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Portrayal of women in media disadvantage
Portrayal of women in media disadvantage
Portrayal of women in media disadvantage
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Guillermo Del Toro’s Pan’s Labyrinth is not based on any literacy books. Clyde Geronimi’s, Wilfred Jackson’s, and Hamilton Luske’s Alice in Wonderland is based on Lewis Carroll’s original story of Alice in Wonderland. Neil Jordan’s The Company of Wolves is an adaptation of Angela Carter’s short story of the same name. All three female protagonists are evolving, physically and mentally, from girls to women. Imagination provides all three protagonists with freedom from oppression and abuse. In Pan’s Labyrinth, the main character, Ofelia is abused by her Fascist stepfather and utilizes her mind to escape his tortured. In Alice in Wonderland, the protagonist, Alice employs her imagination to free herself from societal norms. In The Company of Wolves, the heroine, Rosaleen liberates herself from her sister’s mistreatment. In Pan’s Labyrinth, Alice in Wonderland, and The Company of Wolves, the protagonists employ anger to produce a fantasy world that mirrors the injustice of the real world and provides them with control, but ultimately their bodies become susceptible to their minds.
The heroines invent a fantasy world that reflects the injustice they suffer in the real world. Mercedes, a housekeeper, utilizes Ofelia to cover her treason towards Captain Vidal. By means of affection, the housekeeper wins Ofelia’s trust and therefore prevents her from opening her mouth to the Captain. Ofelia encounters a Faun in the labyrinth and she becomes found of him. The Faun uses her to bring tranquility back to the underworld and ease the King’s pain of not having a daughter. In both worlds, other characters employ Ofelia as a tool to achieve their purposes. On the other hand, Alice is force by her society and her sister to behave properly. She pr...
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...trols the characters and the atmosphere through consciousness manipulation. At the end of the movie, Alice is about to be persecuted by the Queen of Hearts, when she sees herself through the door and tells herself to open her eyes. When she opens her eyes the characters and her agony vanishes. Alice is able to turn on and off her imaginative world similar to a human controlling an electronic device. Yet Rosaleen’s power is illustrated when she unleashes the wolf inside her. Throughout the story, she lived under her grandmother’s influence. When Rosaleen decides to disobey her grandmother, she surrenders her fear and gains control over her life. Although, she is in the main character of the story, that is not apparent until she transforms into a werewolf. By means of transformation, Rosaleen gains power over herself. The characters’ world contributes to their power.
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
In The Lost Boys there are similar occurrences and references to both of the novel Dracula, by Bram Stoker and Peter Pan, by Sir James Barrie. There are many similarities between the three story lines. In the stories of all three works there is a common thread of story it all started with Dracula.
The Descent of Alette by Alice Notley follows Alette's journey through the underground subway system, which ends up being a whole different world. Alette's mission to take down the oppressive tyrant that controls this underground world, symbolizes her desire to confront male hegemony. Through refrences to the thesis, form, and historical context it is undeniable that the author is taking the reader on a journey through Alette's struggle with patriarchy.
Which is caused by the narrator having a male perspective. The narrator does not give the women and credit or redeeming qualities. All the women follow a general stereotype. If they tried to break away from the stereotype, they would me more important and influential characters. Paquette, a chambermaid in the Baron’s castle, is described as “a pretty and obedient brunette” (5). She is identified obedient not because of her job as a chambermaid, but because she is willing to exploit her soul and body to the men around the castle. In regards to the old woman, she doesn’t even have an actual name, which does not matter since is ugly and useless. The old woman has the mindset that she is; an object; a mistake; a disgrace. That her time has passed as a beautiful useful woman. All the rape and abuse has physically affected her and she is out of luck. In fact, she is lucky if men talk to her, or even look at her without
influence all her life and struggles to accept her true identity. Through the story you can
characters created to display a woman’s search for a way out of the bonds of her society.
... perfect exemplars of how an ideal innocent women, can face undoubtedly tragic fates. Despite much strength in their characters, both Daisy and Desdemona exhibit the vulnerability of their innocence, the ability for others to take advantage of them, and glaring weaknesses. They are unaware of their surroundings, which lead to questionable actions. Their inevitable tragedies occur because of how each character dealt with these situations placed in front of them. All in all, Daisy and Desdemona are responsible for their tragedies because they are women placed in unfamiliar positions and are unable to deal with situations placed in front of them.
These characters, however different they lie on the morality scale, all share the sinful trait of greed. They all ask, and take too much, ruining what the good that they had in their lives. Understanding their mistakes offers its useful readers a lesson, not to demand too much of the things we are offered. The characters struggle with their desires, each of them succombing to their passions.
Diamant’s magic enables a romance to flower from violence and the formulation of a “voiceless cipher” into an ingenious being transpire (1). She forces the reader see that in the eyes of trial and tragedy, happiness and love, we find reflections of ourselves no matter the age gap. She emphasizes that such a task could not happen if not for the “scolding, teaching, cherishing, giving, and cursing one with different fears (2),” that “summon up the innumerable smiles, tears, sighs and dreams of human life” (321). All this, Diament reminds all females, can be sequestered in the red tent.
The Bloody Chamber is a remake of the original fairytale Bluebeard; however Angela Carter rewrites the fairy tale using her feminist views to raise issues concerning roles in relationships and marriage, sexuality and corruption. Carter challenges the classic role of the male protagonist and the female victim; she does this by changing the stereotypes of the traditional fairy tale’s males as the saviours and females as the victims. She challenges the fairy tale’s traditional sex roles when she replaces the brother of the bride for the mother as the rescuer, “one hand on the reins of the rearing horse while the other clasped my fathers service revolver” this demonstrates to the reader that women are as strong as men, even stronger and can take on a expected man’s role and make it their own therefore challenging the stereotypical gender roles of Men. In addition to this as a feminist, Carter uses anti-essentialism to present that time, power and position are the details that makes a man act like he does and a woman like she does. This is revealed through the setting, France 1790’s, were men and women were not equal. The Marquis in this story is presented as a wealthy older man who has the ability to seduce and retrieve what he wants, “his world” this emphasizes the power he maintains and it gives him ownership not only of his wealth but the young bride and even possibly the...
This novel is set in a time 300 years after a convulsion, a great war that was brought upon by men. It was men who were the diplomats and men who made the speeches about national pride and defenseand we died (pg. 301). The beginning of the novel starts out as a reflection and continues to be a reflection until the end, although the ways in which Tepper words happenings, put the reader in the moment so that he/she forgets they are reflecting and thinks that each happening is going on as you read, giving much more meaning to the piece. The reader is taken on a journey through the experiences of one girl from adolescence to adulthood, and as she comes to understand the way of life in Womens Country so do we the reader. Stavia (the main character) is reflecting everything that has made her who she is up to that point in her life. When Stavia was young the only worry she had to deal with was the coming and going of the male counterpart.
This story tells a story of people struggling under the pressure of society and its disgusting lifestyle. Although Kezia is a part of a high class society she shows that even people of superior class can be kind and remove the idea that people similar to her social status are entirely selfish and harsh just as a lamp scatters the darkness.
Although the novel is notorious for its satire and parodies, Alice’s Adventures in Wonderland main theme is the transition between childhood and adulthood. Moreover, Alice’s adventures illustrate the perplexing struggle between child and adult mentalities as she explores the curious world of development know as Wonderland. From the beginning in the hallway of doors, Alice stands at an awkward disposition. The hallway contains dozens of doors that are all locked. Alice’s pre-adolescent stage parallels with her position in the hallway. Alice’s position in the hallway represents that she is at a stage stuck between being a child and a young woman. She posses a small golden key to ...
Lewis Carroll’s Alice in Wonderland follows the story of young Alice trapped in the world of Wonderland after falling down through a rabbit-hole. The rabbit-hole which is filled with bookshelves, maps, and other objects foreshadows the set of rules, the ones Alice is normally accustomed to, will be defied in Wonderland. This conflict between her world and Wonderland becomes evident shortly after her arrival as evinced by chaos in “Pool of Tears” and Alice brings up the main theme of the book “was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I am not the same, the next question is who am I?” (Carroll 18). After Alice fails to resolve her identity crisis using her friends, Alice says “Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up: if not, I’ll stay down here til I’m somebody else” (Carroll 19). Hence in the beginning, Alice is showing her dependency on others to define her identity. Nevertheless when her name is called as a witness in chapter 12, Alice replies “HERE!” without any signs of hesitation (Carroll 103). Close examination of the plot in Alice in Wonderland reveals that experiential learning involving sizes leads Alice to think logically and rationally. Alice then attempts to explore Wonderland analytically and becomes more independent as the outcome. With these qualities, Alice resolves her identity crisis by recognizing Wonderland is nothing but a dream created by her mind.
Alice in Wonderland belongs to the nonsense genre, and even if most of what happens to Alice is quite illogical, the main character is not. “The Alice books are, above all, about growing up” (Kincaid, page 93); indeed, Alice starts her journey as a scared little girl, however, at the end of what we discover to be just a dream, she has entered the adolescence phase with a new way to approach the mentally exhausting and queer Wonderland. It is important to consider the whole story when analyzing the growth of the character, because the meaning of an event or a sentence is more likely to mean what it truly looks like rather than an explanation regarding subconscious and Freudian interpretations. Morton states “that the books should possess any unity of purpose seems on the surface unlikely” (Morton, page 509), but it’s better to consider the disconnected narrative and the main character separately, since the girl doesn’t belong to Wonderland, which is, as Morton says, with no intrinsic unity. Whereas, there are a few key turning points where it is possible to see how Alice is changing, something that is visible throughout her journey. Carroll wants to tell the story of a girl who has to become braver in order to contend with challenges like the pool made by her own tears, or assertive characters, like the Queen.