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Love in literature essay
Love in literature essay
Love in literature essay
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In All the King’s Men, Jack Burden repeatedly has difficulty relating to the world, and is constantly plagued by cynicism and apathy for the people that surround him. One cause of this is his mother, Mrs. Murrell, who Jack never mentions except for when he returns home to Burden’s Landing. Because of his mother’s relationship with men, Jack neither feels close nor distant towards her, creating a strange limbo state between motherly love and the physical love she offers to her many husbands. Jack is therefore affected by her choices in marriage negatively, and distrusts women and cannot have a healthy love life because of her influence when he was a child. Because of his mother’s ability to attract men, the issue of the identity of a father figure in his formative years, and the Oedipal tendencies that his mother shows towards him, Jack is stunted when it comes to having a healthy relationship and relating to his own family. First, Jack’s mother has the uncanny ability to attract men of all ages and backgrounds, despite her age, and ‘was the kind of woman who had to have men around and had to make them dance to her tune’ (Warren 110) to make herself feel secure and loved. This has led to many marriages, all of which except for the current one to the Young Executive, of which Jack had ‘wondered how permanent they were’ (Warren 115), had ended in divorce. Jack recalls that his young self watched all of these marriages disintegrate, and as a result never expected a continuous lifestyle or a father figure to look up to. The strange thing about Jack and his mother is they both pretend that their relationship isn’t strained by these issues every time he returns home to Burden’s Landing. However, he cannot stand to be near his mother ... ... middle of paper ... ... trust his mother, and often isn’t able to take many of the women that surround him seriously. Through the novel, Jack is unable to fully contemplate or experience a truly healthy relationship, no matter whether it is between his mother and himself or from observing the interactions between Willie and his wife Lucy. His inability to carry on a healthy relationship with Anne, a woman who he sincerely loves, stunts him emotionally and turns him cold to the world and the people that he works with. But the sources of all of these troubles all originate in his early years in Burden’s Landing, where his mother’s needs eclipsed those of her own child, and as a result injure him later in his life. Ultimately, Jack and his mother’s strained relationship drive him away from any chance of a normal family life and continue to create tension through his adult years as well.
John Wilson the author Lois Simmie paints a picture of just how different Polly and Jack had really been. From her caring and pleasant manner to his evil and sneaky ways. Simmie shows us how much Jack’s manner changed from woman to woman. When Jack had asked for Polly’s hand in marriage in August 1906, it was the typical Jack Wilson manner. Jack had stated “…if Polly wasn’t allowed to marry him he would blow his brains out.”(Simmie pg 8) Polly later would become known to be Jack’s first wife and mother to his children George and Ella along with their unborn son. Not long after coming to Canada Jack was posted in a small town in Saskatchewan called Blaine Lake. That is where Jack found his so called love of his life, her name was Jessie Patterson. Soon after Jack’s wife Polly came to Canada in search of her husband. This would send Jack’s love life into a spiral, she soon found him and not long later found out about Jessie. She confronted Jack and he told her that when he was ill with TB Jessie and him had gotten very close as she was the main caregiver for him. However he lied and said nothing had happened between the two, Polly truly believed that Jack would not take things further with Jessie. “She loved him and could see no wrong in him and it was not for us to wound her by showing her his falseness…” (Simmie pg 171) Polly blamed herself for not being there while her husband Jack was sick, she believed that this is really
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
Janie marries three different men over the course of Their Eyes Were Watching God: Logan Killicks, Joe (Jody) Stark, and Tea Cake. Janie is able to preserve her agency in these marriages via an internal rebellion, she uses her thoughts to remain happy and outside the world her husband’s create. It is often the case that husbands expects a marriage where the female is subordinate to them and even Janie’s grandmother suggests Janie should abide by this expectation. However, Janie creates a space in her mind for an idealistic relationship and a place that her husband’s cannot touch. This ...
Janie’s previous husbands—Logan and Joe—and Arvay’s husband, Jim Meserve, “sometimes play more the role of substitute parent than that of a husband” (Roark 207). Clearly, this type of relationship impedes one’s self-actualization (including the recognition of one’s personal desires and aspirations). While a father figure is completely...
Jack, on the other hand, is doing nothing but causing chaos. Jack fails to realize that the boys need security, stability, and order on the island. Jack was a leader of the choir before the boys landed on the island. These boys, who were in the choir, still want to follow Jack; however, they have no discipline at all. The only thing that is on Jack’s mind is hunting.
Chelsea, the daughter of Ethel and Norman, is at a very difficult stage in her life. She has divorced already and is back in the dating game, this time her partner is a dentist named Bill who has a 13 year old son, Billy. Billy stays with her parents while her and Bill travel around Europe, and elope in Brussels, consequently causing her boyfriend’s son to become her step son. Step parent/step children families are becoming increasingly commonplace now. Divorce and remarriage rates are higher now than ever in the past, and with that comes a rise in the blended family. The relationship between Billy and his step mother, Chelsea, seems quite amiable. Though she is an adult now, her father’s acceptance is something that Chelsea has always craved. After returning from Europe, much to her delight and dismay, she learns of how well Billy and her father got on while she was away, despite the initial
After a decade of not seeing his mother and brother, Howard returns to his hometown in Mississippi. It is evident how thrilled he is. As the train approaches town, he begins “to feel curious little movements of the heart, like a lover as he nears his sweetheart” (par. 3). He expects this visit to be a marvelous and welcoming homecoming. His career and travel have kept his schedule extremely full, causing him to previously postpone this trip to visit his family. Although he does not immediately recognize his behavior in the past ten years as neglectful, there are many factors that make him aware of it. For instance, Mrs. McLane, Howard’s mother, has aged tremendously since he last saw her. She has “grown unable to write” (par. 72). Her declining health condition is an indicator of Howard’s inattentiveness to his family; he has not been present to see her become ill. His neglect strikes him harder when he sees “a gray –haired woman” that showed “sorrow, resignation, and a sort of dumb despair in her attitude” (par. 91). Clearly, she is growing old, and Howard feels guilty for not attending her needs for such a long time period: “his throat [aches] with remorse and pity” (par. 439). He has been too occupied with his “excited and pleasurable life” that he has “neglected her” (par. 92). Another indication of Howard’s neglect is the fact that his family no longer owns the farm and house where he grew up. They now reside in a poorly conditioned home:
The death of Willie Starks and the circumstances force Jack to rethink the way he thinks. He rethinks a belief that no one can ever be responsible for the evil actions of another individual over time. In a way Jack feels responsible for Willie’s death. Jack eventually marries Anne Stanton and he feels orthodox about his decision to marry her. Jack restarts his long lost hobby of working on a book about Cass Mastern.
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Jack is a small weak kid who Is smart and funny. One challenge Jack faces in the book is
...his balance allows Lee to more strongly portray the cause-and-effect of Jack and Ennis’ stances in their relationship. Throughout the story, Ennis and Jack are complementary to each other: Jack’s extroverted personality and Ennis’s introverted tendency, Jack’s money-producing marriage and Ennis’ hard-earned living, and Jack’s pursuit of his sexual impulses and Ennis’ suppression of his sexual orientation—these two Thanksgiving scenes include moments that add to the long list of aspects that harmoniously strengthen both as characters. However, their complementary characteristics also lead to complementary beliefs, preventing both of them from ever getting what they want. What seemed to be the driving forces that brought the two together actually turn out to be the ultimate destruction of hope and the possibility of ever escaping the suffocating influence of society.
At the end of the story, Jack realizes that blending in with society is not ideal. He regrets the past decade that was full of loss and regret when it could've been full of trust and love. People may be tempted to make unwise decisions to blend in with society. But think about it: the world is like a crowded marketplace. If you don’t stand out, you are invisible. Unique qualities define your identity. Without them, you are not yourself. At least on Qingming, the mother’s poor spirit can rest easy, knowing her son is with her in heart, but that can never make up for the years of hurt and betrayal directed at
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
This becomes clear in his attitude towards Jack, and how Arthur finds it humorous that Jack is even with Brenda, who Arthur believes is too strong a woman for him. Lewis states “Jack’s position as cuckolded husband is, for Arthur, deserving of disrespect rather than sympathy” , however this could be seen as Arthur comparing Jack to men in the army, rather than people in the community he lives in. This therefore forces Arthur to believe he is in a higher social category than him, and he is cognitively mapping him, by believing he is above Jack in terms of women, masculinity and work, due to working in the
First, they had always had communication issues. Abagail was referred to as slightly resentful of being a mother, even more so after Buckley was born. It is alluded to that Jack was unaware of her feelings about her position in life. Beyond prior communication issues, not a single member of the family truly communicated their needs or feelings until the end of the book. Any expression that was made seemed to be minimized or disregarded, especially between the parents. In addition to communication issues, each member struggled to find their new place in the family. Jack and Abagail had to get used to being parents of two children instead of three. Additionally, Jack eventually had to adjust to his new role as a single father and then back to a husband and father. Abagail’s family role eventually became that which I would call the “prodigal mother and wife” in that she simply left for years only to return and find the desire to re-join her family. As far as the children go, Lindsay had to move past her role as middle child and her self-perception as the sister of the dead girl and embrace her role as the older sister. She may have even played a minor role as caretaker and support for her brother and father. In contrast, Buckley remained the little brother and due to his age at the time of the tragedy, had no noticeable familial role adjustments. While each family member grieved very differently, they were eventually able to find their own peace and come back together as a whole, functional