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The impact of technology on 20th and 21st Century Music
Influence of Technology on the Music Industry
Impact of technology in music in the 20th century
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This essay deals with the relationship of technology in developing new forms of musical expression in films. It focuses on how film music evolved from orchestras to the use of technology and how music technology has opened new horizons for film industry.
There is an important historical relationship between films and music.
Starting with the early film sound or “The Golden Age” (1933-1949) was served in special by orchestras, who did whatever was asked of them by the executives assigned to particular film for the sole purpose of making those films palatable to as large an audience as possible.
By 1935, the idea of movies had steered Hollywood not just in the direction of well-wrought screenplays adapted by camera-savvy actors but also toward a panoply of technical innovations that involved lighting, camera housing, microphones and the complete separation from a film’s image track of three different sound tracks each independently controllable in terms of both placement and volume levels. Not just in Hollywood but also in certain European centers of film production, during the second half of the 30’s mechanical innovation and aesthetic development existed in a symbiotic relationship. However things might have transpired day-to-day at individual studios, by the end of the decade the global audience for movies was being exposed on a regular basis to something that in general was vastly different from what it had experienced when the fully evolved sound film finally made its debut.
The moment Hollywood realized the fact that they didn’t always need conventional instruments for powerful films came in 1945 when Alfred Hitchcook invited Miklos Rozsa , a hungarian composer , for a meeting.
Hitchcook thought Rozsa would be ideal ...
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...flying cars. In this movie Vangelis soundtrack reflects and enhances out all future aspects realized with extraordinary detail by Doug Trumbull and his team, and this makes it not just a music score but an entirely soundscape where the city’s lights seems captured in the music.
The point from were sound design came from was an iconic piece of soundtrack that once it has been heard it was very hard to forget, so powerful that could be played out in darkness even before the first image to hit the screen. It was the sound of a helicopter, made by Walter Murch in ‘Apocalypse Now’ (1979) using electronic instruments to highlight the effect of echoing round the cinema, a surround sound format with multiple channels which will become the modern standard of hearing in cinemas.
Works Cited
Ben Kettlewell (2001). Electronic Music Pioneers. USA: Artistpro. 286
Tim Burton for his movie charlie and the chocolate factory also uses a lot of the same techniques like for the music and sound they use creepy Oompa loompa music.and they use digitized sounds in the parts like form the waterfall that made it so there's more sounds, than the kids and the part where the UFO with the chocolate makes the beam
New and exciting technologies have always played a huge role in the culture of American people. When the motion picture came out it was no surprise that both consumers and producers were more than happy to get in on the action. Back in the 1920’s film was still pretty new and was only in black and white with no sound, but the films were always accompanied by orchestral pieces to help set the mood. The art of movie-making has come a long way since then with the addition of not only color and audio, but new techniques and new ideas. Both The Kid and Iron Jawed Angels are very popular films about the early 1900’s. Although they share some common thoughts, but because they were made in two completely different time periods their focuses are far off from one another and their ideas contrast for the most part.
The films musical score alerts the viewer to an approaching attack of the shark and they automatically build this association with the music in their mind. Horror films often make use of high string instrument notes that irritate viewers and increase tension. Music plays an important role in film editing and the editor must choose its placement wisely to ensure its intended effect on the viewer’s mind and
Kaplan, Jon. "Dumped!: Famous and Not-So-Famous Rejected Film Music." Film Score Monthly 8.9 (2003): 24-31. IIMP. Web. 6 Dec. 2010.
In 1983, a record company recommended Hisaishi to Hayao Miyazaki as a possible candidate to create the Image Album for Nausicaa of the Valley of Wind, which, at the time, was being made into a movie. (Team Ghiblink, Nausicaa.net) Hisaishi’s soundtrack for Nausicaa of the Valley of the Wind was a balance between electronic and classical music, a blending of new compositions along with covers of Handel and Brahms's music. (Dasnoy & Tsong, 2013) Miyazaki, inevitably, was highly impressed with Hisaishi’s Image Album and frequently listened to it during the production of the film. The soundtrack for the film was slated to be composed by its producer, Isao Takahata. However, after Miyazaki’s strong recommendation f...
Elizabeth Weis, John Belton (1985) Theory and Practice Film Sound, New York: Columbia University Press, pp 346.
For this essay I will be looking at the work of Hans Zimmer to discuss how music in film engages the viewer and evokes emotion and pulls the viewer toward the film. Hans Zimmer is a German born music composer. Hans Zimmer’s love of music stems from his childhood when he learned how to play various instruments. Before Zimmer began composing music for films he was in a well-known band. The band was called The Buggles whom were famous for their song Video Killed the Radio Star. After the Buggles Zimmer played in other bands but never had another hit. As Zimmer has progressed as a film composer so has his list of nominations and awards. Zimmer has won 4 Grammy Awards and 2 Golden Globes and many more for his outstanding film scores. The reason I chose to write this essay on Zimmer was that his genres and music score are extremely versatile ranging from animations to comedy to dark thrillers. This is important to highlight as it shows Zimmer can create almost any atmosphere with his music whether it be sad or creating tension that all cause us to engage with the film. Zimmer's use of themes and introduction of different instruments allowed him to create these wonderful engaging film score. In this essay I will look at three films by Hans Zimmer these are The Holiday Rush and Rain Man.
Thinking Sound. (2011). Filmmaker Francis Ford Coppola Talks about the Evolution of Movie Sound. [Online]. Available from YouTube: http://www.youtube.com/watch?v=H-fNpE9vQJw [Accessed 05 February 2012]
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
With the discovery of techniques such as continuous editing, multiple camera angles, montage editing, and more, silent filmmaking developed from simple minute-long films to some of the most beautiful, awe-inspiring films that have ever been created—in only a few decades. In Visions of Light, someone alluded that if the invention of sound had come along a mere ten years later, visual storytelling would be years ahead of what it is today. This statement rings true. When looking at the immense amount of progress that was made during the silent era of films, one must consider where the art of film has been, where it is, and where it is
Today, most movie goers categorize ‘silent films’ into one genre and discard the stark differences that make Arrival of a Train at La Ciotat, The Great Train Robbery, and Broken Blossoms vastly dissimilar. In my opinion, these films clearly illustrate the evolution from silent film projection on a cafe wall to the birth of the hollywood that we know today. The profound contrast is most apparent in their stories, their performances, and the emotional response each film invokes. Collectively these films provide viewers with a clear perspective on how early film progressed from silent stills into what we call today, The Classical hollywood “silent” film era.
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
Music and the relationships of music have changed drastically in our society. The course of studies and the evaluations of the applications of the technology of music, the making and the listening of music have changed in the way we listen to music, the styles of music in our society and in the media. The importance of the technology in music today, has, over the past century been charted through the study of musical examples and through viewing how human values are reflected in this century's timely music. There are very many different types of music that are listened to. There are readings, writings, lectures and discussions on all the different types of music.
The introduction of sound to film started in the 1920’s. By the 1930’s a vast majority of films were now talkies. ‘If you put a sound consistent to visual image and specifically human voice you make a “talkie”’ (Braun 1985 pg. 97). In 1926 Warner Brothers introduced sound to film but, other competing studios such as FOX, didn’t find it necessary to incorporate sound to their motion pictures production, as they were making enough money through their silent movies. Warner Brothers decided to take what was considered a risky move by adding sound to their motion picture, a risk taken, as they weren’t as successful in the silent movie department. But this risk paid off with the hit release of ‘The Jazz Singer’ in 1927. Though sound in films was then acceptable and successful it wasn’t until the 1950’s that it became feasible to the public as sound was introduced to cinema by the invention of Cinerama by Fred Waller. The Cinerama used 35mm film strip and seven channels of audio.
Freer, Justin. "The Importance of Music in Film." Los Angeles Brass Ensemble RSS. Los Angeles Brass Ensemble, n.d. Web. 24 Nov. 2013.