The actions of the “Noble Moor” in Othello and the subsequent ending are a result of multiple factors present in the characterisation of Othello. In the final scene of the play, Othello refers to himself as an “honourable murderer” and wishes to secure his memory as “one that was loved not wisely, but too well”. This conclusion to the play is not the sole outcome of Othello’s hubris, but a combination of multiple flaws that he possesses. While hubris serves as a reason for Othello’s belief that he has a right to go through with his perceived “honorary” course of action, it is insufficient to call Othello only a story of hubris. Othello’s insecurities about his race and place in a society where he is the minority allow Iago to manipulate him …show more content…
This line of thinking is evidence of Othello’s ego and a way of reasoning the actions that he has committed. In Act 3 Scene 3 Othello says “Her name, that was as fresh / As Dian's complexion, is now begrimed and black / As mine own face.”. In this dialogue, Othello employs cosmic allusion when referring to “Dian’s Visage”. Dian is the goddess of the moon, so Othello uses her to describe Desdemona’s purity. Othello also uses black and white imagery, referring to his own “begrimed and black” face, saying that Desdemona’s supposed infidelity is a reflection of himself. Othello seems to be most concerned with how Desdemona reflects and satisfies his own image. This idea of Othello’s hubris is supported by Kenneth Tyan in his analysis of the Moor’s final speech: “‘Not easily jealous’ - it’s the most appalling bit of self-deception. He’s the most easily jealous man that anybody’s ever written about. The minute he suspects, or thinks he has the smallest grounds for suspecting, Desdemona, he wishes to think her guilty, he wishes to.”. Tyan is commenting on Othello’s attempts to put his own conscience at ease in a contradictory appeal. Tyan also analyses Othello’s jealousy and how it reflects his pride, noticing how Othello seemed to want her guilty thinking he couldn’t possibly be wrong in his …show more content…
Othello’s insecurities come from being the only Sub-Saharan African in a society dominated by white Venetians. The source of Othello’s insecurities are evident in his own personal reflection. At the beginning of the play Iago uses derogatory language in regards to Othello and his marriage to Desdemona: “you'll / have your daughter covered with a Barbary horse; / you'll have your nephews neigh to you; you'll have / coursers for cousins and gennets for germans.” (1.1.124). Shakespeare uses zoomorphism alongside repetition, by having Iago list different horse breeds, to reduce Othello’s humanity and compare him to animals of labour. This outside regard is unconsciously felt by Othello when reflecting upon himself. In Act 3 Scene 3 Othello wonders why Desdemona would be unfaithful to him and remarks, “Haply, for I am black / And have not those soft parts of conversation”. Othello feels that Desdemona may not love him because he is black and by extension someone who is not quite civilised. These insecurities are a catalyst for Iago’s manipulation and fuel Othello’s suspicions, which would become unbearable and lead to the murder of Desdemona. Alpaslan Toker maintains that this otherness contributes largely to the plot of Othello “Factors, such as. his insecurity about becoming racially and culturally an alien and stranger, can only stimulate his uncertainty of self”. Othello’s
Othello, “The Moor of Venice,” was a good man, who had influence and control over men, and loved his newly wed wife Desdemona. Othello’s downfall occurred because of Iago, his adviser, becoming obsessed with ruining his life, for his own se...
The audience at this point know nothing of Othello that is gained by their own opinion, instead we are lead to believe from Iago’s race related description that Othello is a threatening and evil moor, whose beastial sexual appetite, conveyed by Iago’s cries to Brabantio, telling him that ‘an old black ram is tupping’ his ‘white ewe’ (1.1.89), is something of a rapist. Iago’s coarse animal related language conveys Iago’s feelings against Othello’s marriage in a much more pronounced way. The image of an ‘old black ram’ gives the audience nothing but negative images of Othello, especially when this ‘old black ram’ is being associated with the innocence of a ‘white ewe’. Iago then associates Othello with the image of ‘the devil’ (1.1.92) because of Othello’s colour, Iago warns Brabantio that he has ‘lost half [his] soul’ now that Desdemona is married to Othello. Iago here emphasises the biracial nature of the marriage, already showing his ability to manipulate people, in this case he is manipulating Brabantio, to believe in Iago’s own opinions and in theory to eliminate all thoughts that Brabantio might of had of his own about the marriage.
In William Shakespeare’s Othello, unspoken fears of being an outsider and concerns about his public image contribute to the downfall of a tragic hero named Othello. Othello, a general in the Venetian army’s, final monologue reflects the importance of reputation and the conformity needed to fit his surroundings. He is seen as an outsider of the Venetian culture; he is frequently referred to as “the Moor” and is called an abundance of racial slurs by the Venice born natives. Although Othello never voices his internal struggle to feel accepted by the people around him, his image and physical appearance are some of major issues he faces. Even in the moments before he stabs himself, Othello is more concerned with the legacy he is leaving behind than with the death of his wife, Desdemona. Shakespeare uses Othello’s transformation from a heroic military soldier to a tragic figure to warn of the dangers of obsessing over one’s reputation and the need to feel accepted by society.
Othello: The Moor of Venice is probably Shakespeare's most controversial play. Throughout this work, there is a clear theme of racism, a racism that has become commonplace in Venetian society which rejects the marriage of Othello and Desdemona as anathema. The text expresses racism throughout the play within the language transaction of the dialogue to question the societal ethos established by Othello, thereby making him nothing less than a cultural "other." Furthermore, the character of Desdemona is displayed as mad, or out of her wits, for marrying such an "other," and the audience sees her slip from an angelic state of purity to that of a tainted character. Also, the menacing Iago, a mastermind of deviant rhetoric, is able to play Othello and Desdemona against one another until their marriage fails, while at the same time destroying his adversary and friend, Cassio. Thus Iago has a specific agenda, not only to get back at Othello for choosing Cassio instead of him, but also to make Cassio the victim of his plan to destroy the forbidden marriage referred to by Brabantio as a "treason of the blood" (1.2.166-167). Essentially, Iago is a representative of the white race, a pre-Nazi figure who tries to inform the public of the impurity of Othello and Desdemona's marriage. He demonstrates how this miscegenation is threatening to the existing social order. Thus, through analysis of racism, the play represents the hatred possessed by mankind -- a hate so strong that society sees the mixing with an "other" to be a curse to humanity and a terrible threat to Aryan culture.
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
...I,iii,507) Before he kills Desdemona, he notes how white her skin is, describing it as "that whiter skin of hers than snow / and smooth as monumental alabaster." (V,ii,4-5) Othello, we know, has been driven to kill Desdemona by his jealousy. However, it is clear that his jealousy is inspired by the racial prejudice that is prevalent throughout the play.
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
In the tragedy Othello, Shakespeare creates a mood that challenges the way a person sees his or her self and the world. Subjects like racism, sexism, love, hate, jealously, pride, and trickery are thoroughly developed in the play of Othello to enable the audience to view the characters and also themselves. The Shakespearean tragedy of Othello was written in a time of great racial tensions in England. According to Eldred Jones, in 1600 just three years before Othello was written, Queen Elizabeth proclaimed an Edict for the Transportation of all "negars and blackmoores" out of the country ("Othello- An Interpretation" Critical Essays 39). It is in this atmosphere that Shakespeare began the masterpiece of Othello, a drama about a noble black Arab general, Othello, who falls in love with and marries, Desdemona, a young white daughter of a senator. From the above knowledge one may conclude that Shakespeare wrote Othello to express that all people, of all ethnicity, are basically the same in human nature. Shakespeare borrowed the idea of Othello from an Italian love story by Giraldi Cinthio. However, Shakespeare focuses more on the differences in color and age between Othello and Desdemona than Cinthio. Shakespeare does this to escalate Othello’s isolation from the rest of Venetian society and to display Othello’s vulnerability due to his color. In the tragedy not only is Othello susceptible to weaknesses but so is every major character . The tragedy reminds humans that even one’s good nature can be taken advantage of for the worse. The drama Othello expresses, through relationships and emotional attitudes, a theme that all humans are vulnerable to destruction even if they are in positions of power and glory.
There are many opposing views to the way that Othello is defined within Shakespeare's The Tragedy of Othello. Some suggest that Othello is a savage "Moor," and at no point is he the noble "Venetian" he attempts to portray himself as. Others suggest that Othello is the noble "Venetian" he portrays himself as, and his ultimate demise stems directly from Iago being a savage. Yet some agree that Othello is both the noble "Venetian" and the savage "Moor," unable to fully interpolate himself into the "Venetian" paradigm, but becoming, rather, a "noble savage."
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
A society consists of different cultures with people of diverse looks, values, and beliefs. In a world with one predominant culture, those perceived as different from the norm are associated with negative images, treated inferior to the superior culture. The negative images associated with color, specifically blackness, has a detrimental effect on the victims who are racially stereotyped. The character of Othello is a unique character in English literature, because unlike the other members of society, Othello was an outsider in Venice, a black man living in a white world, marrying a white woman, and leading white men as a soldier. Othello is persuaded that his wife, Desdemona, is cheating on him leading him to
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
Othello’s blackness, his marriage with Desdemona, and the murder of her are all three important structural elements of Othello and are a...
Othello believing Iago of Desdemona’s infidelity so quickly, shows his insecurities. In Act 3, Scene 3 Iago starts planting his plan on Othello to make him believe that Desdemona has been unfaithful. Iago brings up the fact that Desdemona is very young and many other young men would be happy to be married to her but she decides to marry Othello. When Iago says this Othello begins to wonder “Why did I marry” to himself (3. 3. 283). Othello’s insecurities begin to show when he starts wondering why did Desdemona really married him. Desdemona is young and beautiful so Othello doesn’t understand why she would choose him over a younger man. Othello’s insecurities about his own physical appearance bring suspicion about Desdemona. Later Othello says “Haply, for I am black” (3. 3. 303) suggesting Desdemona may have cheated because he is black. Othello saying this shows that he is self-conscious about being black. He believes that because he is black Desdemona would possibly cheat. Othello insecurities with himself cause him to lose control and fall into Iago’s plan. Othello turns from being successful to murderous due to his insecurities. His constant doubt that Desdemona could actually be in love with him controls his thoughts and he begins to believe that she is cheating. Othello’s insecurities consume him to the point that he makes the ultimate mistake of killing