Idle Minds and Wagging Tongues: Conversation in Anna Karenina
Perhaps one of the most striking scenes in Anna Karenina is that of Kitty and Levin’s silent declarations of love to each other, etched out cryptically in chalk on a card table, with each understanding innately the exact words the other was saying (362). With the relationship between Kitty and Levin serving as Tolstoy’s model for a strong and successful love, it appears odd that such a relationship should be founded on silence, and in such sharp contrast to the chatter of Society surrounding the couple at the party. How then are we to understand the significance of conversation in the novel, if the most sincere relationships and understandings are not founded upon dialogue, but on unspoken knowledge? Entire subplots and themes are conveyed through conversations between the characters—the peasant problem and farm management, religion, marriage and faithfulness. Everyone is trying to grasp what a good life is, but the ideas expressed in conversation, however, appear quite often to contradict both the inner monologue of the characters and their actions, or fall pathetically short of expressing the power of the feelings of characters. For most of the characters, neither Society banter nor intellectual discourse does justice to their real passions, and even personal exchanges are steeped in insincerity. Unless they find a means to express their passions some other way, they are doomed to a life of dissatisfaction at best, or a tragic end at worst.
Within the opening conflict of the novel—Stiva’s affair with the French governess and his wife’s reaction when learning of it—Tolstoy first presents this tension between honesty and speech. Before Dolly and Oblonsky’s exchanges, Tolstoy interposes a short confrontation between Oblonsky and his son, Grisha. Oblonsky is “conscious of not caring as much for the boy as for the girl, but [does] his best to treat them both alike” (7). Although he says, “Good morning” to Grisha, Oblonsky’s words are insufficient to mask his inner feelings, and his actions betray him through a “cold smile” (7). Grisha, significantly, does not reply. To reply with some pleasantness would be to pretend that Oblonsky was sincere in his greeting, and Grisha is too naïve to use speech to do anything but to tell the truth. Short of accusing his father of not loving him, which he is already old enough to understand would be entirely inappropriate, he can only remain silent.
Alexandra Bergman’s lack of self awareness allows others to forget that she is a woman and, at times, even human, which continuously builds the wall of isolation that surrounds her. As a result, when she reacts to situations as a woman would, rather than as “she” should, those around her don’t know what to make of it. Because she has been such a steady influence for so many years, those around her do not understand that perhaps she did have another dream besides working the land that she seems to care so deeply about. Her brothers in particular are unable to comprehend that Alexandra is a woman and was forced into the life she has lead by their father’s fantasy rather than by her own free will. Perhaps the only people who truly understand her dilemma are Ivar and Carl. Ivar is a “natural man” and a religious mystic and Carl a man who was unable to make a living from the land– neither is respected by their peers, and yet they have some sort of insight to Alexandra’s heart that even she has failed to acknowledge. Alexandra’s walls are brought down only by love: love of her youngest brother, love of the land, and the return of the childhood love she thought was lost to her– as these loves begin to change her, her outlook on her entire life begins to change and meld into something that only those who actually know who and what she is recognize: a woman.
In 1833, Rosa's mother died and Rosa was sent to a trade school devoted to teaching young women marketable skills such as sewing. She was expelled shortly after starting at the school. She was then sent to another boarding school but expelled from that one also. In 1835, Raymond decided to give Rosa artistic training.
In “Hills Like White Elephants” and “The Story of an Hour”, the woman in each story imprisons in the domestic sphere. In “Hills Like White Elephants”, the woman in this story conflicts between keeping the baby or getting abortion although the relationship with her boyfriend would not improve as he said. In “The Story of an Hour”, even though Louise Mallard, an intelligent, independent woman understands that she should grieve for Brently, her husband and worry for her future, she cannot help herself from rejoice at her newfound freedom. The author of this story, Kate Chopin suggests that even with a happy marriage, the loss of freedom and the restraint are the results that cannot be avoid.
The “Story of an Hour” by Kate Chopin and ‘”The Hand” by Sidonie-Gabrielle Colette are similar in theme and setting. Sidonie-Gabrielle Colette and Kate Chopin create the theme of obligatory love and the unhappiness it entails. Both stories illustrate the concealed emotions many women feel in their marriage yet fail to express them. The two stories take place in a sacred room of the house and both transpire in a brief amount of time. The differences between the two stories are seen through the author’s choice of characters in each story. In “The story of an Hour” Kate Chopin involves other characters in Mrs. Mallard’s life, whereas, “The Hand” deals with marriage and togetherness and only involves the husband and wife. Symbolism is seen all throughout “The Hand” not so in ‘The Story of an Hour.” The similarities in “The Story of an Hour” and “The Hand” is portrayed in theme and setting. The differences are illustrated in the choice of characters involved in each story and the amount of symbolism depicted in the different stories.
The oppressed, repressed, and impressed subjectivity of feminism finds a new opportunity to assert its true self against the stultifying atmosphere of modernism and identity-oriented crisis of postmodern ambience by appealing to the unique characterization of Anna Livia Plurabelle which frequently oscillates phallocentrism and proves the me'connaissance of male selfism and female-otherness to establish a new doctrine based on the fact that the male subjectivity as a desceptionary ruling self is subverted through the intermittent alterity that the indispensable feminine Being-Anna Allmazifull-makes possible.
Storytelling has been a common pastime for centuries. Over the years it has evolved into different styles containing different themes. Kate Chopin, a well-known author of the 20th century, wrote stories about the secrets in women’s lives that no one dared to speak of. Her work was not always appreciated and even considered scandalous, but it opened up a world that others were too afraid to touch. In Chopin’s story “The Storm,” a woman has an affair that causes an unlikely effect. The story’s two themes are portrayed greatly through an abundance of imagery and symbolism, along with the two main characters themselves.
Chekhov’s portrayal of love is as an emotion that solidifies itself only if the precise person is encountered. However, Chekhov takes his idea even further through his characters Dmitri and Anna, by stating through them, that love may be discovered, even after marrying the “incorrect person.” This fact is made clear when Chekhov writes “I don't know what he does there, what his work is, but I know he is a flunkey! I was twenty when I was married to him” through the character Anna. Hemingway on the other hand, instead of giving a view on what love is, his perspective is based on situation that may be mistaken as love. Both of Hemingway’s characters in Hills like White Elephants; Jig and The American, are reluctant to reveal the reality o...
The evolution of medical it has progressed rapidly to meet demand and better treatment. Some improvements in the body, as well as important that we are widely known, is "plastic surgery". The meaning of the plastic surgery is the changes of the body in order to have a better attractive with the process of surgery, transplantation and injection of the organs. Such as surgery, nose hair transplantation, injected to surface fitting, etc. From the utterance of DR. Cory Torgerson make us all know that in the past, the most constructive surgery was used for restoring facial features after an accident or to restore facial function during World War I and World War II. Part of the beauty is popular among
Perhaps the hardest of ideas to express through literature is the idiom “actions speak louder than words”. There exist an innumerable number of people who have much to offer through the simple means of words. Yet, there also exist several others who, though silent, express their emotions and beliefs via the medium of actions. Manya, an obscure character in Chaim Potok’s novel The Chosen, belongs to this limited group of “silent contributers”. Manya, the Malter family’s Russian Housekeeper adored the Matler family, Reuven Matler in particular. She frequently expressed her affection for the family by her actions and rarely through her words. Through different circumstances, Manya silently contributed to the Malter Family with her thoroughness, empathy, and dedication.
Escape in Madam Bovary and Anna Karenina Reading provides an escape for people from the ordinariness of everyday life. Madame Bovary and Anna Karenina, dissatisfied with their lives pursued their dreams of ecstasy and love through reading. At the beginning of both novels Anna Karenina and Emma Bovary made active decisions about their future although these decisions were not always rational. As their lives started to disintegrate Emma and Anna sought to live out their dreams and fantasies through reading.
While many people think that cosmetic surgery can help them to reach the flawless beauty, it may be true that their actual inner illnesses or lack of confidence in themselves is still not
Evidently, the use of traditional embellishments such as makeup and hairstyling are not enough for certain groups in today’s society. Many men and women are willing to pay top dollar for permanent changes masked by the belief that it will increase self-confidence, increase visual appeal, or reduce the effects of aging. Regardless of the motives behind undertaking surgical procedures, the cause of this mindset is clear. Modern marketing has distributed a plague of perfect breasts, firm obliques, slender silhouettes and white teeth across a variety of media, infesting a number of communities within North America and the developed world. Vanity and personal image have taken more priority than ever (Sullivan 2001:1) within the cosmetic medicine discipline, evident by the fact that the most common cosmetic surgeries are breast enlargements and/or reductions (Sullivan 2001:1).
The theme of wealth is much like a veil for A Doll's House and The Cherry Orchard. Although the audience may be inclined to believe that the lack of wealth is the main conflict, both plays refute this with their resolutions. Nora escapes from gender inequality, and Lopakhin destroys the only link to his serf heritage. Indeed, both Ibsen and Chekhov initially provided evidence that wealth is the dominant theme, but freedom was only achieved for Nora and Lopakhin by escaping from their respective social roles, a psychological freedom. This complies with the authors' original purposes - not to comment on wealth, but to promote feminism and examine Russia's class structure.
Cosmetic Surgery is a great discovery that has been around for many centuries. “The history of plastic surgery origins in the early 800 B.C. when surgeons in India restored noses to persons who had them taken off as a form of punishment.” (History of Cosmetic Surgery, 2008) Many people have used over the years cosmetic and reconstructive surgery to enhance their physical appearance weather it be for health problems associated with birth defect or problems that they have developed over the years or to even alter physical appearances for instance nose jobs and tummy tucks. There are numerous types of cosmetic surgery that can be done today in the United States, over the year’s surgeons techniques have improved dramatically. There are a number of pro’s and con’s that go along with cosmetic surgery, such as the amount of recovery time and the initial cost of surgery. Statistics also show that cosmetic surgery has grown so rapidly over the years it is phenomenal people who receive cosmetic surgery goes up by the millions every year. While there can be many related health risks due to cosmetic sugary, many times cosmetic surgery is necessary and its is made more affordable than thought to be.
“In 2012 more than 236,000 cosmetic procedures were performed on patients between 13 and 19 of age including more than 75,000 surgical procedures such as nose reshaping,liposuction and,breast lifts and tummy tuck” (I). ”Plastic surgery dates back to at least 600 B.C. ,when Hindu physicians were surgically reconstructing noses” (A). The modern plastic surgery techniques developed after world war I and was used for soldiers who had suffered during the war for example people who had broken their nose or neck (A). In the second half of the 20th century,plastic surgery became more popular, mostly women would get plastic procedures to gain more confident and get the feeling of social acceptance (A). When performed correctly ,cosmetic surgery can raise self-esteem and give confident for those who are locked inside there shame,misery box for too long (H).Cosmetic surgery can improve your physical features it could change you physically and mentally by making you think and feel positive towards everything, what you do does not influence others but yourself(I).Cosmetic surgery can make you a better,positive person, where it takes away your stress and gives you an easier, happier life, but it could also go wrong