Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Humor in society
Robinson, Dawn T., Smith-Lovin, Lynn. (2001). Getting A Laugh: Gender,
Status, and Humor in Task Discussions*. Social Forces, 80, 123-158.
Background and Purpose: The general purpose of this study is to show how humor operates in task-oriented group discussions. The researchers used the opportunity to study the dynamic occurence of humor during group conversations. The researchers are using the functions of humor to come up with ideals about who it is that actually does the joking (male or female), and when and where this joking takes place. The hypothesis suggests an image of joking as dealing with status in a society, the male sex, people who are very participatory and those that are frequent interrupters (or interrupted often themselves) to all show status-related patterns of humor use. The researcher’s further have a theory that if they know about the way people engage in humor, then they will be able to predict who will do so, and in what environment or circumstances.
Through various methods and procedures, there were more theories generated dealing with: the content of humor episodes and time dependence. (Findings are found in the Findings /Results section below).
Methods and Procedures: To carry this study out, they used event history techniques in order to analyze humor attempts and successes. They did this using groups of 6 people each. They further used their results with their insights on status and emotion to develop a new theory (talked about in the Background and Purpose section above). Once this theory was developed, they examined what they had from the additional data from the group discussions. Many ways that they came up with their findings in the research was by using bar graphs to plot their knowledge.
Findings / Results: In looking at the humor episodes, they found that a higher portion of men’s than women’s humor is differentiating, while a higher portion of women’s than men’s humor is cohesion-building. A frequent claim is that men tell more jokes than women and in describing feminine speech style, Robin Lakoff suggested in the abstract that women “have no sense of humor”, and also that they never effectively tell nor “get” jokes. They found that the gender/joking difference is noticeable in children by the young age of 6 years old.
With time dependence, they found that there was a lot of it in humor use. They note the timing is everything. As far as timing in conversation goes, and the concept of the pressure value (humor releasing pressure/tension), Robinson and Lovin comment that the highest rates of humor then should be during that latter part of the conversation when
Psychologists, sociologists and anthropologists study humor because it is a fundamental culture value, but they still can’t determine why certain things make some people laugh and others not. There are “humor quotient” tests that are designed to measure an individual’s sense of humor, but these tests are questionable. These tests aren’t accurate because almost all humor depends on cultural background knowledge and language skills. Not every person in the whole world, or even in one country share the same background knowledge and skills, therefore they cannot have the same type of humor. “The fact remains that individuals vary in their appreciation of humor” (Rappoport 9). Since humor varies from individual to individual, humor lies in the individual. How successful or funny a joke is depends on how the person receives the joke, humor cannot be measured by a statistical
Steve Almond’s “Funny is the New Deep” talks of the role that comedy has in our current society, and most certainly, it plays a huge role here. Namely, through what Almond [Aristotle?] calls the “comic impulse”, we as a people can speak of topics that would otherwise make many of uncomfortable. Almond deems the comic impulse as the most surefire way to keep heavy situations from becoming too foreboding. The comic impulse itself stems from our ability and unconscious need to defend and thus contend with the feeling of tragedy. As such, instead of rather forcing out humor, he implies that humor is something that is not consciously forced out from an author, but instead is more of a subconscious entity, coming out on its own. Almond emphasizes
“Morreall argues that, if we want to answer these questions, we shouldn’t focus on whether the joke happens to trade on a stereotype. Instead, he takes the primary problem with some humor to be that it involves disengaging from things with which we ought to be engaged.” (Morreall, 529)
In Alain de Botton’s book, Status Anxiety, he argues that the aim of humorists is not solely entertainment, but also to convey a message that isn’t always okay to state directly. There are many places where his argument can apply. Even with humor, some topics are still too controversial to joke about; However, in most cases, humor can lighten things up and make it easier to discuss topics that otherwise would not be as easy to talk about without heavy arguments. There are many cases that would make his argument true. There are many examples that support his argument, and that help to show the importance of humor in arguing, including cartoons, comics, works of literature, and also when thinking of hosts of television programs.
... is a voice that will support or oppose a cause. While I understand that there are wars that are worth fighting, it is just as important to know which wars are not worth fighting. I see this poem as Owen opposing the war not because he is afraid of fighting evil, but because he sees World War One as a war that is not necessary and is doing more harm than the end result of good. War is supposed to be evil and awful. It is that way so people do not enjoy it. Owen employs point of view, Latin, and tone to challenge the view that dying for one’s country is a noble cause.
Humor can take many forms, including practical jokes, teasing, insults and self-deprecation. It is a staple of humanity and plays an extremely important role in our psychology as we move throughout life’s stages. In fact, famed philosopher Immanuel Kant placed laughter alongside sleeping and hope as the most beneficial means of renewing the soul. It is commonly perceived as a beneficiary tool for healing and social interaction for everyone, but few have looked at the roles humor plays in the aging process. Meika Loe set out to examine this relationship in her book, Aging Our Way by utilizing several case studies of the elderly of various backgrounds. Loe has identified key case studies to support this hypothesis in Eddie, who uses humor to
The study has shifted from identifying the theories to now explaining the psychological reasoning behind humor and laughter. Philosophers want to know what a situation has to do with causing laughter. Over the years, three theories have emerged, the Superiority, Incongruity, and Relief Theory. Morreall particularly focuses on the Superiority Theory. Combining the philosophical ideas of Plato, Thomas Hobbes, and Roger Scruton, this theory claims that “laughter expresses feelings of superiority” (Morreall 6).
Throughout the poem Owen has worked so that the reader feels different emotions throughout. As a reader I felt conflicted and confronted with the images first presented. The more you read the darker and more depressed your emotions became. I could feel the life, light and happiness being sucked out of you. Upon a greater analysis of the poem I feel the anger that Owen has towards the lies that the government had told not only him but the public as well. We still are lying to ourselves as a society of the death occurring in Afghanistan as a heroic event that should be celebrated. Today, though we aren’t as ignorant in what our soldiers go through, we still underestimate the seriousness of war and glorify our soldiers’ actions. In the 100 years since World War 1 nothing has changed.
3. Apte, Mahadev L. Humor and Laughter: An Anthropological Approach. Ithaca, NY: Cornell UP, 1985.
Evangelical Dictionary of Theology, Second Edition. Edited by Walter A. Elwell. Grand Rapids, MI: Baker Academic, 2001.
Owen as a young soldier held the same romantic view on war as majority of the other naive soldiers who thought that war would be an exciting adventure. The documentary extract illustrates how markedly Owen’s perspective of the war changed, as noted in a letter to his mother while he was still in the front lines: “But extra for me, there is the universal perversion of ugliness, the distortion of the dead ... that is what saps the soldierly spirit.” In ‘Dulce Et Decorum Est’, Owen’s change of heart is evident through the irony of the poem title and the ending line “The old Lie; Dulce et Decorum est, Pro patria mori.”, an allusion to the Roman axiom made famous by Horace, which translates to “The old Lie; It is sweet and right to die for your country.”. The line depicts Owen’s realisation that the horrific nature of war through human conflict is not sweet and right at all, rather, it is appalling and “bitter as the cud” as death is always present on the battlefield. Additionally, Owen indirectly responds to Jessie Pope’s poetry, a pro-war poetess, through the reference “My friend, you would not tell with such high zest… The old lie…”, further highlighting his changed perspective towards the war which has been influenced
Comedy is an essential part of most people's lives and impacts everyone more than they realize. It has the ability to make one think, laugh, and ultimately change themselves into a more highly educated person. In today’s society, people have a lack of trust in political leaders and news writers; many believe there is crucial information being withheld from the world. Many members of society obtain their real world news from their brutally honest, and trusted humorists. As actor and comedian John Fugelsang accurately said, “comedians can articulate complicated emotions and arguments by using jokes as a framing mechanism, when just existing in the heart unexamined can be murky and amorphous.” He continues by explaining how “humour can be a social corrective” because it “validates shared experiences, gets us to think more flexibly and reframe situations in this shared experience we call life.” Whether it be a late night television host, a cartoonists or satirical writer, they all reveal the truth that others are afraid to directly
Human conflict is a violent confrontation between groups of people due to differences in values and beliefs. During World War I, poet and soldier, Wilfred Owen, faced the harsh realities of human conflict, dying at a young age of 25, only six days before the war ended. Owen’s personal encounters during war had a profound influence on his life as reflected in the poems and letters he wrote before his passing. In using a variety of poetic devices to write about the suffering and brutality of war, vividly captured in his poems ‘Dulce et Decorum Est’ and ‘Anthem for Doomed Youth’, Owen effectively conveys his own perspective about human conflict. ‘Dulce et Decorum Est’ depicts the horrific scenes on the battlefield and a grotesque death from drowning
Erickson, Millard J. 2002. Introducing Christian Doctrine(2nd Edition). 3rd ed. Grand Rapids, MI: Baker Academic.
...is witness of atrocity and bleak ugliness stretched to the limit desperation would allow, their enthusiasm would be forgotten, shameful in fact. War is a game of sobriety, a thing to celebrate when finished, not a celebration itself. There is no more Romance in war, and no more Romance in Owen’s poems.