Narration The story first began when Imani was first born in Los Angeles, California. Her mother was a human however her father was vampire. She had a good childhood growing up. She had a German Shepard named Spike that she loved. She would play basketball and volleyball and go hiking with her family. However, that changed when she turned 18. Her fangs started to grow and her thirst for blood increased. She also found out that she had a special power, teleportation. She could go anywhere if she imagined the place. She was becoming a full vampire however she had full control of herself and her thirst. She was still scared of hurting other people so she packed up her stuff and moved out of Los Angeles to Washington. Ever since she was a kid Washington fascinated her. She …show more content…
Okay?” “Yes mom, see you soon!” She then teleported to Paris to check the old warehouse. She checked her surroundings and walked on her tiptoes in order to not make any noise. She then heard the bark of Spike from the inside of the warehouse followed by shouting of two men. She then teleported inside the warehouse and stayed in a shadow and watched the scene. There were two men near a fire who seemed to be speaking French and in the other corner of the room Spike was tied up to a poll by a chain. She then decided to walk out of the shadows and sneak over to Spike and unlock his chain very quietly, however they noticed her and shouted at her and grabbed their weapons. One had a baseball bat and the other had a gun. They walked toward her but she teleported behind them and kicked them from the back which made them stumble and fall. She grabbed their heads and smash them together before they could get up and that made them pass out. The two men laid on the ground unconscious. She quickly untied Spike who barked happily at her and licked her. She smiled and hugged her dog. “Hey Spike! I missed you so much! Now let’s get you out of here and home safe and
Strange things began to happen the next couple days. First, Joey was in the living room of Grandma’s house making a jig saw puzzle. He heard the sound of a horses hooves walking slowly on the street then the sound stopped in front of the house and heard someone put something in Grandma’s mail box. Joey heard the horse walk away and a little while later Grandma’s mailbox blew up. Next, Ms. Wilcox’s outhouse was destroyed by a cherry bomb. Then, a dead mouse was found floating in the bottle of milk that was delivered to the front
After April and Roger search desperately for Cheryl, they look for several weeks, and have no idea where she has gone. One night Cheryl’s friend Nancy calls April, and explains that she was leaving with her, but she had left suddenly and believes she is going to do something bad. April remembers that Cheryl told her how their mother committed suicide, by jumping off the Louis Bridge. When they arrive at the bridge a group of people say they saw a women jumped off and commit suicide about five minutes before they arrived.
While in a park, Bob and his Soc friends drive by, and begin to harass Ponyboy and Johnny. The Socs proceed to chase after the two boys and attempt to drown Ponyboy in a nearby fountain. Johnny takes out his switchblade and stabs Bob, killing him. Randy and the other socs run away in fright. The two boys seek help from Dallas "Dally" Winston, who gives them a loaded gun, money, and directions to an abandoned church in Windrixville to hide out in. Also, Dally tells them that he'll be down there when he thinks its safe. They take the 3:15 goods.
Carmilla is an example of a woman who loves her food far too much. Carmilla is consumed entirely by her food, even sleeping in a coffin of blood: “The limbs were perfectly flexible, the flesh elastic; and the leaden coffin floated with blood, in which to a depth of seven inches, the body lay immersed” (Le Fanu 102). There exists a unique relationship between the vampire and their victims. Food becomes defined in terms of victimhood, distinctly separated from humanity’s general consumption of meat. The need for human victims makes hunting synonymous with courtship, as intense emotional connections are established between the vampiress and her food. As seen in the intense relationship developed between Laura and Carmilla, the vampire is “prone to be fascinated with an engrossing vehemence, resembling the passion of love, by particular persons” (105). For Carmilla, cruelty and love are inseparable (33). The taking of the victims’ blood for sustenance is a highly sexualized exchange of fluids from one body to another. The act of consumption is transformed into an illicit carnal exchange between the hunter and the hunted.
In one of William Shakespeare’s most renowned and celebrated plays, the story of a General named Othello unravels in tragic form as he falls victim to the lies created by Iago. Once revered as a war hero and wed to the beautiful Desdemona, Othello’s life spirals downward with the untimely death of his beloved in his own hands, ultimately ending with his own demise. Love is the force behind this tragedy. Tragedy is the main driving force that brings happiness and tragedy to the characters within the play. But even as such a prominent force, it lacks clear definition. Love has a different meaning to the characters in the play. Characters like Othello, Desdemona, and Iago all have different perspectives on love, which informs their behavior in different ways.
While the character of Renfield is ostensively extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the recurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield. Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’.
Returning home, Snopes begins to empty the kerosene from the lamp into a can. Snopes’s mother is tugging on Snopes trying to prevent another barn burning. Snopes pushes her aside and tells Sartoris to get a can of oil from the barn. Sartoris has a fantasy of running away but returns with the can of oil. Snopes tells his mother to hold Sartoris, knowing he will try to stop him from burning the barn. Snopes heads out to the barn and Sartoris begins to resist. Finally, escaping from the grasp of Snopes’s mother, Sartoris heads to Major De Spain’s home to warn him. The mother and aunt is unable to stop Sartoris. Bursting into the house of Major De Spain, he warns them about the barn. Running back onto the road, Major De Spain’s horse catches up
She panicked, not knowing what to do she grabbed a knife from the kitchen and started walking to him, he wasn’t looking as he was turned around fixing the unit. She walked up to him and threw her arms above her head, ready to strike with the knife. She went down, striking the knife on Berthas head. This made a 3 inch gauge, blood was everywhere. Scarlett started crying, just realizing what she did. She called the police, told them what had happened. They showed up to the apartment, examined the body, and realized that this wasn’t the right guy. This was his twin, she was convicted of murder and never step foot outside of a prison the rest of her
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
Spike burnt beneath the new Sunnydale High School, and the entire town cratered as the school bus with the potential raced out of town with Buffy holding on for dear life on top of it. Staring down into the chasm, Dawn asked Buffy what she planned to do, since she wasn't the only Chosen One anymore.
The bell rang and she carefully put the bookmark in the book. She ran to the librarian’s desk and quickly checked out the book, then she muttered a “thank you,” and “goodbye” to the librarian, and jogged out the door.
complication, gives birth to a vampire-human hybrid, and with the help of her friends defeats an
Tossing the screwdriver onto the table, Cinder gripped her heel and yanked the foot from its socket. A spark singed her fingertips and she jerked away, leaving the foot to dangle from a tangle of red and yellow wires.
Once Julius, Carter and Sadie go into the museum, they go to where the Rosetta Stone is being displayed. Once they get there Julius asks the security guard to get the papers he has asked for on the phone. When the guard goes to get the papers Julius tells Carter and Sadie to lock up the guard in his office, they are confused but they obey. After Carter and Sadie lock up the guard, they go back to their father who is now performing some kind of spell. They see blue lights flashing and they hear yelling and all at once the Rosetta Stone breaks into a million pieces.
Thanks.", she called back to him knowing now that it was certainly time to ditch the pooch. When she felt she was a good ways ahead of him she glanced back over her shoulder only to see that he was trailing behind her, her heart dropped as a panic set in. All of the sudden she felt like a rabbit running from the big bad wolf. But this rabbit wasn't about to fall victim to such a beast! Internally cursing she needed to loose him, or at least force him to back off... but how? Her eyes landed on what appeared to be a large store of some sort, full of what looked like fancy plates and glasses just across the street. Surely he wouldn't do anything foolish if she went in