity). This may be partly due to the fact that he was refused and turned away from public school, which was, again, based on his genetic composition. Finally, Vincent lacked in familial ties. Because his brother was “perfect”, Vincent was always overshadowed by his brother in the eyes of his parents. This created a strained family dynamic that eventually led to conflict between Vincent and his brother. Taken together, these acts of oppression toward invalids disrespect and dehumanize an entire group of people. Instead of being treated as the normal human beings they are, invalids are treated as unnecessary, superfluous liabilities in