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Beowulf and epic of gilgamesh
Beowulf and epic of gilgamesh
Beowulf and epic of gilgamesh
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Immortal Life vs. Immortal Name: Gilgamesh and Beowulf
Death. Fate. Immortality. Destiny. All are subjects that we tend to avoid. While most of us hope for life after death, we tend not to dwell on this subject because we are uncomfortable with the unknown. On those rare occasions when we allow ourselves to think about the fact that our days are numbered, we wonder if death can be cheated and immortality gained. Some have suggested that being remembered is just as enduring as living forever. Thoughts of destiny and the here after are not new. They have engaged the hearts and minds of men for ages. Two ancient stories that deal with this subject matter are The Epic of Gilgamesh and Beowulf. In these texts, the main characters, Gilgamesh and Beowulf, are obsessed with their fate. To the degree that these epics accurately reflect the society and culture of their own eras, one can see that men of these ancient times were as concerned about their ultimate destiny as we are. The epic stories of Gilgamesh and Beowulf illustrate that men and women throughout the ages have been keenly aware of their own mortality and that they long to live on eternally, if only in the memory of others.
In the beginning of The Epic of Gilgamesh, Gilgamesh, the ruler of ancient Uruk, is blessed with the gift of foresight. He has numerous dreams about his destiny and is very accepting of the fate that the gods have given him. The gods give Gilgamesh a dream and Enkidu interprets Gilgamesh’s vision concerning his fate. Enkidu says that Enlil, father of the gods “has given you kingship, such is your destiny, everlasting life is not your destiny” (Sandars 70). With this revelation Gilgamesh knows his destiny very early in his journey. Rather than becoming angry at the gods, Gilgamesh accepts the gods’ choice to not give him eternal life. Instead, Gilgamesh wants to “set up his name in the place where the names of famous men are written, and where no man’s name is written yet he will raise a monument to the gods” (70-1). Gilgamesh succeeds in his plan for making himself famous by first defeating the guardian of the forest, Humbaba, and shortly after, the bull of heaven. During these battles Gilgamesh declares that there is “nothing to fear! … if I fall I leave behind me a name that endures” (71). Having reconciled himself to the fact that fate has indeed determined when he will die, h...
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...O, Gilgamesh…great is thy praise” (119). The narrator is saying that the admiration of others is and will be great. This clearly shows that the people of Uruk will keep Gilgamesh alive in their minds. Beowulf will at some level attain everlasting life through the memory of his people as well.
In Beowulf and Gilgamesh, both heroes desire to gain everlasting life. At one point, Gilgamesh believes that he can actually gain eternal life and change his destiny.
Beowulf, and eventually Gilgamesh, end up gaining everlasting life through their monuments and the good deeds that their people will remember them by. The ancient societies depicted in The Epic of Gilgamesh and Beowulf are no doubt representative of the actual societies that existed during those time periods. These ancient people were greatly concerned with issues such as death, fate, and destiny. People of ancient times and modern realize that even though one cannot escape death, one can to some degree achieve immortality, if only in the memories of those left behind.
Works Cited
Liuzza, Roy M., trans. Beowulf. Peterborough, ON: Broadview, 1999.
Sandars, N. K., trans. The Epic of Gilgamesh. New York: Penguin, 1972.
Considered one of the earliest great pieces of literature, the Epic of Gilgamesh tells an adventurous yet profound tale about the god like king of Uruk, Gilgamesh, and his quest to find immortality. While his name now lives on through the Epic, Gilgamesh did not attain eternal life as the plant of immortality was stolen from him by a snake.
Character deficiencies and external events force these three characters to embark on a journey that may be physical, metaphorical, or both. In the Epic of Gilgamesh, Gilgamesh is the king of Uruk, but he is not a kind or gentle ruler. The narrator describes Gilgamesh as "surpassing all kings, for his stature renowned" (I.30) and yet the people pray to the gods for help because Gilgamesh "would leave no son to his father" (I.67) or "girl to her mother" (I.73). In other words, Gilgamesh sees nothing wrong with taking what he wants from his people, including their lives. However, when Gilgamesh's best friend dies, he finds himself face-to-face with his own mortality, which he is not prepared to accept as inevitable. Gilgamesh states, "I have grown afraid of death . . ." (IX. 5). He decides to continue wandering the land un...
After encountering the death of his friend Enkidu, Gilgamesh realizes that all men will die. Gilgamesh evolves from the beginning of The Epic of Gilgamesh as an unruly king to a realistic king who’s life ends in death. In the end after accepting that he too must die and be subject to fate, Gilgamesh settles back into his city setting, only this time to be a wise king rather than the foolish hero he once was.
The Epic of Gilgamesh, although written in the area between the West and East, is a more Western text rather than an Eastern text. Gilgamesh, in its ancientness can be seen as the catalyst for the majority of Western ideologies and texts. The text in its approach to aging, finding the truth and the pursuit of immortalizing oneself are in parallel with how Western beliefs conduct themselves and by extension show how Western motivation for their text could be constructed. In this manner, Gilgamesh is the oldest surviving Western text to pave the paradigm of Western texts rather than Eastern texts.
The Epic of Gilgamesh is a historic story of the king of Uruk, Gilgamesh. The story depicts the short lived friendship of Gilgamesh and Enkidu. The story begins as Shamat the harlot seduces Enkidu and convinces him to go to the city of Uruk and meet Gilgamesh. From that moment on, the two were very close. They planned a trip to the forest of cedars to defeat the monster known as Humbaba so that Gilgamesh could show his power to the citizens of Uruk. However, Enkidu tried “vainly to dissuade” (18) Gilgamesh in going to the forest. Despite Enkidu’s plead, the two continued on their voyage to the forest where Humbaba lives. Once they arrived, they found the monster and killed him.
Through the many of mankind’s tales of adventure the search for immortality is a very common theme. Many heroes have made it the objective of their travels and adventures. This is no different in The Epic of Gilgamesh and The Odyssey. The heroes in both are tempted by the offer of immortality, however each of them turns it down for their own reasons.
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
True love and immortality in life would be a dream come true to many people. To spend time with a special someone; the person one feels closest to; the so-called soul mate and to never have that high feeling of emotion end mentally and physically would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves and realizes the important things in life and puts it all into perspective. In The Epic of Gilgamesh, the main character, Gilgamesh, is a powerful, arrogant king and part god. Enkidu, Gilgamesh’s partner, is animal-like but later takes on more humanistic traits such as his contemplation’s of death. The friendship between Gilgamesh and Enkidu is a very powerful, loving friendship. Enkidu is Gilgamesh’s soul mate, not only acting as his friend but as a lover too. Enkidu’s presence in Gilgamesh’s life allows Gilgamesh to see what is truly good in life and to accept his mortality much easier.
"I am going to die—am I not like Enkidu? Deep sadness penetrates my core, I fear death, and now roam the wilderness—I will set out to the region of Utanapishtim, son of Ubartutu, and will go with utmost dispatch," (Herbert 9.2-5) this show how Gilgamesh's thinking of death shifted from the beginning of the poem while he did not see the death as a big deal to his status after losing his friend as he could not perceive the idea that death is inventible. Nevertheless, at the very end of the poem, he realized after returning to Uruk from his journey that the secret of immortality was not the type he was looking for, but it was all about his name that will live forever by his good deeds. Definitely, it is the suitable way to be immortal as when we look in the history, we find big and effective names like Leonardo da Vinci and Martin Luther king. All this people not only succeeded in their lives, but they also tremendously affected others' lives. That is what makes them are still remembered till
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
This story teaches that death is an unavoidable and inevitable circumstance of mortal life, which is the most significant precept Gilgamesh learns. Gilgamesh is resentful that only the gods can exist eternally. Gilgamesh is frightened by the idea of his own destiny. Mesopotamian divinity proposes a perception of an afterlife; the deceased spend their period being dead in a netherworld. Death is inevitably entwined within the structure of creation. Life is also entwined, although mortals die, humanity maintains to live. The message that Gilgamesh returns with from his adventure is not primarily about death, but about life. Fragment of a tablet of The Epic of Gilgamesh is figure C down
“You will never find that life for which you are looking. When the gods created man they allotted him death, but life they retained in their own keeping,” Siduri talking to Gilgamesh. (Gilgamesh 4). The epic of Gilgamesh has an abundance of parallels to the trial and tribulations of any human life. Gilgamesh’s story is humanities story of life, death, and realization. The awaking of Gilgamesh from a childish and secure reality connects my own life experiences to the epic tale.
Gilgamesh, feeling the fear of his own mortality, sets out on a journey to search for a way to preserve himself. Although the journey that he endures is much larger than life, Gilgamesh comes to realize that he can never achieve immortality. Before the creation of Enkidu, Gilgamesh is a man without an equal match. He is an individual with overwhelming power, and it is because of this that makes Gilgamesh a very arrogant person.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).