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Womens struggles throughout history
Condition of women in nineteenth century England
Womens struggles throughout history
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Virginia Woolf was born January 25, 1882 to an English household in London. Her father was Sir Leslie Steven, a historian and author who was a major figure during the golden age of mountaineering; her mother Julia Prinsep Steven, an India native, nurse and also an author of the profession. With two substantial successors as her parents, Woolf was one of seven siblings granted with majestic opportunities. These opportunities included being educated by her parents. During this time girls were not allowed to go to school and many did not have the privilege of parents whom were able to instil education. Knowing this, Virginia was bound to excel in life. In fact, Woolf utilized her privileged life to her potential. She spent time in numerous locations which she eventually incorporated into a lot of her work and modernist novels such as, Profession for Women. In the essay, Profession for Women Woolf discusses, “the Victorian phantom known as the Angel in the House that selfless, sacrificial woman in the nineteenth century whose sole purpose in life was to soothe, to flatter, and to comfort the male half of the world’s population.” The essay shows how women struggled daily with the views Victorian society placed upon them. The ways of the Victorian era transcended over into the modernist times because some women were too afraid to explore their true selves. However, Virginia did not accept these ways because she knew as a woman she could not be complete if she lived up to the Victorian standards. Woolf determined that unless one has explored and experimented the new things attainable from the world then they also cannot be complete. In this essay, I will be responding to Virginia Woolf’s essay Professions of Women and the struggle of ...
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... take a backseat and hide our intellect behind the soft exterior of emotion. As said in Virginia Woolf’s essay, professions of women, we will always have hardship because we have to work harder than the male race.
Works Cited
Wolf, Virginia, and Mitchell A. Leaska. "Professions for Women" by Virginia Woolf." "Professions for Women" by Virginia Woolf. N.p., n.d. Web. 04 Apr. 2014.
Lemaster, Tracy. "'Girl With A Pen': Girls' Studies And Third-Wave Feminism In A Room Of One's Own And 'Professions For Women'." Feminist Formations 24.2 (2012): 77-99. MLA International Bibliography. Web. 2 May 2014
Bourke, P. J.. N.p.. Web. 30 Mar 2014. .
Rumbarger, Lee. "Housekeeping: Women Modernists' Writing On War And Home." Women's Studies 35.1 (2006): 1-15. Literary Reference Center. Web. 30 Mar. 2014
Woolf, Virginia. "Professions for Women." The Norton Anthology of Literature by Women. Ed. Sandra M. Gilbert and S. Gubar. New York, NY: Norton, 1996. 1345-48.
Haney-Peritz, Janice. "Monumental feminism and literature's ancestral house: Another look at The Yellow Wallpaper". Women's Studies. 12:2 (1986): 113-128.
Women of both the ages of Victorian and early Modernism were restricted from education at universities or the financial independence of professionalism. In both ages, women writers often rebelled against perceived female expectations as a result of their oppression. To lead a solitary life as a subservient wife and mother was not satisfactory for writers like Elizabeth Barrett Browning and Virginia Woolf. One of the most popular female poets of the Victorian era, Elizabeth Barrett Browning, illustrated "a woman's struggle to achieve artistic and economical independence in modern society" (Longman P.1858). Many Victorian critics were shocked by Barrett Browning's female rebellion, which was rare for the era. With her autobiographical epic poem, Aurora Leigh provoked critics who were "scandalized by its radical revision of Victorian ideals of femininity" (P.1859). In the age of Modernism, women were finally given the some rights to a higher education and professionalism i n 1928 (p.2175). However, female poets of early Modernism, such as Virginia Woolf, were raised in the Victorian age. Rebellion toward "Victorian sexual norms and gender roles" (P.2175) are reflected in Woolf's modern literary piece, such as The Lady in the Looking-Glass: A Reflection. Also echoed in the piece, is how Woolf "never lost the keen sense of anguish nor the self-doubt occasioned by the closed doors of the academy to women" (P.2445).
Throughout history, women have struggled with, and fought against oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structure. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society. Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men.
Willingly or grudgingly, the women in Woolf and Browning’s works are regulated to the domestic circle, discouraged from the literary world, and are expected to act as foils to their male counterparts. Without the means to secure financial independence, women are confined to the world of domestic duties. In Woolf’s A Room of One’s Own, Mary Seton’s “homely” mother is neither a businesswoman nor a magnate on the Stock Exchange. She cannot afford to provide formal education for her daughters or for herself. Without money, the women must toil day and night at home, with no time for conversations about “archaeology, botany, anthropology, physics, the nature of the atom, mathematics, astronomy, relativity, geography” – the subjects of the men’s conversations (26).
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
*"(Adeline) Virginia Woolf." Feminist Writers. St. James Press, 1996.Reproduced in Biography Resource Center. Farmington Hills, Mich.: The Gale Group. 2004. http://galenet.galegroup.com/servlet/BioRCć
Haney-Peritz, Janice. “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper’.” Women’s Studies. 12.2 (1986)113-128. EBSCOHost. Web. 10 Mar. 2011.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper.'" Women's Studies 12:2 (1986): 113-128.
Virginia Woolf, prolific novelist, essayist and critic, delivered “Professions for Women” as a speech before the National Society for Women’s Service on January 21, 1931. Her address highlighted the obstacles facing professional women while emphasizing the pressure placed on women by Victorian standards and expectations. Woolf’s purpose was to empower the solely female audience and to illuminate the simplicity in creating a career, despite the obstacles through outlining her personal experience.
Also, every woman needs to know that there is something within that makes them all special. While both narrators Gloria Steinem’s “Wonder Woman” and Virginia Woolf’s “Professions for Women” are viewed by society’s way that women should be, they differ in encouraging women to embrace their uniqueness.
Virginia Woolf, one of the pioneers of modern feminism, found it appalling that throughout most of history, women did not have a voice. She observed that the patriarchal culture of the world at large made it impossible for a woman to create works of genius. Until recently, women were pigeonholed into roles they did not necessarily enjoy and had no way of
Woolf pioneered in incorporating feminism in her writings. “Virginia Woolf’s journalistic and polemical writings show that she made a significant contribution to the development of feminist thought” (Dalsimer). Despite her tumultuous childhood, she was an original thinker and a revolutionary writer, specifically the way she described depth of characters in her novels. Her novels are distinctively modern and express characters in a way no other writer has done before. One reason it is easy to acknowledge the importance of Virginia Woolf is because she writes prolifically.
Throughout history literary works have forced political ideologies to evolve and expand, sometimes even breaking boundaries that would not have been broken otherwise. The works of women in literature have produced new ways of thought and introspective outlooks on life that have introduced many people in the world to the ideas of feminism. The writings of Gilman and Woolf allow readers to take a look into the lives of hard working women who have to deal with the everyday oppression of being a woman in times of inequality and political injustice.