Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Writing courage essay
Writing courage essay
The influence of identity
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Writing courage essay
The statement that courage and imagination can be a driving force in helping someone in overcoming hardships, is prevalent in both Adeline Yen Mah’s, ‘Chinese Cinderella’ and Alfonso Cuaron’s film ‘A Little Princess’. Both these texts contain main characters who express their imagination to help them overcome the oppressive situations in which they are placed. In ‘Chinese Cinderella’, Adeline relies on writing to transport her to a place that is unaffected by the hardships she faces in reality. Furthermore, in the film, Sarah depends on imaginative story telling as a driving force to temporarily conquer the hardships she experiences. In addition, the characters in both texts develop attachments to various treasures that give them comfort and to take their minds off of their oppressive lives. For Adeline, she develops a friendship with a duck, whom she named Precious Little Treasure, whilst Sarah has an attachment with the doll her father gave her. Both of these are incapable of returning their affection, however Adeline and Sarah find comfort in imagining that their possessions understand them. Ultimately, the courage shown by both Adeline and Sarah allows them to overcome …show more content…
their subjugation and adversities infinitely. Primarily, both Adeline and Sarah use their imaginations to escape from their harsh reality. Both protagonists suffer from oppression and as a result they have discovered a way to use their imagination and escape from their lives temporarily. For Adeline, she writes fictional stories about mystical lands with dragons and knights. Adeline immerses herself into the storyline and gets lost in the fictional world, forgetting about her family and the suffering they put her through for a little while. In addition, Adeline said that when she wrote she “Forgot that she was the unwanted daughter” (p.61) nor was she the “Lonely little girl bullied by her siblings” (p.61). She said that she “Could be anyone she wished” (p.61). To her “Writing was a pleasure” (p.61). Therefore, Adeline’s writing is extremely emotive because she poured all of her feelings of loneliness, sadness, and frustration into her writing. Furthermore, Sarah’s imagination helps her in getting away from reality in the form of storytelling. Unlike Adeline, Sarah makes up stories and tells them to the other girls in the boarding school. When a little girl was throwing a tantrum Sarah told her a story about how her mother and the little girl’s mother were angels because they were dead. She said to the little girl that “They watch over us from above and talk to us, but, you can’t hear them if you’re screaming like that”. Sarah also demonstrated her use of imagination when she was in the attic with Becky and she told her a story about India, as a result, she helped the both of them get distracted from their misery. Thus, Adeline and Sarah are similar because they both use their imagination extensively to forget about the hardships in their life. Moreover, Sarah and Adeline develop immense attachments to possessions. The two characters both have possessions that they are deeply attached to, Adeline has a pet duck whom she named PLT (Precious Little Treasure), and Sarah has a relationship with a doll that her father gave her named Emily. For Adeline, she grows a strong friendship with PLT, she said that when she first saw him she felt “Very protective” (p. 84) of the weak little duckling as it reminded her of herself; the runt of the litter. PLT had “Comforted Adeline and let her know she was needed” (p. 84) when nobody else had ever paid any attention to her before. PLT was also Adeline’s “Best friend in the whole wide world” (p. 84) and she loved him more than life itself. When PLT was mauled by the dog, Jackie, she felt as though her “Whole world had turned desolate” (p. 96) and she “Experienced grief she never forgot” (p.96). She had lost her only friend and was useless and lonely once again. Similarly, Sarah has an attachment to the doll her father gave her called Emily. Her father told her that whenever she wants to talk to him she should just “Tell Emily and she will pass on the message” also when she hugs Emily it will be like “Getting a hug” from her father. Sarah and Emily’s bond is especially seen when Sarah hears of her father’s death she clutches onto Emily desperately as she is the only thing Sarah has left from her father. Eventually, Sarah develops a bond with Becky, the other slave girl, in this way she is different from Adeline because Adeline had no other human friends. At the end of the movie when Sarah reunites with her father she gives Emily to the other girls at the boarding school and tells them the same thing her father told her. This is another way in which Adeline and Sarah are different, Adeline had no reason, or friends, to give PLT away. Therefore, Adeline and Sarah are similar because they both had precious friendships with their possessions but they are different because of what happened to the possessions. Finally, Adeline and Sarah both show bravery when attempting to escape their oppression and experience freedom. Both of them have been severely tied down by their superiors and so they are always constricted in what they can do, for Adeline she is oppressed by her family whilst for Sarah she is oppressed by Miss Minchin, the headmaster of the boarding school. To begin with, Adeline’s mother died giving birth to her so from then on she was considered a curse and therefore treated like an animal. She was always bullied by her siblings and by her step mother, Niang, who hated Adeline so she sent her to a boarding school and completely cut her off from the family. Adeline expressed her courage when she entered in the play writing competition when everyone else told her she would most likely fail. When her father asked her how she did it she said “Perhaps I was the only one determined enough to enter” (p. 220) which shows just how little faith and confidence she has in herself, the only thing she’s been told is how worthless and useless she is. Adeline also demonstrated courage when she asked her father if she could go to study in England with her older brothers, it was a big risk since she was never granted any type of gift before, also when she said to her Aunt Baba that she will one day leave her oppression behind and take her Aunt with her to a better place where they can be free from Niang. Likewise, Sarah also possesses great courage and this is seen when she talks back to Miss Minchin. Miss Minchin tried to break Sarah’s spirit by saying that she can’t be a princess in a dirty place like the attic, however, Sarah talks back to her and say “All girls are princesses, even if they don’t have any money, or pretty clothes, it doesn’t matter how old they are. Every girl is a princess”. She also expresses courage when she crosses the wooden beam to escape from Miss Minchin and the police and when she promises Becky that she will come back for her. When she is in the other building and she sees her father it is evident that if Sarah had not gathered her courage and crossed the beam she would have been caught by the police and gone to prison without seeing her father again. Consequently, Adeline and Sarah both express courage when it comes to gaining freedom and leaving their oppression behind. In Conclusion, it is apparent that in both Adeline Yen Mah’s ‘Chinese Cinderella’ and Alfonso Cuaron’s film ‘A Little Princess’ the main protagonists rely on imagination and courage as a means of escaping their hardships and oppression.
Adeline escapes her by writing expressive and emotive stories while Sarah deals with her subjugation by telling stories to Becky and to the other girls in the school. Adeline expresses courage by entering a writing competition when she has been told that she is worthless and her self-esteem is low. Adeline also shows courage when she asks her father if she can go and study in England with her older brothers. Sarah shows courage when she talks back to Miss Minchin and when she crosses the beam to escape the other building and hide from Miss Minchin and the
Police.
In “The Classic Fairy Tales” by Maria Tator and “Mad Shadows” by Marie-Claire Blais, both texts deal with the idea that suffering and understanding are deeply connected. The authors aim to prove that suffering and understanding go hand in hand in order for change to occur. In “The Classic Fairy Tales”, Beauty and the beast, Snow White and Cinderella, will explore the relation between understanding suffering via transformation, desire, and physical injuries, when compared and contrasted with Mad Shadows.
It is commonly believed that the only way to overcome difficult situations is by taking initiative in making a positive change, although this is not always the case. The theme of the memoir the Glass Castle by Jeannette Walls is that the changes made in children’s lives when living under desperate circumstances do not always yield positive results. In the book, Jeannette desperately tries to improve her life and her family’s life as a child, but she is unable to do so despite her best efforts. This theme is portrayed through three significant literary devices in the book: irony, symbolism and allusion.
In many short stories, characters face binding situations in their lives that make them realize more about themselves when they finally overcome such factors. These lively binding factors can result based on the instructions imposed by culture, custom, or society. They are able to over come these situations be realizing a greater potential for themselves outside of the normality of their lives. Characters find such realizations through certain hardships such as tragedy and insanity.
Today, adults reading Charles Perrault’s Cinderella realize similarities and differences between Cinderella and a modern western woman. Adults recognize that Cinderella in Perrault’s fairy tale has undesirable qualities for a modern western woman, today. Cinderella is affectionate, goodwill, forgiving, and loyal. On the other hand, Cinderella is not independent, outspoken, confident, and strong. Cinderella has low self esteem and is incapable of solving problems. Inferiority, dependence and passiveness are characteristics that represent Cinderella do not characterize a modern western woman.
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
“Through perseverance many people win success out of what seemed destined to be certain failure.” — Former British Prime Minister Benjamin Disraeli. In the novel Chinese Cinderella, Adeline Yen Mah faces many challenges in her life and shows perseverance. Adeline is very close to failure and is constantly unwanted by her family, but this neglected daughter strives to do her best and perseveres through obstacle after obstacle to find her way. Even though Adeline does succeed at the end of the book, Chinese Cinderella, a true biography by Adeline Yen Mah, is a depressing story in my opinion.
As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
Adeline Yen Mahs Presentation of Chinese Culture in Chinese Cinderella Adeline Yen Mah was born in 1937 in China during cultural upheaval. Chinese Cinderella is an autobiography of Yen Mah's life during the ages 4-14 years old. As the book is a portrait that is only written from Yen Mah's view over life it would differ if someone else wrote. it. I will be able to do it.
Parents play an important role in a child’s life so it is only natural that these roles are portrayed in fairytales meant for children. This is evident in the tale Donkeyskin by Charles Perrault and Cinderella by the Grim Brothers. The differing roles of the fathers in these tales, along with the similar roles of mothers, establish two different beliefs to impart on a child. Donkeyskin reminds a child that his/her parents love is undying and wants what is best for them; while Cinderella stresses the importance of becoming independent. Both of these beliefs recognize and address a child’s simple desires and fears.
Not having a parent figure in Cinderella’s life made her feel lonely similar to the feeling of being an outcast. Having no one to seek advice or guidance from, Cinderella grows up feeling abandoned. With two manipulative step sisters making her be the house wench she doesn’t have a social live. The “evil” step mothe...
In both Hans Christian Andersons “The Little Mermaid,” and Disney’s version of the story, the main character— a young and beautiful mermaid— waits anxiously for her fifteenth birthday to venture from her father’s underwater castle to the world above the water. As the story carries on the mermaids priorities change; her modest and selfless nature is revealed towards the end in Andersen’s version. However, Disney’s version encompasses a rather shallow ending and plot throughout. The theme found in comparing the two versions reveal that Andersen’s substance trumps Disney’s entertainment factor in fairy tales.
Over the years, Disney has presented many movies to their audience—most having a Princess as the protagonist. These movies became a babysitter for most parents in the early stages of their child’s life. Most people found these movies as relatively harmless. The obvious assumption about the Disney Princesses is that they only desire true love since almost every movie ends in romance. Parents just viewed these movies as romantic movies on a child’s level. However, these movies were not solely intended for an audience of an age that can be counted on both hands. They were intended to speak to “an intelligent and active audience” (Sumera 40). However, there are many people who disagree with the ways of the Disney Princess movies. The disagreements lie within the portrayal of women gender roles in these movies. It is argued that Disney portrays women as a being nurturing individuals without any control over their identity. The women are unable to think for themselves, because they are uneducated, and they are quick to fall in love with the first man that pays them any attention. However, this is not completely true. The people that are against the portrayal of women in the Disney movies are failing to recognize the underlying concepts in these movies. For example, Belle, in Beauty and the Beast, was well educated, Mulan went to war despite the consequences, and Merida, in Brave, stood up to her mother in refusal to marry. The Disney Princesses desired intelligence, bravery, strength, and independence—not true love’s kiss.
feel discouraged, and those clouds come back, take out this letter and read it again”(195). This shows that Adeline even an 14 year old needs encouragement. It also shows only Ye Ye and Aunt Baba were there to encourage her. As a result her Aunt Baba and grandpa care for her even though her parents don’t.
Many of Disney’s original movies such as snow white, sleeping beauty, and Cinderella all present perfect examples of a strong issue that has been the controversy of the 21st century. These movies bring on an obvious trend that even small children could point out. The beautiful girl is stuck in some kind of sad imprisonment(either brought upon by herself or by others) and a handsome prince sweeps her off her feet and saves the day. Which, raises an important question as to why some women wait for their prince charming to come rescue them, instead of putting on their metaphorical belt and boots and clearing their own path to the future they desire. However the trend is not only seen in disney movies but also in our culture today. In which, many
Throughout history, fairy tales have grown to captivate the hearts and minds of many. A Cinderella Story is set firmly in reality and in the present day; in fact, it's every bit a fantasy as the original story. This film refrains from any allusions to magic, but instead lets serendipitous occurrences provide the engine on which this fairy tale creates its plot. The impression A Cinderella Story is in place of a well-thought out story and characters that anyone could relate to or believe. Although the target audience of the film are teens, females, and romantics, A Cinderella Story can be praised and savored by all audiences because of its ingenious screenplay, acting, and melodic soundtrack.