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Thematic significance of imagery used in the Heart of Darkness
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Heart of Darkness is a tale of one man’s frightening journey to the Congo named Marlow. He recalls his time as an agent for the Belgian Company. He speaks about the brutality, hatred, and evil of those trying to colonize and the native Africans that are fighting for their territory. During this journey he saves a fellow agent that goes mad due to him succumbing to mental and environmental issues and unfortunately tragically dies. Through the Narrator who tells the story and Point of View from which the story is told, we get a better understanding of the overall theme, which is the hypocrisy of imperialism, the madness it causes, the absurdity of evilness, and how anyone is capable of evil. In Heart of Darkness we begin with an unnamed narrator who speaks in first person plural for 4 other men. Their purpose is to add some more commentary. Through this commentary we get some details that strengthen Marlow’s presence and get a feel that what Marlow is about to speak is important. The narrator speaks that, “He had sunken cheeks, a yellow complexion, a straight back, an ascetic aspect, and… resembled an idol.” (Conrad 1). Joseph Conrad is using this first narrator to gain the audiences respect …show more content…
It is very intriguing and for the audience this is very important because as we get farther in the story and see how truly mad Kurtz has become, one can see the theme of madness being displayed. On page 28 of Heart of darkness we discover that Kurtz came to the Congo to set up stations that would serve to improve the morals of the natives (Conrad). Unfortunately the natives began to treat Kurtz as god of some sorts and it got to his head and he was smart enough to use this to his advantage, leading him to going mad. Inching closer to Kurtz station and becoming intrigued with Kurtz as a person, Marlow begins to realize that Kurtz is not inherently bad. He admires him almost as much as he disagrees with his decisions he has
On September 3, 1945, the world awoke to a feeling of serenity it had only experienced a few times in the past 30 years. The second of two arduous world wars was over, the geographical lines of the globe had been redrawn, and new policies were emerging daily to prevent these events from repeating themselves. With the jarring events that took place in this relatively short time span, a global shift was inevitable and swift moving. A total overhaul of the ideology of humans was in the works in 1945, and human rights (including women, African Americans, Jews, and other minorities) catapulted to the forefront of global politics. But before this could happen, the maps had to be “redrawn.” Individuals who lived through this time period saw the world as they know it change, from
Heart of Darkness shows imperialism in more of a physical and psychological perspective. The main character Marlow, in his beliefs, shows a positive side to imperialism. Marlow does openly admit that he does not belong as an invader to this land that is not his; however, he also says that he will try to help these people, the antithesis of most, if not all, of his comrades. Concerning these imperialistic invasions, he says,
In Joseph Conrad’s novel Heart of Darkness, he asserts man’s extensive capacity for evil. Through the method of European imperialism, Conrad contrasts the civilized outer European world to the dark uncharted African jungle. Charlie Marlow, the protagonist of the story, recounts his journey into the Congo to resupply the ivory stations and his quest for a man named Kurtz while explaining his adventures to four other men on ship called the Nellie, which happens to be heading towards London on a river called the Thames. Marlow decides to share his trek when he notices the London skyline and begins to think of “ ‘one of the dark places of the earth,’ ” thus referring to the African Congo (11). Mr. Kurtz serves as the mysterious character in the
In Joseph Conrad’s Heart of Darkness, Kurtz and the Council demonstrates natural human needs in order to survive and achieve personal desires. His dissolution and corruption take place as he travels deep within the Congo. His behaviour that lacks moral ethics is accepted by everyone in the Congo due to the severity of the area. Kurtz’ imperialistic actions of obsession with power and wealth, and his view of colonialism lead to his ultimate dissolution. He believes that his way of darkness is good, although it is the sole reason to his corruption.
"Heart of Darkness , which follows closely the actual events of Conrad's Congo journey, tells of the narrator's fascination by a mysterious white man, Kurtz, who, by his eloquence and hypnotic personality, dominates the brutal tribesmen around him. Full of contempt for the greedy traders who exploit the natives, the narrator cannot deny the power of this figure of evil who calls forth from him something approaching reluctant loyalty."[1]
Imperialism is the act of one country overtaking another country. Often, the motive behind this is for resources, as portrayed in Joseph Conrad's Heart of Darkness. Other times, a country may want to expand their territories, or force their beliefs and customs on another land. This is seen in Francis Ford Coppola's Apocalypse Now. In Apocalypse Now, protagonist Jerry Willard is sent on a confidential mission during the Vietnam War. While voyaging up the river, Willard notices the excessive tactics used by the Americans. America advertised that they went to war with Vietnam to prevent the spread of communism. However, it is obvious that throughout most imperialistic literature the group colonizing natives are the true savages. Considering that this theme is frequent among imperialistic writing, one may assume that imperialism is a violent, unnecessary concept used by brutes with no sense of open-mindedness. One may deduce that America may have had an ulterior motive in attempting to take over Vietnam. In Conrad's Heart of Darkness, imperialism is viewed by Marlow as aggressive and insincere. Marlow often notes that the so-called savages show more restraint than the "civilized" men. In Conrad's novel, the genuine reasoning for pillaging African villages is to rob the land of it's most precious resource, ivory. Though, these pieces are contrasting in style, time period, and reasoning; the two works compliment each other and show the horrors of imperialism through the eyes of someone witnessing it.
1. The protagonist of Heart of Darkness is a person named Charlie Marlow. Oddly, his name only appears once in the novel. Marlow is philosophical, independent-minded, and generally skeptical of those around him. He is also a master storyteller, eloquent and able to draw his listeners into his tale. Although Marlow shares many of his fellow Europeans’ prejudices, he has seen enough of the world and enough debased white men to make him skeptical of imperialism. An example of Marlow being independent-minded and philosophical is when he takes a trip up a river, as a break from working on ships. Marlow describes the trip as a journey back in time, to a “prehistoric earth.” This remark on how he regards colonized people as primitive, which is his philosophical viewpoint.
This situation of waiting for Kurtz allows Marlow to fantasize about Kurtz and create a larger than life figure out of a man who he’s never met before. Soon Finding Kurtz becomes an all-out obsession for Marlow; even the night before they meet Kurtz, he wishes to press on despite the danger. Here the reader can see that Marlow is willing to get to Kurtz at all costs. When Marlow does finally make contact with Kurtz, his fantasy carries over into the person who he sees Kurtz as. Marlow is willing to overlook some of Kurtz’s shortcomings and is very willing to see his greatness. Marlow is obviously fond of Kurtz, as it can be seen in the passage when he speaks of Kurtz’s “unextinguishable gift of noble and lofty expression.” Here the reader can observe that Marlow is truly fond of Kurtz’s. The narrator even chooses to side with Kurtz against the manager; even though he hardly knows the man. Kurtz has also managed to get the native people to worship him as a god, and has mastered their language. This makes Marlow respect him even more. Marlow’s point of view allows him to foster both the reality and the fantasy of Kurtz, and though he is very fond of Kurtz, he is still able to see the truth in him as
Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.
Ironically, we can assume Marlow's listeners and readers have been touched by this account. The story and it's teller seem sincere but yet there is more than that. Marlow in this way has become like Kurtz, a voice that craves to be heard by its listeners. It is in this way that Kurtz and Marlow are both mouth pieces for Conrad's voice. Conrad is questioning society for its flaws but while doing so he must also question himself. After all the crimes he's accusing society for he must prove himself a worthy judge. Society nurtures the recognition of these crimes but it does not encourage the correction of these problems.
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Though Conrad did not learn English until he was twenty-one, he still mastered the language and artfully uses it in Heart of Darkness. One sentence of his is particularly striking, as it sums up the views that he condemns throughout the novella. The accountant, one of the first imperialists Marlow meets, says to him, "When one has got to make correct entries, one comes to hate these savages-hate them to the death"(Conrad). This sentence is a perfect example of the typical imperialistic belief that Marlow denounces, and serves as a synecdoche for the entire work.
Heart of Darkness is told by Marlow, a contemplative sailor. Marlow begins his journey up the Congo River to meet Kurtz, a presumed prestigious leader. He is offered a job by the European government to work as a riverboat captain along the Congo River, watching over the waterways trade. Along the way, Marlow comes across many run down stations with hundreds of native slaves. The native people of the region have been forced to work, against their will, in the government bases. “The cruelty and squalor of imperial enterprise contrasts sharply with the impassive and majestic jungle that surrounds the white man’s settlements, making them appear to be tiny islands amidst a vast darkness.” (Spark, 2014) Marlow eventually arrives at the Central Station, where he meets many contemptible characters. He experiences many suspicious incidences including the sinking of his ship and hearing rumors of the infamous Kurtz. Kurtz is rumored to ...
While Heart of Darkness offers a powerful view into the hypocrisy of imperialism, it also delves into the morality of men. Darkness becomes a symbol of hatred, fear and symbol of the power of evil. Marlow begins his story believing that these elements exists within the jungle, then with the natives and finally makes the realization that darkness lives within the heart of each man, even himself. People must learn to restrain themselves from giving into the "darkness." Marlow discusses at one point how even suffering from starvation can lead a man to have "black" thoughts and restraining oneself from these thoughts would be almost impossible in such hardship.
This sight angers Marlow, and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.