Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Iago as a vertable villain in Shakespeare's Othello
Characteristics of othello compared to iago
Essay on Iago's manipulation of othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Iago as a vertable villain in Shakespeare's Othello
Iago’s Climax in Power Shakespeare’s Othello seems to be based entirely around jealousy. This jealous reaches its head in Act IV Scene 1. It seems that the play has been building up to this scene. Othello and Iago seem to have switch leadership position. Everything, at this point, is going right for Iago. One might argue Iago’s power is at a maximum when Othello and Iago are kneeling and vowing to each other, but it would seem that the climax of Iago’s power is truly when his whole plan finally comes together and everything seems to be going according to plan.
To begin the scene, Iago is putting images in Othello’s head about Desdemona’s supposed infidelities. He repeatedly brings up Othello’s gift to Desdemona: the handkerchief. Iago, in this conversation, tries to get Othello to see Desdemona as the handkerchief by saying, “Why, then ‘tis hers, my lord, and being hers, she may, I think, bestow’t on any man” (4.1.12-13). Othello, in his heightened state, will not take that statement at face value. Othello would, and did, take that statement as saying that Desdemona can give herself away to any man. At the
Because of this handkerchief, Othello decides he need to kill Desdemona, even though she tells him of her innocence until she dies. After she died, it was the handkerchief that allows Othello to see her innocence. Once Emilia tells Othello that she gave the handkerchief to Iago, Othello realizes his mistake. This handkerchief, that convinced Othello of her infidelity in Act IV Scene 1, is what eventually gets Emilia killed, Othello dead, and Iago captured. The same evidence of her infidelity is what eventually gets everyone where they do not want to be. The handkerchief that seemed to put Iago at his height of his power, seems to be the factor that puts Iago at rock bottom on Act V Scene
At the beginning of the action, the two ladies relationship furthers the plot by creating a circumstance in which Desdemona’s handkerchief goes missing. Desdemona’s most valued token of Othello’s love is a supposedly magic handkerchief that belonged to his mother and Desdemona keeps it with her at all times. When she drops it Emilia swipes it to try to please her husband, Iago. By stealing the handkerchief Emilia unwittingly sets in motion Iago’s scheme that will eventually lead to the death of herself, Othello, and her beloved Desdemona. Without this handkerchief Iago’s scheme would never work because it is the only piece of substantial proof of Desdemona's infidelity can use to convince Othello. Therefore, without Desdemona and Emilia's close friendship there would be no plot. Toward the end of the play, Emilia and Desdemona’s relationship becomes crucial to the plot again. After Othello kills Desdemona Emilia is the one who puts together the facts and unearths Iago’s scheme, risking her own life to do so. After witnessing Desdemona’s death Emilia says, “O thou dull Moor, that handkerchief thou speak’st of I found by fortune, and did give my husband- for often, with a solemn earnestness he begged of me to steal ‘t”(5.2.267-272). At the threat of her own death she revealed Iago’s treachery and concluded the plot by explaining how Iago’s scheming led to the death of four different people. Without Emilia’s proximity to Desdemona she would never have been able to take the handkerchief and her knowledge of Iago and Desdemona’s natures made her the only character able to uncover Iago’s scheme. Certainly, Desdemona’s close relationship and differing characters were essential to the plot of the
...demona’s handkerchief was the main object and symbol that was known for betrayal. In result, Iago had been the primary reason why we experience betrayal in the play. Due to Othello giving away the handkerchief was a sign for his affection to his beloved wife. In addition, it then moves from person onto the next person which was caused by Iago. Once Othello becomes jealous it makes it act on as an illusion since Desdemona. She had been faithful the entire time during their marriage and thinks that she has been cheating on him. The people Iago had betrayed with this handkerchief were: Othello, Emila, Cassio, and Desdemona. Furthermore, it was intended to have significance as a symbol of sacred trust. It was known as the “pledge of love” to Desdemona.
Iago talks about jealousy and deception in this same scene, but never gives any proof or direct descriptions of Desdemona's betrayal. Yet we know that Othello's perception has been sufficiently influenced to make him angry and sick by the end of this conversation. He tells Desdemona he has a headache, but he refuses any help from her. When she puts her handkerchief to his head, he pushes it away saying, "your napkin is too little" (3.3.285). This takes on more significance later on in the play when we find out that this handkerchief is the first token of love Othello ever gave to Desdemona.
Shakespeare is prominent not only in inventing new words, but also in using such themes as death, love, and betrayal throughout his works including Othello. However the central theme of the play is jealousy which we face right from the beginning meeting Roderigo, who envies Othello because he wants to be with Desdemona. In the end of the play we see how furiously jealous Othello is because he is sure Cassio and Desdemona have an affair. In the story of Othello by Shakespeare it is clear that Iago plays a significant part as he is introduced right from the first scene. Iago was Othello 's ensign who was passed over for the lieutenant position in favor of Cassio. We tend to follow Iago during the play more than Othello. Iago leads us through
Emilia is not just in the play to be a simply friend. She is there to tell everyone the horrible acts that have happened. Once, Emilia realizes her mistress has died she starts asking questions which helps her put two and two together. Emilia finds out that Othello thinks Desdemona cheated on her something that Desdemona would never do. Emilia then asks Othello, why? The main reason is the handkerchief. Othello gave Desdemona handkerchief that represents their love and its precious. Because Othello finds out Cassio had it he thinks an affair was going on. Then is when, Emilia reveals that she gave the handkerchief to Iago because she found it. Quickly after that it’s revealed that Iago (her husband) is doing evil acts. Emilia “...That handkerchief thou speak’st of I found by fortune and did give my husband. For often, with a solemn earnestness—More than indeed belonged to such a trifle—He begged of me to steal it.” With that said, Emilia was much more than a
...3-96. The argument between Desdemona and Othello his tone becomes violent. Othello continues his irrational obsession with the handkerchief where Desdemona unintentionally infuriates Othello’s anger and jealousy. Shakespeare's use of repetition of "the handkerchief” creates great effect in the final scene because of the power of proof the handkerchief beholds. Othello found it so hard to believe and forgive his wife Desdemona, after knowing she had also lied to her own father about marriage neither Barbatio or Othello accepted the fact they had been betrayed . Like Martha Widmayer mentions “ Infidelity is no “small vice” to Othello and Brabantio, each of ho willingly pays the “great price” of the loss of his world, Desdemona, rather than tolerate betrayal.”
Iago plants the handkerchief on Cassio. Convinced of Desdemona’s infidelity, Othello smothers his beloved wife in their marriage bed. Emilia then proves Iago’s guilt and Desdemona’s innocence to Othello. Othello stabs Iago, who is under arrest, but fails to kill him and commits suicide.
He suspects that Othello and Emilia have been together intimately. He then seeks revenge on the Moor; in the process, he uses his own wife as an accomplice. This leads to, the case of the missing handkerchief! Emilia is completely naive and without any suspicion she never suspects that Iago envies the Moor and will use the handkerchief to deceive him. When Emilia says: I am glad I have found this napkin!
The honesty by him being reluctant to speak is reinforced by the moralizing tone he takes with his commander. Iago actually lectures Othello about his jealousy “the green-eyed monster” and insisting that he’ll not speak slander “he that filches from me my good name / Robs of that which not enriched him / And makes me poor indeed” (III, iii). At the same time he is playing upon Othello’s insecurities by lecturing him on how Venetian women are deceitful and treacherous by nature. The seizure of the handkerchief is a great achievement for Iago in his quest to destroy Othello and was aided by his wife, who apparently has no scruples about betraying her mistress in small matters.
Continuing Act three, Scene three, Othello feels the beginning of a headache. Desdemona offers Othello a handkerchief to ease the pain upon Othello’s forehead. The handkerchief is a gift from Othello to Desdemona as a symbol of the love shared by Othello and Desdemona. In Othello’s pain the handkerchief falls from Othello’s hand and Emilia steals the handkerchief. Iago uses the characters of the play as pawns, including wife Emilia. Jealousy is the fuel and the handkerchief is the spark. With the handkerchief in Iago’s possession, Iago can continue to spin the web of lies and deceit. Iago plans to leave the handkerchief in Cassio’s lodgings to further support the suspicion of Desdemona’s infidelity.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
He then tells Othello to ask for the handkerchief and if she doesn’t produce it, then she must be cheating on him. Iago also manipulates the undeserving devotion of Emilia. We learn at the end of the play that Iago “begg’d me to steal it” from Emilia. Like Desdemona’s good nature, Iago exploits his own wife for his malicious revenge.
So, he invents and elaborate scheme to destroy Othello through his woman. When Othello demands proof of her infidelity, Iago says: “I do not like the
Iago finished his argument with the declaration; “But I will wear my heart upon my sleeve, for daws to peck at,” I am not what I am” (I.I.66-67). Iago metaphorically personifies that “wearing your heart on your sleeve” is a precarious move because if your true intentions are visible, it weakens you to allow you to be the target of attack. However, in literal meanings, humans are metaphorically symbolised as ‘birds’ to contrast the nature of human behaviour to animals. Iago’s metaphorical statement “I am not what I am” alludes to the biblical connotations in the bible, chapter Exodus 4:14 when Moses asks for God’s name in which God strongly responded back “I AM WHAT I AM” which opposes to Iago’s open declaration, to reference him to be the devil for acquiring villainous traits and motives. The dominant implementation of the handkerchief was the most significant motif of the play as it rapidly endured different meanings, from a love token to represent Desdemona’s and Othello’s marriage bond to Desdemona’s sudden fatality. The handkerchief was a vital element for Iago manipulative schemes because he knew the importance of the sentimental value, to which he used it to manipulate it to symbolise Desdemona’s chastity and fidelity. Iago’s purpose of the handkerchief was to be a mere suspicion and a circumstantial evidence strong enough to feed Othello’s