“Sonny’s Blues” James Baldwin Of all his writings, Sony’s Blues is one of James Ballwin’s strongest psychosomatic dramatizations that depict the realities of the frustrations that encumbered the African Americans particularly in the mid 1900s. It is a narrative of two brothers striving to understand and reconcile with each other. Sonny remains marginalized while his brother is somewhat assimilated into the mainstream society. In a painful progression of acknowledging his brother’s heroin addiction, Sony’s brother gradually comes to a self-discovery and ultimately appreciates the suffering expressions in Sony’s music. In this short story, Baldwin is acclaimed for his treatment of his moniker themes such racial relations in the United States, identity’s nature, human sufferings and art’s function.
Baldwin’s use of non-literary text both manifests and depicts the common belief that “artistic expressions of an individual yet classical experience is a sure way to freedom.” Similar to his other writings, both non-fictions and fictions, Sony’s Blues tackles specific themes, symbols and motifs surrounding human suffering. The book includes non-literary texts such as symbols like the cup of
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In Sonny’s Blues, art plays a central role by serving as a bridge between the two alienated brothers. For a long time, their personal shortcomings have kept the two brothers apart. Sonny’s failure to speak and his brother’s listening inability have always prevented the siblings from having an honest conversation with one another and thus have never understood each other. Watching the street revival music brings the siblings very close and prompts their first authentic conversation in their lines of work. Astonishingly, just at the peak, Sonny’s music aids his brother to finally understand his life and trials. The connection facilitated by art becomes the channel for an authentic epiphany in Sonny’s
Sonny’s Blues is first-person narration by the elder brother of the musician struggling with heroin addiction and issues with law. However, on closer inspection it appears that Sonny’s unnamed brother is also very troubled. His difficulties cannot easily be perceived and recognized especially by the character himself. The story gives accounts of the problems Sonny’s brother has with taking responsibility, understanding and respecting his younger brother’s lifestyle.
The transition of being a black man in a time just after slavery was a hard one. A black man had to prove himself at the same time had to come to terms with the fact that he would never amount to much in a white dominated country. Some young black men did actually make it but it was a long and bitter road. Most young men fell into the same trappings as the narrator’s brother. Times were hard and most young boys growing up in Harlem were swept off their feet by the onslaught of change. For American blacks in the middle of the twentieth century, racism is another of the dark forces of destruction and meaninglessness which must be endured. Beauty, joy, triumph, security, suffering, and sorrow are all creations of community, especially of family and family-like groups. They are temporary havens from the world''s trouble, and they are also the meanings of human life.
Sonny’s brother has been distant towards him, but recently, he has been trying to understand him and help him. Sonny decides to take his brother to a concert to see if he will understand what he is trying to convey through music. Sonny hasn’t played the piano for “over a year” and he is a little bit rusty (147). Sonny also says he isn’t on “much better terms with life” than he was a year ago (147). In a way though, he is in a much better place, because his brother is there for him. When Sonny starts to play the piano, he is a little bit nervous, and he does not really feel the music that he is playing. After a while though, he starts to loosen up and play his heart out. The tune he is playing is no longer just a song; it is “Sonny’s Blues” (148). The music he plays “fills the air with life, his life,” and Sonny’s brother finally understands “he could help us be free if we would listen, “ and that Sonny “would never be free until we did” (148). By the end of the story, Sonny achieves his goal of communicating his problems though his
In James Baldwin’s “Sonny’s Blues,” the unspoken brotherly bond between the narrator and his younger brother Sonny is illustrated through the narrator’s point of view. The two brothers have not spoken in years until the narrator receives a letter from Sonny after his daughter dies. He takes this moment as an important sign from Sonny and feels the need to respond. While both Sonny and the narrator live in separate worlds, all Sonny needs is a brother to care for him while the narrator finds himself in the past eventually learning his role as an older brother.
Reilly, John M. " 'Sonny's Blues': James Baldwin's Image of Black Community." James Baldwin: A Critical Evaluation. Ed.Therman B. O'Daniel. Howard University Press. Washington, D.C. 1977. 163-169.
All of humanity suffers at one point or another during the course of their lives. It is in this suffering, this inevitable pain, that one truly experiences life. While suffering unites humankind, it is how we choose to cope with this pain that defines us as individuals. The question becomes do we let suffering consume us, or do we let it define our lives? Through James Baldwin’s story, “Sonny’s Blues”, the manner by which one confronts the light and darkness of suffering determines whether one is consumed by it, or embraces it in order to “survive.” Viewing a collection of these motifs, James Baldwin’s unique perspective on suffering as a crucial component of human development becomes apparent. It is through his compassionate portrayal of life’s inescapable hardships that one finds the ability to connect with humankind’s general pool of hardship. James Baldwin’s “Sonny’s Blues” makes use of the motifs of darkness and light to illuminate the universal human condition of suffering and its coping mechanisms.
The central characters in "Sonny's Blues" afford one another a place in which to suffer. The relationships between these brothers and their mother reveal the ways in which family members allow each other moments of weakness in order to access and resolve personal grief. By allowing one another to suffer, the pain becomes easier to bear. They gain a sense of empathy that helps them to face the life ahead of them. The narrator feels "for the first time, how the stones of the road she had walked on must have bruised her feet" (439). It is this feeling of companionship that pushes these characters forward against the trouble.
Conflict is opposition between two forces, and it may be external or internal,” (Barker). There are two styles of external conflict that can be examined within the plot of “Sonny’s Blues”. The first of these is character versus society. This is the outer layer of the external conflict observed between Sonny and the society, which his life is out casted from. The meat and potatoes of the external conflict however, is character versus character. Sonny lives a lifestyle that his brother seems to be incapable of understanding. The internal conflict lies within the narrator. It is his struggle to understand his brother that drives the plot. The climax occurs when Sonny and the narrator argue in the apartment. The argument stems from the narrators complete inability to understand Sonny’s drug usage and life as a musician, and Sonny’s feeling of abandonment and inability to make his brother understand him. This conflict appears to come to a resolve at the resolution as the narrator orders Sonny a drink following hearing Sonny perform for the first time. It appears as though this is the moment when the narrator begins to understand, perhaps for the first time, his brother the
In conclusion, Sonny’s Blues depicts the love of a brother through the narrator, who at the beginning was disengaged, unsupportive, and emotionally distant. However, the turning point was when Grace died. This triggered a great turmoil of feelings that overflowed the narrator leading him to a major and impacting change. Instead, he turned into being involved, supportive, understanding, honest, and accepting of his brother Sonny; regardless of the reality that there was no guarantee his pain would not consume his life.
All three of these symbolical details are woven together in "Sonny's Blues" to create a non-literal meaning directly beneath the words. The end result is an enriched message about urban struggles for expression, happiness, and chemical independance. Ultimately, Sonny's revival concludes the readers' literary tour of world in which he lives. What is begun with a presentation of hardships is finally concluded with Sonny's triumph, a chance at a better future.
The narrator in James Baldwin’s short story, “Sonny’s Blues”, at first glance seems to be a static character, trying to forget the past and constantly demeaning his brother’s choices in life. Throughout the story, readers see how the narrator has tried to forget the past. However, his attempt to forget the past soon took a turn. When the narrator’s daughter died, he slowly started to change. As the narrator experiences these changes in his life, he becomes a dynamic character.
Though racial and sexual issues seem to continuously serve a main purpose in James Baldwin’s writings, oppression can be described as a useful theme in both “Sonny’s Blues and Going to Meet the Man”( Murphy 6). In “Sonny’s Blues” we meet the narrator, Sonny’s brother who runs into one of Sonny’s old friends who begins conversing with Sonny’s brother about Sonny’s recent arrest. Sonny’s old friend tells the narrator that he “can’t much help Sonny no more” which upsets him because it makes him realize how much he had given up on trying to help his brother. Sonny was suffering from drug abuse, and was in desperate need of a savior. After the
"Sonny's Blues" is filled with examples of music and how it makes things better. The schoolboy, the barmaid, the mother, the brother, the uncle, the street revivalists, all use music to create a moment when life isn't so ugly, even though the world still waits outside and trouble stretches above. Music and the tale it tells provide hope and joy; instead of being the instrument of Sonny's destruction, introducing him to the world of drugs, music is his way out of some of the ugliness. For Sonny and the other characters in this story, music is a bastion against the despair that pervades stunted lives; it is the light that guides them from the darkness without hope.
In conclusion, the short story "Sonny's Blues" by James Baldwin brings out two main themes: irony and suffering. You can actually feel the pain that Baldwin's characters experience; and distinguish the two different lifestyles of siblings brought up in the same environment. The older brother remaining nameless is a fabulous touch that really made me want to read on. This really piqued my interest and I feel it can lead to many discussions on why this technique was used. I really enjoyed this story; it was a fast and enjoyable reading. Baldwin keeps his readers thinking and talking long after they have finished reading his stories. His writing technique is an art, which very few, if any, can duplicate.
“Sonny’s Blues” revolves around the narrator as he learns who his drug-hooked, piano-playing baby brother, Sonny, really is. The author, James Baldwin, paints views on racism, misery and art and suffering in this story. His written canvas portrays a dark and continual scene pertaining to each topic. As the story unfolds, similarities in each generation can be observed. The two African American brothers share a life similar to that of their father and his brother. The father’s brother had a thirst for music, and they both travelled the treacherous road of night clubs, drinking and partying before his brother was hit and killed by a car full of white boys. Plagued, the father carried this pain of the loss of his brother and bitterness towards the whites to his grave. “Till the day he died he weren’t sure but that every white man he saw was the man that killed his brother.”(346) Watching the same problems transcend onto the narrator’s baby brother, Sonny, the reader feels his despair when he tries to relate the same scenarios his father had, to his brother. “All that hatred down there”, he said “all that hatred and misery and love. It’s a wonder it doesn’t blow the avenue apart.”(355) He’s trying to relate to his brother that even though some try to cover their misery with doing what others deem as “right,” others just cover it with a different mask. “But nobody just takes it.” Sonny cried, “That’s what I’m telling you! Everybody tries not to. You’re just hung up on the way some people try—it’s not your way!”(355) The narrator had dealt with his own miseries of knowing his father’s plight, his Brother Sonny’s imprisonment and the loss of his own child. Sonny tried to give an understanding of what music was for him throughout thei...