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Interpersonal relationships in movies
Self esteem adolescence portrayal in films
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Everyone has to go through obstacles in life. In which, can help find oneself. In the film, Howl’s Moving Castle directed by Hayao Miyazki, it follows a story of a low self-esteem adolescent name Sophie and the mysterious Howl. Sophie has to break through a curse that the Witch of the Waste put on her. The curse made her appearance look like an old, hunched grandma that causes Sophie to leave her family and follow the journey of Howl to break the curse that she is under. On the other hand, Howl has to fight a war against Madame Suliman whom is against Howl’s wizard powers. Over the course of the journey, Sophie and Howl has to go through finding self-acceptance, leaping over obstacles, and having character development. Although I agree with …show more content…
the idea of the movie being an adventure, fantasy, and romance movie it is important to extend the idea that it can be a coming-of-age movie because the two protagonist of the movie go through the tropes of “I Am Not Pretty,” have to the goal of breaking the “curse,” and have “character development” throughout the movie. Sophie and Howl had to find self-acceptance through their beauty. Sophie does not have confidence in her beauty. When Howl was showing Sophie his childhood’s cottage, Sophie suspected that Howl was “going away” and beg Howl that she can be of “help even though [she] is not pretty and all I’m good at is cleaning” (Wikiquote). Appearances is a big part in society because people would judge you of how you look and it’s depicted in the movie. Just like any young adolescent, Sophie cares about being beautiful and it’s hard for her to accept her appearance because she feels like she is not worth it. In addition, Howl cares about his appearance. Howl comes out with orange hair and thinks that it’s “hideous” and “see no point in living if [he] can’t be beautiful” (Wikiquote). Just like Sophie, Howl cares about his appearance. Whenever Howl get a new haircut, that suits him, he feels confident in it. Howl sees beauty as a way for him to be confident in his actions. Thus, fits the “I Am Not Pretty” trope. The “I Am Not Pretty trope” states that “Sophie insists she isn't beautiful; through the movie she gains more confidence in herself” (TVTropes). This trope goes with Howl, as well, and how the movie shows that appearance is a big part. It is also connected to coming-of-age because adolescents have to go through an important phase of their life where they start to accept their appearance and know who they truly are. Later on in the film, Sophie and Howl grown to accept their appearance by the cure that they were put under. Sophie and Howl must break the curse that Sophie was under and Howl had to fight against Madame Suliman and his wizardry powers. In the movie, Sophie has to break through the curse: “the Witch of the Waste’s rapid aging curse is what starts the plot” (TVTropes). In every movie coming-of-age movie, there is an obstacle that the protagonist has to face. In this movie, Sophie has to face the curse that she was put under. Once understanding the obstacle, it changes the person and the way that they acted before. Furthermore, Howl has to face his obstacle of fighting against Madame Suliman and his wizardry powers. Throughout the movie, “Howl in his bird-like form transformation becomes much more monstrous when it goes out of control later in the film” (TVTropes). Howl is willing to fight for his powers and saving his town, however, the more he uses his power he starts to change and hurt himself in the process. Howl is addicted to his powers and has to protect him and his family using his powers. The trope, the Curse, goes under the coming-of-age genre because it later helps change the protagonist over time. Sophie and Howl got through breaking their curse which help them find more about themselves. Sophie and Howl had character development.
Sophie has gained more confidence in herself than before. When Sophie was talking to Madame Suliman, “she deafened Howl and gain more confidence in oneself” (Miyazki). In the beginning of the movie, she did not have any confidence in herself because of her beauty. As the movie progresses, Sophie “beings standing up straighter with her stamina increasing until eventually she doesn’t need it anymore… she turns younger whenever she feels confident” (TVTropes). Being old shows that one does not have confidence and accepting the time left until death. Being young shows that one has to be confidence because being confident shows what one wants to do in life. A person is making their decisions for the future and he or she have to be confident in the choices that he or she makes. Sophie, by turning young when she is confident, shows that she is confident in the actions that she is doing In addition, Sophie became a heroin when she was saving Howl. She had the confidence in trying to fight to keep Howl alive (Miyazki). If Sophie was not cursed, she would not be able to save Howl, nor have the confidence to fight alongside him. Sophie would still be a timid, shy, and unconfident adolescent. Furthermore, Howl became more open-minded. In the beginning of the movie, Howl acts “very mysterious and flirtatious manner, behaving like an experienced lover when he charms Sophie” (TVTropes). Howl is like the definition of having a cocky personality. He’s the type of guy that just want to swoons in and make a woman fall in love with him and have the confidence to do that. But as the movie progresses, Howl “starts to behave in a more open and natural way around [Sophie], until he is willing to act responsibly and fight off the enemy planes to protect his ‘family’” (TVTropes). Sophie helps develop and change Howl’s character because of Sophie’s personality as a grandma. She treated Howl as a companion and guides him to care about family. In a
coming-of-age films, characters and obstacles try to shape the protagonist’s personality. That’s why the “character development” trope shows the coming-of-age of a character. The movie’s tropes, helps show the elements of the coming-of-age genre because of Sophie and Howl have a constant battle of accepting beauty from how the movie’s society. In addition, Sophie’s obstacle of breaking her old-woman curse and Howl’s plan to take care of his wizardry powers and Madam Suliman. Through the constant battle of self-acceptance and obstacles, shown in the movie, it shows the characters’ development as Sophie tries to have more confidence in herself and Howl being less selfish about his looks and looking out for his love ones to battle his inner demons.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
This story is about sacrifice, Good versus Evil, and overcoming obstacles. She shows all the qualities of the Hero archetype and a Hero's journey. "Fate can take control of humans lives and can help humans reach the end of the challenging path. The path is a journey which can not be totally controlled by humans." In A Worn Path, an old "Negro" woman goes through and through again a path to get her grandson his medication for his throat.
When individuals face obstacles in life, there is often two ways to respond to those hardships: some people choose to escape from the reality and live in an illusive world. Others choose to fight against the adversities and find a solution to solve the problems. These two ways may lead the individuals to a whole new perception. Those people who decide to escape may find themselves trapped into a worse or even disastrous situation and eventually lose all of their perceptions and hops to the world, and those who choose to fight against the obstacles may find themselves a good solution to the tragic world and turn their hopelessness into hopes. Margaret Laurence in her short story Horses of the Night discusses the idea of how individual’s responses
To fully appreciate the significance of the plot one must fully understand the heroic journey. Joseph Campbell identified the stages of the heroic journey and explains how the movie adheres meticulously to these steps. For example, the first stage of the hero’s journey is the ordinary world (Campbell). At the beginning, the structure dictates that the author should portray the protagonist in their ordinary world, surrounded by ordinary things and doing ordinary tasks so that the author might introduce the reasons that the hero needs the journey in order to develop his or her character or improve his or her life (Vogler 35). The point of this portrayal is to show the audience what the protagonist’s life is currently like and to show what areas of his or her life are conflicted or incomplete. When the call to adventure occurs, the protagonist is swept away into another world, one that is full of adventure, danger, and opportunities to learn what needs to be learned. T...
These timeless tales relate a message that readers throughout the ages can understand and relate to. While each of these tales is not exactly alike, they do share a common core of events. Some event and or character flaw necessitates a journey of some kind, whether it is an actual physical journey or a metaphorical one. The hardships and obstacles encountered on said journey lead to spiritual growth and build character. Rarely does a person find himself unchanged once the journey is over.
The Hero’s Journey is an ancient archetype that we find throughout our modern life and also, in the world of literature.Whether metaphorical or real, the journey that a character goes on shows not only the incredible transformation of the hero but it also gives them their life meaning. It is the ultimate human experience and it reflects on every aspect of life. Take Logan, also known as Wolverine, from the X-Men movie as an example. His adventure starts with “The Call,” which is the first step of the Hero’s Journey. This step happens due to the realization of imbalance and injustice that the character has in their life. Logan steps into the first stage of the pattern but is hesitant to start his adventure because he does not know what and
The novel We Have Always Lived in The Castle by Shirley Jackson is a very unique book. This is due to the very strange behavioral patterns from the two sisters, Merricat and Constance, in the poem. But what is the most unusual about the two sisters is their definitions of happiness. To see Merricat’s definition of happiness is best seen when she refers to the “moon” and under the same weekly routine schedule she has always been under since she her family was murdered. Constance’s definition of happiness clearly displayed when Charles comes to the house and when she starts embracing Merricat’s “moon” fantasy world. By looking at the two girls’ definition of happiness we can see what the girls truly need and want in order to be happy.
influence all her life and struggles to accept her true identity. Through the story you can
The hero’s journey is a useful tool in analyzing narratives of all kinds, from myths to movies to everyday life. One of the most iconic stages in the Hero’s Journey is the ordeal, otherwise known as the belly of the whale or the cave, in which the protagonist has reached their darkest and most hopeless point – things cannot get worse. Once the hero gets through the main ordeal, their journey home is much more sedated. This can be paralleled to the encompassing plot structure, in which there is a climax, and then the intensity of the story winds down again. This stage is one of the most universal in the hero’s journey, because without conflict and climax, there is no drive or reward within the story. Popular movies such as The Hunger Games,
If an individual were to overcome this adversity, an individual would need strength and courage. In the image through the door these ideas are strongly represented. With symbols of depression and overcoming objectives help give the idea of adversity. Most humans would want to improve their situation. In order to overcome this most people need courage and strength. These qualities are needed in order to not get knocked down over and over. This is why overcoming adversity is so important later in
While fulfilling their journey, a hero must undergo a psychological change that involves experiencing a transformation from immaturity into independence and sophistication. Campbell states that these events are what ultimately guides a hero into completing their journey by, “leaving one condition and finding the source of life to bring you forth into a richer more mature condition” (Moyers 1). She first enters her journey when she learns about invisible strength from her mother, “I was six when my mother taught me the art of invisible strength. It was strategy for winning arguments, respect from others, and eventually, though neither of us knew it at the time, chess games”(Tan 89).
... to her pure better self, our heroine transforms into a tigress and the Countess is transformed into a human. They each enter their own destined selfhood through self reflection. However, each being must individually endure the reality of the battle and suffer in order to be reborn again and become what they are meant to be. Regardless of being human, beast or vampire, each undergo a transformation that encounter instances of loss, magic love and maturation.
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby. Joseph Campbell calls the initial phase of a hero’s development the “Call to Adventure.” The call is the in... ...
One of the important messages that were taught through the story is that true beauty comes from within. Also, if love is true it will prevail through any means. Beauty is scared of the Beast at first because ...