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The portrayal of women in Shakespeare's plays
Analyse the role of emilia in the play of othello
Elements of a tragedy in othello
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Recommended: The portrayal of women in Shakespeare's plays
The play Othello, written by Shakespeare, is a tragedy that stems from deception and stereotypical attitudes. Initially, the protagonist Othello is portrayed as a loving husband, who truly endears Desdemona and worships her beauty. However, the villainous Iago manipulates Othello and accuses Desdemona of infidelity. Iago not only looks to replace Cassio as Othello’s lieutenant, but to create disparity and distrust between Othello and Desdemona. In a society where women are forced to be subservient to their husbands or otherwise be accused of infidelity or adultery, women are constantly marginalized throughout the play. By manifesting sexist attitudes towards women, Iago victimizes innocent women and tears apart relationships. The central conflict …show more content…
When Desdemona attests to loving Othello, Brabantio remarks to Othello “Look to her, Moor, if thou hast eyes to see / She has deceived her father, and may thee” (I.iii.333-334). Brabantio suggests to Othello that Desdemona is promiscuous since she desires to be with Othello without his consent. Othello on the other hand, sees this as Desdemona’s loyalty towards him and therefore ignores Brabantio. While Desdemona is completely innocent, Iago is able to convince Othello that Desdemona is having a private affair with Cassio: “She [Desdemona] did deceive her father, marrying you” (III.iii. 238) to which Othello responds “And so she did” (III.iii. 241). Othello reflects back on conversation with Brabantio, in which Brabantio had accused Desdemona of eloping with him. Othello concludes that she is taking advantage of him in order to have an affair with Cassio, and is therefore cheating on him. Despite Iago’s lies of Desdemona’s fidelity, Othello’s vulnerability to believe his lies and quickly accuse Desdemona as a “whore” suggests that Othello is a …show more content…
When Othello confronts Desdemona, he strikes her and exclaims “O, devil, devil! / If that the earth could teem with woman's tears / Each drop she falls would prove a crocodile!” (IV.i.273-275). Othello abuses Desdemona both physically and emotionally, despite that fact that he has not explicitly told her why he is aggravated nor has he asked Desdemona for her side of the story. Later on in the play, when Emilia asks Desdemona who had harmed her, she blames it on herself: “Nobody; I myself. Farewell” (V.ii.125). This moment conveys how subservient Desdemona is, despite being fully innocent. Desdemona conforms to societal norms at the time, in which women took the blame for any infidelity. Emilia, on the other hand, is a proto-feminist who persuades Desdemona to step up against the status quo: “But I do think it is their husbands' faults / If wives do fall… Let husbands know / Their wives have sense like them” (IV.iii. 97-98, 104- 105). Emilia is advocating for women, since she acknowledges their mistreatment by oppressive husbands. Considering that she is the wife of Iago, it is also a possibility that she faces the same abuse as Desdemona, which allow the two women to empathize with each
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
Though her world was fall apart with Iago creating false images of an affair between her and Cassio to Othello, Desdemona strangely remains kind, innocent, and willing to grant grace. When Cassio approaches her for help, she quickly agrees to help her old friend. While she discusses relationships with Emilia, she rejects all thoughts of infidelity. She had every reason to fight Othello when Othello carries out her murder, yet she resist only a little, She responses, “The Lord have mercy on me…[and] mercy on you too” to Othello’s “Thou diest” (Othello 5.2.50; 71-74). When she is briefly revived and quested by Emilia as to who her murderer is, Desdemona only replies, “I myself” (Othello 5.2.152).
When Iago first sets out to deceive Othello, he tells him, "look at your wife; observe her well with Cassio" (3.3.196). He knows that if he can plant enough doubt and jealousy in Othello's mind, Othello only needs to look at Desdemona being friendly with Cassio to suspect infidelity. After this, when Desdemona asks for Cassio's reinstatement, it looks as though she is trying to get something better for her lover, as opposed to just helping a friend.
Throughout the play Othello is convinced by Iago that Desdemona has had an affair with Cassio, when really Iago is trying to bring as much misery into Othello’s life as he possibly can. At one point Othello, Desdemona, and a few others are talking with Desdemona’s cousin and everything that Desdemona says helps to convince Othello that she is in love with Cassio. Eventually Othello gets mad enough and slaps her in which she reacts in a much different manner than most women of that time period would have. “Othello: I am glad to see you mad. Desdemona: Why, sweet Othello - Othello:Devil! [Strikes her.] Desdemona: I have not deserved this (4,1,217-220).” This is not the only time we see Desdemona tell Othello that he is wrong in his actions. Later, in act four, he calls her a “whore” and accuses her of sleeping around and rather than taking the heat and dealing with the verbal abuse Desdemona speaks out. “Othello:...Impudent strumpet! Desdemona: By heaven, you do me wrong! (4,2,81-82).” Desdemona tries throughout the rest of the play to convince Othello that she is faithful to him and loves him, but as hard much as she tries Othello does not believes any of it and ends up killing her. Shakespeare has made this very vocal female character to show women that even if they were to speak their mind and try to defend themselves no man would ever believe
Although Othello and Desdemona are deeply in love at the start as evident in them holding each others’ hands tenderly. Iago can easily manipulate Othello to think that Desdemona has an affair with Cassio. This is due to the fact that Othello does not have enough confidence himself. He is not totally...
Throughout the novel, up until his insanity, Othello is described as a temperate man whose honor does not allow him to believe assumptions unless he has been shown proof. Firstly, when the men of Brabantio, Desdemona’s father, confront Othello’s men, Othello calmly says, “Keep up your bright swords, for the dew will rust them.” (10). Othello is confronted on the matter of his elopement with Desdemona with force and with words. Not only is he very cool about his dealings with violence, but also when he is asked to tell the story of how he had Desdemona fall in love with him he states the truth, and he doesn’t leave out any details of how he accomplished it. He openly admits that had any other man told his story, that man also would have won her heart. Only a truly honorable man can admit that it was a story, and not his personality that truly won the woman’s heart. Othello’s honor is shown by his trust in the people he knows and loves. When Iago tells Othello that he believes Cassio and Desdemona are having an affair, Othello does not believe Iago initially.
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
While there have been a great number of changes in the world since Shakespeare wrote Othello, there are a few truths about humanity and society that remain true. Othello is notorious for it’s examination of race, but is not given enough credit for its observations of gender. Iago embodies masculine gender roles in a severe and exaggerated way, allowing his desire for proving his masculinity to corrupt him morally. Iago then turns and uses his own fears of inadequacy against Othello as the root of his revenge and to improve his own self-image. Desdemona is hurt most by the need for gender roles, which ultimately ends up in her death. The characters in Othello are severely harmed by the gender roles they feel the need to adhere to.
Desdemona's actions make it evident that the female characters in Othello are weak minded. Emilia allows herself to be abused by Iago, making her a weak woman. While she does have good intentions throughout parts of the play and is a kind hearted woman, she never defends herself to her diabolical husband. Iago constantly makes hateful and degrading insults towards Emilia. Come on, come on, come on.
All through history, the role of women and their place in the general public has tremendously changed. William Shakespeare’s Othello was established during a time period where the role of women and their collective value were downgraded in the Venetian and Elizabethan era. During the Venetian era women were dominated by their sexual orientation. The Venetian era had a patriarchal society. In a patriarchal society, the father is the head of the household and men have authority over women and children. During the Elizabethan era the conduct toward women was vicious. Women were considered second class citizens. Males only consider women as possession, who is obligated to remain submissive and meek. Additionally, women are expected to be quiet, obedient to male figures, and chaste. Women were either considered a good wife or a whore. There are only three women in Othello; Desdemona, Emilia, and Bianca. Desdemona is the passive wife of Othello who has a quite idealistic take on life and marriage. Emilia is the cynical, perceptive women who seem to have a bitter take on her marriage to Iago. Bianca is portrayed as the whore of the play, and she has relations with Cassio. Although, each woman varies in roles and personality, they all had a common trait; they lived in a patriarchal society and suffered together. Each of them live in a society where it was ideal to think women were psychologically and physiologically inferior to men, however in reality each of them knew their role in society.
In Shakespeare’s play Othello, the male characters perceive women as adulterous and property, treating them as inferior that need to be submissive and obey. Iago creates a false perception of his wife thinking she is promiscuous. Also, Othello sees his wife as promiscuous, an impression created by his jealousy and one he has convinced himself of it. Furthermore, Iago and Othello perceive their wives as inferior, and by his words, the reader can see that they are both their wife and subordinate. At last, the male characters refer to Desdemona’s marriage as a “steal” and “purchase” of property, then, Iago and Othello end their wives’ lives because they see them as possessions of no good.
Othello being a soldier had only ever had formal relationships based mostly around work until he met Desdemona who he formed his first relationship controlled only by emotion and love that they held for each other. The fact this was his first personal relationship with a woman made him naive in this new experience. Othello's lack of experience made him vulnerable to Iago's falsehoods "In Venice they do let God see the pranks they dare not show their husbands; their best conscience, Is not to leave't undone, but keep't unknown." Iago says to Othello planting a false idea of Venetian woman in Othello's mind. Othello having little knowledge of Venetian woman is easily persuaded to believe Desdemona is unfaithful to him. If Othello had of been a little wiser in lo...
When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love Cassio.
Throughout the drama, Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona and Cassio might be having an affair, Othello did not believe him, he had faith in his wife. After many lies that Iago planted in Othello’s ears, Othello started to believe him and he dropped most of the faith that he had in Desdemona. Iago told Othello that in his sleep, Cassio said “Sweet Desdemona, let us be wary, let us hide our love”. Cursed fate that gave thee the Moor” (III.iii.416-417).
In history, women have always be looked down on and had very much say to most topics. Women weren’t seen as a human as men but rather were seen as more of an object to a man rather than his wife. Feminist criticism best explains William Shakespeare’s Othello because Desdemona is treated as if she is Othello’s property instead of his soulmate by other characters, the female characters were portrayed as prostitutes, but in different ways by Iago, and Iago talks down to women as if they are worthless. In the William Shakespeare’s “Othello”, Othello ‘assigns’ his wife to be taken to Cyprus by Iago as if she is some cargo.