From sea nymphs to housewives and goddesses to maids, The Odyssey has it all. This epic poem is filled with many different women characters that all have a unique way about them. However, these women can be broken down into two major categories: mortal and immortal. A mortal is a human being subject to death, while an immortal is a being that lives forever. Both types of characters play a very important role in the story. The first example of a mortal in this story is Penelope. Penelope is Odysseus’ faithful wife and Telemachos’ mother. In the story, Penelope says “Eurymachos, all my excellence, my beauty and figure, were ruined by the immortals at that time when the Argives took ship for Ilion, and with them went my husband, Odysseus…”. This …show more content…
First up for the immortal women: Athena. Athena, the goddess of wisdom, helps Odysseus in more ways than one throughout his journey. A quote that exemplifies her immortality would be the following: “so he spoke in prayer, and from nearby Athena came to him likening herself to Mentor, in voice and appearance…”. This quote shows that Athena belongs in the immortal category because she is clearly immortal and she uses her powers very wisely. All throughout the story she is disguising herself and lending Odysseus a helping hand, something she would not be able to do if she was mortal. Another immortal woman in the story is Calypso. Calypso is a goddess/sea nymph who held Odysseys hostage on her island because she was in love with him. A passage from the story that proves Calypso’s immortality is “speak what is in your mind. My heart is urgent to do it if I can, and it is is a thing that can be accomplished. But come in with me, so I can put forth entertainment before you”. Calypso’s immortality is proven because she was, first of all, able to keep Odysseus hostage on an island and additionally, she used her powers to seduce Odysseus while he was
Eventually Odysseus is set free over the demands of Poseidon. You can also look at Calypso and see how this goddess, nymph, has power. This is shown as Odysseus is leaving and she asks him if he would want to be immortal in return for him staying with her forever. This shows that she has power, more than many women, and can grant anyone immortality. Homer also describes her as lucky, that she is beautiful, but you can tell that inside.
The women were generally less defined than the men, but that is due to the fact that none of the women could be considered main characters, except perhaps Penelope. The woman all served a point, and were there to add to the plot or to compliment another character, like Penelope and Odysseus’s connection. Homer wrote women to help the plot along, but not be a major point or character themselves. The women are very important to the Odyssey, and the poem would not of been able to read the way it did if the women played no role. The poem illustrates women as important people, but only for the sake of a man. Homer wrote according to the greeks pyramid of social standing, where women were lower than men, but he still allowed women greater roles, and even gave them important tasks to fulfill, like Penelope and her suitors, or Helen and her elopement with Prince
Judged by modern Western standards, the treatment of women by men in Homer's Odyssey can be characterized as sexist. Women in Homer's Odyssey are judged mainly by their looks. If important men and gods consider a woman beautiful, or if her son or husband is a hero or has an important position such as king, the woman is successful. The way women in The Odyssey are treated is based on appearance, the things men want from them, and whether the woman has any power over men. During Odysseus' journey to the underworld he sees many different types of women. We hear about their beauty, their important sons, or their affairs with gods. We hear nothing about these women's accomplishments in their lifetime. Odysseus tells how Antiope could "boast a god for a lover,"(193) as could Tyro and many other women. Epikaste was called "that prize"(195) her own son unwittingly married.
Another example of an immortal in the story is Calypso, the beautiful sea nymph. Calypso uses her magic to hold Odysseus on the island of Ogygia as a sex slave for seven years. She loved odysseys but eventually let him go. Her holding him hostage shows that immortals like Calypso had power over the mortals. “She loved me excessively and cared for me, she promised to make me an immortal and all my days to be ageless, but never so could she win over the heart within me.” (Book 7) Immortals were ageless and Calypso wanted Odysseus to be hers forever, so she promised to make him an immortal as well but Odysseus
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counter part The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and--importantly--man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men. Yet, despite the fact that no two women in this epic are alike, each--through her vices or virtues-- helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks.
The women in The Odyssey are a fair representation of women in ancient Greek culture. In his work, Homer brings forth women of different prestige. First there are the goddesses, then Penelope, and lastly the servant girls. Each of the three factions forms an important part of The Odyssey and helps us look into what women were like in ancient Greece.
Odysseus on numerous occasions, is unfaithful to Penelope. Penelope however, remains loyal to Odysseus and she is praised by greek society for it while Odysseus is never seen as adulterous for his disloyalty. However, one could argue that Odysseus’s relationship with Calypso is non-consensual, as she used her power over him as a goddess to control him and keep him on the island. In the end, however, Penelope and Telemachus are the main reasons Odysseus continues his journey home to Ithaca. The other marriage we are introduced to is the relationship between Agamemnon and his wife Clytemnestra. When Agamemnon returned from war, his wife and her lover murdered him. He sees this as a cruel act of deceit, despite the fact that he killed their daughter. Agamemnon views Clytemnestra, and other women as evil and untrustworthy. In book eleven he tells Odysseus, “So, there’s nothing more deadly, bestial than a women set on works like these, what a monstrous thing she plotted, slaughtered her own lawful husband!” Agamemnon makes this generalization and doesn’t take into consideration that he also cheated on his wife and probably murdered numerous
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The nymph Calypso enslaves Odysseus for many years. Odysseus desires to reach home and his wife Penelope. It is the goddess Athena who sets the action of The Odyssey rolling; she also guides and orchestrates everything to Odysseus’ good. Women in The Odyssey are divided into two classes: seductresses and helpmeets. By doing so, Homer demonstrates that women have the power to either hinder of help men. Only one woman is able to successfully combine elements of both classes: Penelope. She serves as a role model of virtue and craftiness. All the other women are compared to and contrasted with Penelope.
In Homer’s account, Odysseus is coming home to Ithaca from the Trojan War but along the way he faces many challenges and obstacles from the sea and land. Odysseus and his crews were held captive in a Cyclops cave, angered Poseidon, the god of the sea, trapped in island of sorceress Circe and had a few bad lucks and ended up seven more years as prisoners on Kalypso’s island. Penelope, on the other hand, is a faithful wife who waits for Odysseus to return home for 20 years despite having her house invaded by more than 100 suitors with one she has to marry. However on Ovid’s account, Penelope does not appear to be the heroine of epic but instead as the mournful lover. Both Homer and Ovid’s accounts have similarities on how Odysseus and Penelope are alike in their way of defending themselves against the enemy and that they refused to give up and their determination kept them focused on achieving their goal.
Mortal and immortal women inspire many of the events that take place in The Odyssey and The Epic of Gilgamesh. For example, without the harlot, who “tames” Enkidu, the story of Gilgamesh would not be, as we know it. A chapter entitled, “Women in Ancient Epic” from A Companion to Ancient Epic by Helene Foley compares Ishtar in Gilgamesh to Calypso and Circe in The Odyssey. By comparing the role of immortal and mortal women in both The Odyssey and The Epic of Gilgamesh, one will be able to discern how the feminine figures have played a pivotal role in shaping the destiny of the epic heroes, as well as, understanding the interrelation amongst the female figures of both ancient epics.
... those phaeacians who have helped Odysseus to return home. And for Calypso, she tried to offer Odysseus the immortal life and promising him to be his eternal wife, but Odysseus’s love for his wife Penelope pushes him to fight for his return
“A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Ibsen). This saying also applied to the times of the Odyssey, an epic constructed by the blind, eight century B.C.E. poet, Homer. As one of the few representatives of ancient Greek social order, the blind, Homer witnessed women as substandard to men, regardless of their actions; many of them existed as seductresses, prostitutes, or slaves. He engraved into his poem women’s roles; the roles of women, as mothers, wives, seductresses, and goddesses are exemplified in this epic, when shown in comparison to the men of that era.
Greek women, as depicted in their history and literature, endure many hardships and struggle to establish a meaningful status in their society. In the Odyssey, Penelope’s only role in the epic is to support Odysseus and remain loyal to him. She is at home and struggles to keep her family intact while Odysseus is away trying to return to his native land. The cultural role of women is depicted as being supportive of men and nothing more. Yet what women in ancient Greece did long ago was far more impressive than what men did.
The first major female character introduced in this epic is Penelope. Penelope is the wife of Odysseus, and the mother of Telemachus. She is portrayed as a strong-willed widow, who even after not seeing Odysseus for twenty years, keeps her trust in her husband to return home. The main tool is the rule of law, but even before laws customs could be used” (rwaag.org).
The goddesses such as Hera, Thetis and Athene are strong, powerful, and elegant. Aside from powerful, in Iliad the goddess Hera represents a nurturing and motherly side, and Homer writes, “I have come down to stay your anger but will you obey me? from the sky; and the goddess of the white arms Hera sent me, who loves both of you equally in her heart and cares for you” (7). In the Odyssey we have the two goddesses, Calypso and Circe whom Odysseus has extended affairs with and they are beautiful and embraced sexuality. Calypso had an egocentric and dominative character because she wanted Odysseus as her immortal husband (Bauschatz, 22). Women gods in the Odyssey and Iliad are elegant, strong, and wise while mortal women are property and subordinate as written in Hesiod’s Works and