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The themes of othello
Emilia from othello character analysis
The themes of othello
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Othello is a soldier fighting in a war against his emotions. In order to win he must defeat his enemies. However, it becomes hard for him to tell who is against him when the “truth” is revealed.
Shakespeare’s famous play Othello begins in Venice. A jealous man named Iago is in an argument with a rich man named Roderigo. They learn that Othello has just married Desdemona. Both of them hate Othello with a passion. Othello does not choose Iago to be his lieutenant which causes Iago to do everything in his power to ruin the life of Othello. Cassio, Othello’s choice for lieutenant, is introduced as a character that Iago uses to take revenge against Othello. He first brings Othello against Cassio by getting Othello to demote him after initiating
Sanja Merzic explained how jealousy is mainly in the characters of Iago and Othello. It corrupted their lives and changed how they saw others. They share this tragic flaw that gave them misfortune, suffering, and death. Jealousy started to take over Othello’s mind in Act III Scene 3. Cassio speaks to Desdemona for the first time. Iago sees it as the perfect opportunity to make Othello jealous. He plants the seed in Othello’s mind. From then on, the seed spread uncontrollably. His jealousy is totally engulfed in Act IV Scene 1. It turned his thoughts into murder. “How shall I murder him, Iago? For she shall not live; no, my heart is turned to stone…” (178-179). The passion of jealousy, which derives from pride and breeds anger, gradually gains control over Othello and he finally turns into the savage moor that he was at first accused of being (Merzic 90). His own wife and friend become victims of his rage. People thought Iago was a honest man, but he was the opposite. Jealousy uncovered his true self . He is forced to expose his actual personality and Othello transforms into a monster. Jealousy is the theme that is seen throughout the play. It motivates character’s actions for the
Gender plays a considerable role between Othello and Desdemona. Bishop states, “He [Othello] is a dominating and powerful man. She [Desdemona] is a dutiful and passive wife” (¶2). Those characteristics come together as an understanding love for one another. Othello feels undeserving of his wife. She is a powerful aristocrat and his is a Moor. Brabantio, Desdemona’s father, disapproves of their marriage. Othello seems to apologize for his love to his daughter. In the time period of the play, a Moor had about the same amount of rights as a woman would have had. Shakespeare chose to write about an integrated marriage. The relationship between Desdemona and Othello is equal because of this. For once the man wasn 't the dominating figure. They married each other willingly without the approval of others.“My love doth so approved him that even his stubbornness, his cheeks, his frowns--have grace and favor in them” (4.3.18-21). Desdemona is blinded by love and remains loyal. The gender roles between Iago and Emilia are much different. They are mismatched. “Iago’s distrust and disdain towards women is apparent in how he treats his wife, calling her foolish and a wench” (Bishop ¶7). Emilia views men as scoundrels who treat their wives poorly. This may be the case for Iago and even her own father. She only knows cruel men, therefore she dislikes them all. Even though they have their
The beginning of the play starts when Iago and Roderigo were discussing about their plan of Iago wants to be second-in-command and Roderigo wants to make love with Desdemona. Next, they went into a dispute with Desdemona’s father about Othello marrying Desdemona. When, Othello marry Desdemona, Iago first plan was to get Cassio lose his job by getting drunk and into a fight. Afterwards, Desdemona tries to convince to Othello about giving Cassio’s job back. Then, Iago gets Desdemona, Othello, Cassio, and Bianca stuck in a situation about who are cheating on what, the handkerchief and Cassio’s job. Later on, Iago got in trouble of the evidence that reveal everything that actually happen in the play. Lastly, Othello killed himself, Iago receives imprisonment with torture, Emilia dies later and Cassio became the governor of Cyprus.
...ng Desdemona has been unfaithful, ‘Trifles light as air Are to the jealous confirmations strong As proofs of holy writ’. However, his manipulation can also be seen with Emilia, in particular her finding of the handkerchief, ‘my wayward husband hath a hundred times Woo’d me to steal it’. The fact that Emilia gives Iago the handkerchief, despite her initial intention which is to have it copied and to return the original to Desdemona and despite his crude and derogatory remark, ‘it is a common thing’, reveals her desperation to please Iago and to satisfy his need for instant gratification. This contrasts with her outspoken, headstrong nature when Iago is not present and shows that women of this time period were dominated by men in all ways, including the suppression of their natural personalities.
"Othello." The English Review 15.3 (2005): 15. Literature Resources from Gale. Web. 8 May 2014. .
The old cliché "One bad apple ruins the bunch" is what enters one's mind when discussing the villainous, deceitful, protagonist Iago in Shakespeare's tragedy "Othello." It is amazing how one person alone can completely destroy, or deteriorate a group of good natured, trusting, loyal peoples' lives in a matter of days- three to be exact. What is the motive behind Iago's heinous, selfish acts, one may ask? A rather obvious theme in the Shakespeare's tragedy, "Othello", is that of the many facets of jealousy, which instigate the evil-doings of protagonist, Iago. Jealousy can be best defined, in the thinking of Renaissance, as a derivative or compounded passion. It is a species of envy, which is in turn a species of hatred. Hatred finds its opposite in love and is opposed to love. Envy is opposed to mercy. Yet while jealousy is opposed to love, it often rises from love. Like envy, it has something of the grief or fear that comes from seeing another in possession of what which we would possess solely for ourselves. Though jealousy is compounded, it still partakes in the nature of hatred, and hatred brings in its wake anger and revenge (Nardo 122). This could not be more accurate in the horrid actions Iago resorts to in his insatiable desire to get what he feels is rightfully his, regardless of who he hurts along the way. Iago serves as a prime example that keeping your enemies closest does not always work to your advantage. Let us now examine the heights of deceit to which Iago rises in his selfish, tactless rage to acquire what he wants. The best demonstration of Iago's jealous ways are shown through his twisted motives and his strategically planned out course of action in which he...
In a passage from William Shakespeare’s Othello, Iago dramatizes a subsequent conflict between Othello and Desdemona when he warns the former of a green-eyed monster, the manifestation of jealousy. As the play progresses, Othello becomes more like this beast that Iago told him about. Instead of being the honorable and respectable character he was, Othello now displays a more questionable personality, one that causes him to doubt his wife of infidelity. Even though Iago does play a role, it is mostly due to Othello’s insecurity that transforms him into a monstrous person.
That’s Othello’s weakness that Iago deems as useful. Othello’s love turns to jealousy. The question is how sympatric is Othello to the reader. Othello feels betrayed. But Othello loses his look of a gullible, good guy when he decides he wants Cassio and Desdemona dead. The rage of his jealousy turns the character of Othello the readers know on its head and creates a different look. Only during and after the death of Desdemona can the reader see the good that was once in him. Othello shows regret and kind of a sense of torment. Clearly parts of him doesn’t want this to happen. And after the death of Desdemona he sees the misplaced change and rage he had. When Othello hears of Iago’s disseat he changes back to the good Othello that was present in the start of the play. He might be filled with regret and a new rage for Iago, but is morals seem solid
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
In Shakespeare’s tragedy Othello, good is often confronted by evil, in which almost every case is in the form of jealousy. Iago, the plays antagonist, is a very manipulative villain. Iago uses his own agony and distress brought upon him by his envy of others, to provoke the same agony within the characters in the play. Jealousy’s ability are shown to influence people to new ends and make all humanistic judgment disappear leaving that man a monster torn apart by envy. Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello.
In the end, we can conclude that Shakespeare used a very conservative world view in his play, “Othello”. Using the characters of Othello, Desdemona, and Iago, Shakespeare reinforced the stereotypes of his time. In conclusion, gender expectations have greatly impacted the outcome of Shakespeare’s play, “Othello”, because the script of the play has reinforced the stereotypes such as girls who resist their fathers die, women who marry different race, class, and cultures die, and women who decide their own destiny die at the end. Through “Othello”, Shakespeare portrays women in a patriarchal system, and the result of the play is the consequences of gender disruptions. Therefore, there is no doubt that the gender expectations placed on both male and female characters have greatly impacted the outcome of Shakespeare’s play “Othello”.
A.C. Bradley describes Othello as "by far the most romantic figure among Shakespeare's heroes"(Shakespearean Tragedy, 1). This is an unusual description of a man who murders his own wife. However, Othello's feelings of hate for Desdemona started as an overwhelming love for her when their relationship began. This transformation from love to hate also inflicted the characters Iago and Roderigo and like Othello their hatred resulted in the murder of innocent people. Roderigo's love for Desdemona was transformed into hate towards any man that he thought was loved by her. Iago's love for his job and his wife, Emilia changed into a destructive hatred of Cassio and Othello. As a result of their hatred Cassio, Emilia, and at the end themselves were killed. The connection between love and hate in William Shakespeare's "Othello" is the ugly feeling of jealousy that caused such transformations. Jealousy can be described as a fear of losing something or someone that is valuable (Godfrey 2). As minor as this feeling appears to be by that definition, it can take on varying degrees of damaging behavior. Othello, Roderigo, and Iago became paralyzed by jealousy. Their thoughts, actions, and behaviors were ruled by it. Jealousy caused their inability to the act rationally. They became paranoid and unable to love. This paper will examine the jealousy that caused love to turn into hate for Roderigo, Othello, and Iago.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
At first Emilia's character is the ideal submissive wife. Iago treats Emilia rather badly during the first scenes of the play. He refers to her as a nagging housewife and Emilia is submissively unresponsive to his harsh allegation...
His jealousy overcame his usual respectable, noble personality and he became irrational and violent. His jealousy and rage led him to kill his wife, something he would never have done if he had not been jealous. Iago’s initial jealousy of Cassio led him to seek revenge, thus moving the entire plot. He also fuels his hatred of Othello by convincing himself that Othello slept with his wife. His jealousy initiated many of the other characters’ jealousy, which resulted in multiple negative consequences.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...