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Edgar Allan Poe's writing style
Edgar allan poe gothic stories
Edgar allan poe gothic stories
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Recommended: Edgar Allan Poe's writing style
Why are Edgar Allan Poe’s works so poignant and heavy when read? Poe uses a variety of literary devices to convey what he wants to the reader, but imagery is the most impactful of them all. He allows the readers to step into his stories and permits them to feel as they have been taken into the story. Poe’s portrayal of tragedies and dark stories in his works such as “The Black Cat,” “The Masque of the Red Death,” and “The Cask of Amontillado” depends mainly on his use of one artistic tool, imagery. Each of these three stories explores tragedies or either dark, twisted characters that make some inhumane decisions for some reason or another.
Now with the understanding of what tool Poe uses to make his writings more impactful, “The Cask of
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Amontillado” reveals many examples of Poe’s skillful use of imagery. Most of the story takes place in catacombs, probably somewhere in Italy, where two men are searching for a wine called the Amontillado. Poe explains in detail the halls of the catacombs and how they are lined with human remains and the structure of the roof and placement of support beams. Poe states “Its walls had been lined with human remains, piled to the vault overhead, in the fashion of the great catacombs of Paris.” The way Poe portrays the catacombs really allows someone as a reader to picture the setting and feel as though he/she are really there. To add on, later on in the story as the two men make their way further into the crypts, Poe uses imagery again to describe the scent of the catacombs. Poe explains “ We passed through a range of low Furrer 2 arches, … arrived at a deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame.” By the use of imagery in “The Cask of Amontillado,” the readers are able to have a clear, detailed image of the setting in the story. Along with many examples of imagery in “The Cask of Amontillado,” “The Masque of the Red Death” also illustrates numerous examples of imagery that are impactful to the story.
“The Masque of the Red Death” is a short tale about a king who rules a dominion plagued with a disease called the red death. The Prince decides to build a fortress that will hold many of his closest friends and relatives and keep the disease out. The castle in which the Prince and all of his closest friends are inside of, is a magnificent fortress that is lavish and decorated with a variety of colors for each apartment. Poe explains, “That at the eastern extremity was hung, for example, in blue—and vividly blue were its windows.” In this quote, the use of imagery describes the first of seven apartments that hold guests for balls and entertainment. In addition, the last of the seven apartments described is a black room that in itself symbolizes the red death. In this room stands a clock that clangs every hour and when the clock begins to clang. Everything in the fortress seems to stop while the clock clangs. Poe describes the clocks clang very vividly, to set the mood of the seventh room and what it is like. Poe states “Its pendulum swung to and fro with a dull, heavy, monotonous clang.” This example of imagery uses the hearing sense, and it helps the reader understand the mood of the room. Poe wants this room to be creepy, dark, and scary and conveys that clearly through the use of …show more content…
imagery. Furrer 3 Though it may seem as the examples of imagery in “The Masque of the Red Death” may be the most impactful, there are instances in “The Black Cat” where Poe uses imagery to describe some of the darkness and most twisted scenes in great detail.
“The Black Cat” is a short story about a man is dealing with alcohol problems, which cause him to lose his temper more frequently. One of the first cases of the man’s lashing out happens towards the beginning of the story. The man returns home, very intoxicated, and proceeds to cut one of the cat’s eyeballs out. Poe states “I took from my waistcoat-pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket!” The use of deep description by Poe in this instance allows the reader to fully imagine the actions done by the man to the cat. He gives many small details like “grasped the poor beast by the throat,” to really readers to see what he wants them to. Additionally, as the story moves forward, the man is not done with the cat. He then proceeds to murder the cat he has already cut an eye out of. Poe explains “One morning, in cold blood, I slipped a noose about its neck and hung it to the limb of a tree.” Poe paints a striking picture for the reader to see, and to feel the full impact of the action taken in the story.
To sum up, the use of imagery by Edgar Allan Poe in his stories results in his stories being very poignant. In “The Cask of Amontillado,” Poe describes the catacombs
in great detail by stating what they look like and the scent. In “The Masque of the Red Death,” Poe’s use of imagery allows us to understand what the castle layout is, and the mood of the last apartment. Lastly, the actions done by the main character in “The Black Furrer 4 Cat” are described in great detail, making the story more impactful. Imagery is such a big part of Poe’s stories, what would it be like without it?
Being able to feel the world in any story is an excellent way to make readers get involved in it, and Connell does this by using imagery. Connell writes, “The sensuous drowsiness of the night was on him. ‘It’s so dark,’ he thought, ‘that I could sleep without closing my eyes; the night would be my eyelids’”(Connell 217). The mood of this quote can make any reader feel drowsy because of the way Connell describes the night. Again this is something Poe cannot achieve. For example, Poe writes, “I took from their sconces two flambeaux, and giving one to Fortunato, bowed him through several suites of rooms to the archway that led into the vaults. I passed down a long and winding staircase, requesting him to be cautious as he followed. We came at the length to the foot of the descent and stood together upon the damp ground of the catacombs of the Montresors” (Poe 867). This quote doesn’t even compare to what Connell did because Poe wrote The Cask of Amontillado without any imagery. The tone and mood created by Connell make the imagery of “The Most Dangerous Game” better than Poe’s short
Edgar Allen Poe is the author of many great pieces of literature. He uses his narrators to explain situations that are going on in their life. The narrators of "The Cask of Amontillado" and "The Black Cat" demonstrate their love for mans inhumanity to man and animals through horrific murders.
Edgar Allen Poe is known for his dark yet comedic approach toward the his theme of his stories. Likewise, Poe’s themes have gathered many fans due to his impression of reasoning in his stories. The author uses thinking and reasoning to portray the theme. Poe’s unique diction comprehends with the theme of the story. Poe has a brilliant way of taking gothic tales of mystery, and terror, and mixing them with variations of a romantic tale by shifting emphasis from, surface suspense and plot pattern to his symbolic play in language and various meanings of words.
Edgar Allan Poe is known for some of the most horrifying stories ever written through out time. He worked with the natural world, animals, and weather to create chilling literature. Two most notable thrillers are “The Cask of Amontillado” and “The Tell-Tale Heart”. Poe was infatuated with death, disfigurement, and dark characteristics of the world. He could mix characters, setting, theme,and mood in a way that readers are automatically drawn into reading. Both of these short stories have the same major aspects in common.
The first literary device used by Poe in his short story “The Cask of Amontillado,”
Edgar Allan Poe primarily authored stories dealing with Gothic literature; the stories were often quite dreary. Poe possessed a very sorrowful view of the world and he expressed this throughout his literary works. His goal was to leave an impression with every detail that he included in his stories. Although Poe’s stories seem very wretched and lackluster they all convey a certain idea. A trademark of Poe’s is his use of very long complex sentences. For instance, in his work The Fall of the House of Usher, Poe tried to ensure that every detail was as relevant as possible by integrating a wide variety of emotion. In the third paragraph, of page two hundred ninety-seven, Poe wrote, “Feeble gleams of encrimsoned light made their way through the trellised panes, and served to render sufficiently distinct the more prominent objects around…” This sentence illustrates the descriptiveness and complexity that Edgar Allan Poe’s works consisted of. The tormented cognizance of Poe led him to use a very gloomy diction throughout his writing. Edgar Allan Poe’s use of symbols and the way he conveyed his writing expr...
One use of imagery describes the vaults of Montresors house. Poe writes “The vaults are insufferably damp. They are encrusted with nitre”(2). Montresor is describing his vaults to Fortunato prompting him not to come. In this quote, Poe describes the vaults as cold and damp, with nitre, or white dust on the walls, that gives an image of vacancy and spookiness. His use of imagery gives a sense of uncomfortable and creepy feeling that adds to the overall horror that awaits ahead. Ahead a horror of a picture awaits as both Montresor and Fortunate head down to the catacombs. “We passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame”(Poe 5). As the both of them head down the catacombs, the quote produces an image of narrow hallways and staircases giving a feeling of confinement. Not only is it cramped, but the stench of the air is so great it smothers out their torches to a glowing state. This gives the reader a thought of what Fortunato must be thinking when he stumbles through Montresors narrow vaults. As the story reaches its climax, the noises of Fortunato are vividly heard. “A succession of loud and shrill screams, bursting suddenly from the throat of the chained form, seemed to thrust me violently back”(Poe 6). Fortunato, after he is chained up and his drunkiness wears off, realizes he has been chained up. He lets out loud screams, that startle Montresor and knock him back. His screams are so vividly described that an image of complete terror can be
Humans have always struggled against confinement and toward freedom. However, they choose not to recognize that history has proved time and again that too much freedom incites anarchy and too much confinement invites tyranny. It’s the nature of all animals to desire freedom and resist confinement. Many times the animal struggles so blindly it does not recognize it is destroying itself or condemning itself to further confinement. In “The Cask of Amontillado” Fortunato and Montresor are symbols of how human nature manifests differently in different people in varying combinations of psychological and physical freedom and confinement.
Poe’s frightening stories acts as helpful inspiration for entertainment in the present, and for many years to come. The timeless relevance of his work, and its merciless scrutiny of the human condition, solidifies its place in history and its position of high admiration. In conclusion, the extraordinary-fleeting-tragic life of Edgar Allan Poe will forever remain on record as the tale of an orphan, a gentleman, a soldier, and one of the most prominent literary figures in American history.
Furthermore, Poe’s plot development added much of the effect of shocking insanity to “The Black Cat.” To dream up such an intricate plot of perverseness, alcoholism, murders, fire, revival, and punishment is quite amazing. This story has almost any plot element you can imagine a horror story containing. Who could have guessed, at the beginning of the story, that narrator had killed his wife? The course of events in “The Black Cat’s” plot is shockingly insane by itself! Moreover, the words in “The Black Cat” were precisely chosen to contribute to Poe’s effect of shocking insanity. As the narrator pens these he creates a splendidly morbid picture of the plot. Perfectly selected, sometimes rare, and often dark, his words create just the atmosphere that he desired in the story.
One of the other literary devices that Poe focuses on is personification. Personification is used to give a life like description of an object. Personification is one of the literary devices that bring his writings to life. For instance, “…weighty rod of brass, and the whole hissed as it swung through the air.” (The Pit and the Pendulum) is a great example. Anadiplosis, bomphiologia, chronographia and enargia greatly influence Poe’s writing style. Poe uses these and many other types of literary devices to bring his writing to life. Using the imagination he was able to create theses works of true art. Poe made his stories so eloquent that you had to use your mind to read them, which made them popular in America. Even today, scholars still read his work and try to understand the mind of Poe. (Poe)
Edgar Allen Poe’s short story The Black Cat immerses the reader into the mind of a murdering alcoholic. Poe himself suffered from alcoholism and often showed erratic behavior with violent outburst. Poe is famous for his American Gothic horror tales such as the Tell-Tale Heart and the Fall of the House of Usher. “The Black Cat is Poe’s second psychological study of domestic violence and guilt. He added a new element to aid in evoking the dark side of the narrator, and that is the supernatural world.” (Womack). Poe uses many of the American Gothic characteristics such as emotional intensity, superstition, extremes in violence, the focus on a certain object and foreshadowing lead the reader through a series of events that are horrifying and grotesque. “The Black Cat is one of the most powerful of Poe’s stories, and the horror stops short of the wavering line of disgust” (Quinn).
for dark, mysterious, and bizarre works of fiction. His works sometimes reflected his life experiences and hardships he tried to overcome. Examples of the troubles in his life include alcoholism, having his works rejected over and over, being broke, and losing his family, even his beloved wife to tuberculosis. There is no wonder why his works are so dark and evil, they were taken from his life. A theme is defined as the major or central idea of a work. Poe’s short story, “The Black Cat”, contains six major themes that are discussed in this paper. They include the home, violence, drugs and alcohol, freedom and confinement, justice and judgement, and transformation.
One of the staples of Poe's writing is the dramatic effect it has on the reader. Poe is known for his masterful use of grotesque, and often morbid, story lines and for his self-destructive characters and their ill-fated intentions. "The Black Cat" is no different from any of his other stories, and thus a Pragmatic/Rhetorial interpretation is obviously very fitting. If Pragmatic/Rhetorical criticism focuses on the effect of a work on its audience, then "The Black Cat" serves as a model for all other horror stories. One of the most intriguing aspects Poe introduces into the story is the black cat itself. The main character initially confesses a partiality toward domestic pets, especially his cat. Most readers can identify with an animal lover, even if they themselves are not. It is not long though before the reader learns of the disease that plagues the main character - alcoholism. Again, the reader can identify with this ailment, but it is hard to imagine that alcoholism could be responsible for the heinous actions made by the main character. In a drunken rage the main character cuts out one of the cat's eyes with a pen knife, and act at which he even shudders. Then, only after the cat's slow recovery from that attack, does the man hang the cat from the limb of a tree. ...
In “The Black Cat,” Poe uses different levels of conflict to slowly grow the reader’s disgust towards the narrator as each level of conflict becomes more gruesome and inhuman. Using phrases such as ‘deadly sin’ and ‘cruel deed’ highlight the appalling nature of the narrator’s killing of Pluto, creating a hellish image of the narrator and gradually decreasing the reader’s feeling of sympathy and creating feelings of horror. The narrator’s word choice in talking about the second cat, referring to it as ‘a brute beast’ and a ‘felon,’ enhance the lunacy of the narrator, developing him into an image of delusion and paranoia and building the contempt the reader feels toward him. The suddenness of the murder of his wife, simply ‘withdr[awing] [his]