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Define the nature of revenge in the Odyssey
Heroism in beowulf
Gods versus humans in the epic Iliad
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Recommended: Define the nature of revenge in the Odyssey
Written around 800 B.C.E. and 700 A.D. respectively, The Iliad and Beowulf are epics telling the stories of heroes and their triumphs throughout their lives. While there are heroic characters in both books, some major ones stand out. In The Iliad, Achilles and Hector emerge as heroic since both heroes manage to fight bravely for their homeland. In Beowulf, the hero is Beowulf due to his courage for both his people and the Danes. Although The Iliad is focused on the lives of young heroes while Beowulf focuses on the journey of one from young to old age, there is a common theme of revenge and its effects on mortals and nonhuman entities. In both books, the desire for revenge can change a character's morals by compromising their sense of humanity. …show more content…
After Achilles kills Hector to avenge the death of Patroclus, he isn't satisfied with the damage he has done and acts out cruelly. In The Iliad, it states, “At last he’d leap to his feet, wander in anguish, aimless along the surf, and dawn on dawn flaming over the sea and shore would find him pacing. Then he’d yoke his racing team to the chariot-harness, lash the corpse of Hector behind the car for dragging and haul him three times round the dead Patroclus’ tomb and then he’d rest again in his tents and leave the body sprawled facedown in the dust”(Iliad 24.14-21). Homer uses diction and a shift in tone to convey Achilles’ cruel and nearly inhumane acts against Hector’s body. The words “leap”, “pacing”, “lash”, and “dragging” use a harsh tone to convey Achilles’ anticipation of relieving his anger. After he drags Hector's corpse, the tone becomes peaceful. He uses the phrase “rest again” to convey that only after completing this act was Achilles able to relax. Imagery is also used in the phrase “flaming over the sea and shore” to contrast the calmness of the sea to the boiling anger of Achilles only relieved after mutilating Hector’s body. This shows that revenge causes Achilles to act viciously towards his enemies. A similar pattern can be seen in Beowulf as well. Beowulf, having already defeated Grendel, challenges Grendel’s …show more content…
The Iliad opens up in the last year of the Trojan war. The first conflict addressed in the book is Agamemnon disrespecting the high priest of Apollo, Chryses, by taking his daughter Chryseis as a war prize. This angers Apollo, causing him to take action. The text states, “What god drove them to fight with such a fury Apollo the son of Zeus and Leto. Incensed at the king he swept a fatal plague through the army -men were dying and all because Agamemnon spurned Apollo's priest”(Iliad 1.9-12). Homer uses diction and figurative language in this quote to convey how much he cares for his priest. The words “incensed” and “spurned” both have negative connotations conveying that the wrongful actions of Agamemnon enraged Apollo causing him to seek revenge. The phrase “swept a fatal plague” conveys how quickly Apollo punished the Greeks due to the action of their king. Apollo, a god getting revenge on behalf of a mortal shows that he cares about Chryses. This shows that revenge causes Apollo to feel and act on human emotions weakening the divide between humanity and divinity. This is shown in Beowulf as well however not through the divine but instead through the evil. Beowulf’s last battle before he dies is against a dragon outraged at the theft of the goblet he has guarded for three
The two heroes, Beowulf and Oedipus, are very similar in some aspects and also quite different in others. The first similarity in the depiction of hero is that both heroes are of aristocratic birth. Beowulf is the cousin of Higlac, who is King of the Geats. Oedipus is the adopted son of Polybus and Merope, the King and Queen of Corinth. Furthermore, his real parents are Laius and Jocasta, King and Queen of Thebes. Another similarity is that both heroes end a period of suffering by abolishing a monster. Beowulf ends the suffering in Herot by killing the monster Grendel. "A prince of the Geats, had killed Grendel, / Ended the grief, the sorrow, the suffering / Forced on Hrothgar's helpless people / By a bloodthirsty fiend." (lines 482 - 485) Oedipus is responsible for ending the Sphinx's reign of terror upon the city of Thebes. He does not physically kill the monster as Beowulf does; he merely answers the Sphinx's riddle. When he does so, the Sphinx kills herself. A third similarity is that both heroes are challenged by another character in the story.
Beowulf is the epic hero in the epic poem Beowulf, which chronicles Beowulf adventures fighting monsters and helping people. Similarly, Achilles is the epic hero of The Iliad which was written 1000 years before Beowulf and details the last year of the Trojan war. Achilles and Beowulf although both epic heros share the fatal flaw of being hubris meaning they possess excessive pride and self-confidence. Beowulf is shown to be hubris in his final battle against a dragon which has been terrorizing his kingdom after a thief stole a cup from the dragon. When Beowulf goes to fight this dragon he manages to kill it but is fatally wounded in the process, his dying wish is to have all of the dragons treasures brought to him so people can see his accomplishments. This shows that he cares more about fame, fortune, and his own pride then the people he is supposed to be protecting. In the case of Achilles his hubris is much more pronounced.
With these wrathful words of Achilles to his commander Agamemnon, so begins the sequence of events in The Iliad that ultimately pits Achilles the runner against Hector, breaker of horses. Although these men were already enemies, Achilles being an Achaean and Hector being a Trojan, it is truly Achilles’ rage that makes the rivalry personal. These two men, from opposite sides of the battle lines, are both strong, brave, and heroic, but also possess a myriad of conflicting character traits. It is these differences that aid both men in their independent pursuits for honor and the implementation of their separate destinies.
Achilles and Beowulf both fight for honor and glory. Though their fighting styles may be different, they both chose to face their opponents directly. Their stories of conquest are both persistently retold to future generations. Both of these heroes embody the characteristics that their society needs. Anglo-Saxon heroes were taught to be proud of their conquests, as were the Greeks. It was acceptable to boast about your victories to others. Vanity was a common thing in both the Anglo-Saxon and Greek societies. Both of these societies have been found to influence one another. The Anglo-Saxon mindset that a hero must be more than a man comes from the Greeks. The Greeks typically meant that their heroes must be demigods, but the Anglo-Saxons took the concept and applied the strength and wisdom to a mortal man. One very important intertwined concept of the epic hero is the hunt for a quest. Epic heroes seek out opportunities and take it upon themselves to find/carry out a quest. Ultimately quests are a huge part in the make-up of an epic hero. Achilles and Beowulf are also glorified by their peoples. Beowulf is thought to be extremely mighty while he is in the land of the Danes and also back in his homeland. His annihilation of Grendel and the sea witch is told throughout the kingdom. Achilles’s deeds are also significantly glorified by his comrades. Essentially both heroes lived in a society that relied on social
Beowulf is an epic hero from one of the oldest poems ever written. Achilles is a hero from the Iliad, a story written by a man named Homer about Greek mythology. Achilles’ parents basically baptized him in the river stix when he was just born except for his heel, making him almost completely invincible and giving him a literal “Achilles Heel” . Even though both of their stories are different, they contain the same qualities as each other.
When deciphering between what it considered to be heroic or monstrous, it is important to keep in mind the angle in which a story is being told. While reading Beowulf, the protagonist of the epic poem could be considered either heroic or monstrous through the eyes of different characters. Beowulf can be classified as a hero according to The Hero’s Journey through the eyes of Hrothgar and Hygelac. On the other hand, Beowulf could be viewed as being monstrous according to Monster Theory through the eyes of Unferth and Grendel’s Mother.
The Illiad and Beowulf are two of the most known epic poems. As you read, you notice how different these two heros are. Achilles feels guilt and Beowulf does not. Hector’s body is cleaned after his death and Grendel gets his head cut off. However, they do share some similarities. These similarities include fearlessness and conceitedness.
Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.
Men within the Iliad are shown to be insane, bloodthirsty people who refrain from showing any form of mercy towards others. Hector, after leaving his wife and ignoring her heartfelt warnings, heads out onto the battlefield where he proceeds to kill the Greek hero and friend of Achilles, Patroclus. As Patroclus' breath slowly slips away from him, Hector speaks words of insult aimed towards the great warrior: "And I with my spear, / Hector, shining among my combat-loving comrades, / I fight away from them the fatal day - but you, / the vultures will eat your body raw!" (439) Hector, unlike his gentle and compassionate wife Andromache, is actually an insane killer who thirsts for the blood of his enemies. He shows no mercy and attacks Patroclus
Every child has wanted to be a hero at one point in their life, whether it be Superman, Spiderman, Batman or anyone that does heroic deeds. These children wanted nothing more than to grow up and save lives, like every hero does. Beowulf did grow into a hero, in both the movie and the poem. Although the movie Beowulf received some harsh criticism for changes made from the poem, it is a reliable source of information for the poem because it kept the core values of the poem and it gave deeper insight into the life of Beowulf.
Any avid fantasy reader knows about J.R.R. Tolkien’s world of magic and adventure in The Lord of the Rings. Middle-earth is full of Elves, Giants, and Hobbits, but from where did the inspiration for this mythical universe come? Many of the concepts in the novel derive from Old English literature, a subject in which the author was very well versed. Tolkien was a professor of Anglo-Saxon literature, focusing on Old and Middle English (Doughan). He received his degree in English from the University of Oxford, and later taught there, as well as at the University of Leeds (Doughan). Proving his passion for Old English, Tolkien wrote several lectures and essays about Sir Gawain and the Green Knight and Beowulf, which he also translated into modern prose English (Doughan, Acocella).
Revenge in The Iliad it the main theme and drives men to do things that they would not normally do. The main example of this is Achilles wanting revenge on Agamemnon. The first book of the Iliad explains that Achilles wants revenge because Agamemnon is forced to return Chryseis, his war bride, to her father, and he decides to take Achilles war bride from him. According to “Some Thoughts about the Origins of ‘Greek Ethics’”, by Nicholas D. Smith, “Agamemnon’s unjust affront to Achilles leads to and extraordinarily deadly retaliation, the ultimate outcome of which is that multitudes of these men’s innocent allies are killed unnecessarily”(smith 10). This is out of character for Achilles, who would normally be the first man into battle, not sitting one out. By “rejecting even the most earnest and impressive entreaties Agamemnon offers, and increasingly making decisions which are rationally indefensible”, he shows how much his wanting of revenge has turned him into a madman (smith 10). His only desire is to get revenge for his loss. It takes the death of Patroclus, his dear friend, to bring him back to the war, which he has left.
After the loss of Enkidu, Gilgamesh goes into a state of mourning as evidenced by the removal of his clothing and the act of putting on a loincloth. The symbolism of the removal of clothing and putting on a loincloth is that Gilgamesh is becoming one with nature thus completing the emotional side Enkudu filled. Afterwards, he roams the plains to live a simple life in honor of Enkidu. In the Iliad, Achilles mourning of Patroclus turns into rage after seeing the body of his dead comrade: “When Achilles learns of the death of Patroclus, he bursts into tears, tearing his hair and throwing himself on the ground. His sorrowful lament is heard by his mother, Thetis, and she comes to comfort him.” (Homer 179). The showing of tears shows the intensity of the mourning that Achilles had. Also the changing of emotions quickly shows he is quick to change feelings. This quick emotional change shows that he is very spontaneous. This quote shows the length that Achilles would go for Patroclus as he had great love for his comrade in
The Iliad may be seen as an account of the circumstances that irrevocably alter the life of one man: Achilles, one of the greatest warriors. Throughout the course of the poem Achilles goes through many ordeals that change his character immensely. Starting with his quarrel with Agamemnon and withdrawal from battle, to the death of Patroklos, and with the slaying of Hektor. Achilles emotions and actions decide the fate of many warriors on both sides. Achilles struggles with anger, honor, pride, loyalty and love make the poem more that just a gruesome war story.
Book XXII of The Iliad is a crucial book to the final ending of the epic, as it signifies the fall of Hector and the eventual fall of Troy. This book alone ties together the culmination of Hector's fate and the melting of Achilles' brutal rage. In the battle between the two heroes, the fate had already been decided, for it was Hector who was "a harrowed, broken man marked out by doom," (II.69-70). The theme of fate is repeated throughout the epic and concluded in the final books with the fates of the two warriors of which Zeus "placed two fates of death that lays men low- one for Achilles, one for Hector breaker of horses- and gripping the beam mid-haft the Father raised it high and down went Hector's day of doom, dragging him down to the strong House of Death," (XXII.250-254). The death of Hector foreshadows to the fated fall of Troy, for without their mightiest warrior, Troy will no longer be able to withhold the ensuing Achaean forces. In this book, an emphasis is placed on the interconnection of events throughout the epic. Hector's earlier moment of glory when he killed Patroclus and stripped him of Achilles' armor sealed his fate for the duel between Achilles and Hector for he knew exactly where the armor was vulnerable, and where this "one spot lay exposed...Achil...