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Grendel’s mother role in beowulf essay
Beowulf women analysis
Gender in 20th century English literature
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In the Middle Age literature, women are often presented or meant to come off as an unimportant character; which can also reflect on how the author wants the women character represent. Women are usually shunned, have no say or control in what they do; due to what men desire; like Ophelia and Gertrude did in William Shakespeare’s Hamlet. But these female characters that I will discuss are women with power, control, and a voice. Majority of the female character’s appearances are made to represent wickedness, evil, or a seducer who challenges a man belief; and does not symbolize perfect women.
In the epic poem Beowulf majority of the characters are males; with the exception of a few females in the poem. When going back to the information of the women in Beowulf; there are some concepts that define women. One is being that women have assertive and firm role. The mother of Grendel is a female character that becomes a threat to the Danes, as well as Beowulf.
Then it became clear,
Obvious to everyone once the fight was over,
That an avenger lurked and was still alive,
Grimly biding time. Grendel’s mother, (1255-58)
It can be interpreted as women being an intimidation to men and must be tamed, or being that both are equally powerful. Also, also does not have no name, she is known as Grendel’s mother. Whether it was the author/story teller’s purpose to not give her a name, it could mean that her son Grendel was the enemy, and Grendel’s mother was just playing the “motherly” role, and not matter how powerful a mother’s love and nurture for their son is; it can be ended by a man. Lastly, Grendel’s mother is describes as “Monstrous hell-bride” (1259) and whose son is just as monstrous and deadly as her:
Grendel w...
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... threat to mankind, and having power. However we can also compare that to the role of the Queen that is respected and admired by her people. Whereas Alisoun, she speaks freely about her five husbands and sexual experiences and having power over men; also the old women in The Wife of Bath’s Tale, who gets what all women desire, power and mastery over their husband. Some roles of women are meant to be good or evil, however some women will not be what the perfect women is, and may outshine a man.
Work Cited
Greenblatt, Stephen, and M. H. Abrams. "Beowulf." The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. 41-108. Print.
Chaucer, Geoffrey. "The Wife Of Bath's Prologue and Tale." The Norton Anthology of English Literature. By Stephen Greenblatt and M. H. Abrams. 9th ed. Vol. A. New York: W.W. Norton, 2012. 282-310. Print.
Damrosch, David, and David L. Pike. “Beowulf.” The Longman Anthology of World Literature, Compact Edition. New York: Pearson, Longman, 2008. 929-970. Print.
The women in Beowulf are barely discussed and seem to exist solely for the use of the men. They are weak and portray none of the legendary qualities that the men display. Wealhtheow, the Queen of Danes and Hrothgar's wife, is the only female character in the epic that talks. In a speech to her husband, we are able to see that she is a strong woman, who is able to speak her mind. She tells the king that it is good that he adopted Beowulf, but reminds him that he already has two sons. However, her speech is made while she carries the drinking goblet to all of the men in the room, "Wealhtheow came in,/ Hrothgar's queen, observing the courtesies./ Adorned in her gold, she graciously handed the cup first to Hrothgar, their homeland's guardian,/ urging him to drink deep and enjoy it because he was dear to them" (612-618). When she is given the opportunity to talk, she only praises the men and plays a role defined by their society.
It can easily be seen that while men were considered to be the most powerful and wisest humans and gods, women had the power to significantly influence these men. From Uta-napishti's wife who convinced Uta-napishti to tell Gilgamesh about the plant that would make him young again to the examples mentioned above, several women were put in roles that had important effects on the men they encountered. Of course, this is not much different from the society we live in today. While many may believe that women have still not reached the point of true equality, it is hard to say that they are inferior and the significance of their roles in society is undeniable.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
The fact there is no mentioning of Grendel’s mother’s name implies that she is valuable insofar as her son is alive. This is could not further away from the truth because Grendel’s mother saved his life, and she is more powerful (Hala 39). Grendel acknowledges when he mentions “a shriek tens as loud as mine came blaring off the cliff. It was my mother!” (Gardner 27). While Grendel situates himself in danger, his mother comes along to save him from the situation that he placed himself into. Even though she has her own identity and persona, the novel never mentions her as something other than him. She is more powerful and dominant than Grendel physically, but because of the nature of her role, she becomes as subservient mother whose only function in life is to serve her son. She does not know anything besides her role as a mother, implying that mothers have no other role in life even they are talented or powerful. The novel is eroding the worth and value that comes from a mother because she has played an important role in raising Grendel. Because the book Grendel is trying to mimic the same world from when Beowulf is written, there are apparent contradictions when Gardner writes the mother “had forgotten all language long ago, or maybe never had never known any. I’d never heard her speak to the other shapes.” The mother is powerful and influential, but Grendel’s mother is continually portrayed is an unintelligent, useless being that has no independent worth beyond her
The Odyssey was written in a time where men played the dominant role. In ancient Greece played a subservient role. The society was ruled and governed by men. Women were included in they affairs of the society but were only allowed to participate, as the men who they served to would allow it. There are many women in the story, which contribute to the development of actions. In addition that the poet treats them with given respects and value as if there were no boundaries between men and women of the time. Among important memorable women in the writing include: Nausica, the innocent young girl; Arete, the wise queen and mother; Kirke and Kalypso, the mysterious temptresses; Penelope, the model of devotion and fidelity; Helen, the responsible middle-class matron; and others who have smaller roles but similar personalities.
The Wife of Bath Prologue and Tale. Geoffery Chaucer. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 375-408. Print.
Abrams, M.H., ed. Beowulf: The Norton Anthology of English Literature. New York: W.W. Norton & Company, Inc., 2001.
To the Anglo-Saxon’s, women did not serve as incredibly prominent figures. In a society where war was consistent in everyday life, the ability to fight, being powerful, and ultimately being warriors were treasured. Men were physically stronger and therefore were immediately given the roles of warriors and had higher expectations. Anglo-Saxon women were not considered warriors and especially not expected to fight. Women were then given “less significant” roles in society. Although women were exempt from the higher prized roles, they still managed to attain a certain propriety. The epic Beowulf has three women who play roles that vary yet, are symbolic for the culture. These women are Hildeburh, Wealtheow, and Grendel’s mother and they represent three varying roles that Anglo-Saxon women play: the peacemaker, the hostess, and the monster. (Mention last lady, Aethelflaed, somewhere in the intro)
He wakes up and sees all his man hanging from the ceiling, on the flood, all over the place dead, full of blood. Beowulf is not sure of what is happening, until he is told that it could only be Grendel’s Mother. Once again Beowulf wants to fight her, confront her and put an end to all of it. Grendel’s Mother symbolizes revenge, love, weakness, difference. As stated in Jane Chance’s essay “But unlike most mothers and queens, she fights her own battles” (Page 154). Grendels Mother shows us that after all Beowulf is weak. When it comes to fighting Grendel’s Mother, Beowulf wants to wear his
“Beowulf.” Trans. Suzanne Akbari. The Norton Anthology of World Literature. 3rd ed. Vol. B. New York: W.W. Norton, 2012. 112-82. Print.
Beowulf is an epic tale written over twelve hundred years ago. In the poem, several different female characters are introduced, and each woman possesses detailed and unique characteristics. The women in Beowulf are portrayed as strong individuals, each of whom has a specific role within the poem. Some women are cast as the cup-bearers and gracious hostesses of the mead halls, such as Wealhtheow and Hygd, while others, Grendel's mother, fulfill the role of a monstrous uninvited guest. The woman's role of the time period, author's attitude, and societal expectations for women are evidenced throughout the poem.
Female characters who take on more active and independent roles frequently do so through their sexuality, one of the few instruments of agency at their disposal. These women are portrayed as temptresses who are obstacles to be overcome by the male heroes; hence, an antagonistic role. An example of this is the Aeneid’s Dido, the powerful independent queen who exerts power over Aeneas through seduction, tempting him to remain in Carthage rather than follow his fate, and so making her an (inadvertent) antagonist. Describing her suicide, Vergil states “Dido was dying a death that was neither deserved nor predestined, but premature: a poor woman, swept up by the quick fire of madness,” (4.696-697). Here Dido displays great agency by controlling her own fate, but this agency is self-destructive, suggesting that women cannot use agency for good ends. The Odyssey also shows the vilification of powerful women using their sexuality, when Agamemnon says of his wife “But now, in the depth of her villainy, she has branded with infamy not herself alone but the whole of her sex, even the
Rigby, Stephen Henry. (2000). The Wife of Bath, Christine de Pizan, and the Medieval Case for Women. Chaucer Review, (pgs 133-165)
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.