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Contrast in romeo and juliet
Use of imagery in romeo and juliet
Use of imagery in romeo and juliet
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Romeo and Juliet by William Shakespeare, opens with a scene fully packed with rousing action and bawdy jokes. In this scene, dramatic techniques and figurative language are utilised by the playwright while the audience are provided with an insight into the remainder of the play. Thus, these literary techniques provoke the audience’s emotions as their interest is fuelled. Several techniques by which Shakespeare captures the attention of the audience in the opening act of Romeo and Juliet include dramatic irony, foreshadowing and imagery.
Dramatic irony is a plot device adopted in the Shakespearean play’s opening act which contributes to the audience’s interest with elements of extra tension and suspense. An example of this in Romeo and Juliet is the Prologue that provides the audience with information about the tragic outcome in the play. The Chorus presents to the audience that, a pair of ill-fated lovers will resolve the long-standing feud between their families by ending their lives. Having the knowledge that Romeo and Juliet will die, the audience will watch the play with full at...
In this essay I have talked about the devices that are used to raise your expectations even though some of them are false. Romeo and Juliet has many things that an audience can detect to know what they can expect from the rest of the play. I think that to be able to detect these things it can heavily depend on the audience. There are many things that Shakespeare’s audiences would have noticed because they understood the language. Contemporary audiences would have noticed certain things because of what they saw such as how the characters behave.
Dramatic irony means that the audience knows something that the character in the piece of literature doesn’t know. In Romeo and Juliet, the audience knows the ending at the very beginning, but still watches Romeo and Juliet fall in love and get married. Eventually, they both kill themselves thinking the other is dead. Suspense relies on dramatic irony because it makes the audience feel tense until the character finds out and the tension is relieved. Suspense also relies on dramatic irony because the audience may learn something the character doesn’t know, making the audience want to tell the characters themselves, knowing fully well that that’s impossible. An example of dramatic irony in Cujo is the car that Donna drives. Donna drives a Pinto which is known as one of the worst cars to ever have existed. The Ford Pinto would explode and had to be recalled. The Pinto in this story, however, saved Donna and Tad from being killed by Cujo. The audience knew that the Pinto was a bad car, but if they were reading the book, they would have realized that there were too many pages left for both of them to die. Also, if they had read this excerpt, they would have thought that StudySync wouldn’t’ve ruined the ending of a story written by Stephen King. Another example of dramatic irony is that Cujo had rabies. In the very beginning of the story, not the excerpt, Cujo gets bitten by a bat. In the excerpt, this can be figured out by how
Dramatic Irony is when the irony that is in speeches or text is expressed through a workable structure. The audience knows what’s happening, but the character themselves do not know what’s happening or what’s going to happen. The character is unaware that this is happening, but the readers know how this story will lay out. In the story “The Bicycle” by Jillian Horton, Hannah is a young girl who loves to play piano. Hannah’s aunt, Tante Rose knows how to play so she says that she will teach Hannah how to play but she must obey her aunts rules. One of her aunts rules is that Hannah cannot ride a bike. Hannah has never ridden a bike and all of her friends have, and Hannah wants to ride a bike. The author uses dramatic irony because the readers know that Hannah will ride a bike at some point in her life. The author makes the dramatic irony important because if the author didn’t tell us that Hannah has never ridden a bike, we wouldn’t know why she would want to ride one so badly. This is dramatic irony instead or irony because irony is when the readers expect something to happen and it turns out the opposite way. In this story the reader knows that Hannah will ride the bike and Hannah ends up riding the bike at the end of the story. If Hannah didn’t ride the bike the story would not have ended like it did and then the author would have used ironically. In the short story “The Possibility Of Evil” by Shirley Jackson,
With dramatic irony, on the other hand, it was used mainly for a comedic effect, rather than creating a plot twist for the audience. By creating a comedy using these two types of irony, Shakespeare was able to deliver his message of the true meaning of love. Situational irony is when the reader or audience is surprised by the outcome of the story. We see more of situational irony later on in the story, especially since it often leads to disputes and fights. For instance, when Robin was supposedly ordered to put flower droplets shot from cupid’s arrow into the eyes of Demetrius, he ended up putting them in the eyes of Lysander instead, mistaking him for the Athenian man Oberon had seen and causing a dispute.
This is also an example of dramatic irony; the audience knows what is on the way. making the story even sadder for them. In Act 2 Scene 2, Romeo is talking about the possibility of being caught in the Capulet grounds in a very relaxed and romantic manner. My life was better ended by their hateâ€. This is an example of dramatic irony Romeo is talking about being.
Dramatic Irony is when an author allows the reader to know more than his/her characters in the story. This technique is used by the authors to add suspense to their literature. Edgar Allen Poe created many suspenseful stories using dramatic irony for the purpose of creating themes about human nature. In the short story “The Cask Of Amontillado,” Edgar Allen Poe uses dramatic irony to develop the theme that one should be careful about insulting another because he/she will seek revenge.
Shakespeare unleashes the whole spectrum of emotions, always having at least two scenarios for each scene. These usually come from the characters and Romeo and Juliet is rich in many different uses of language. The play Romeo and Juliet is full of oppositions that beset the doomed lovers. In the prologue, we hear of an "ancient grudge break." to a new mutiny.
Dramatic irony is when the reader knows something the characters don’t. For example, you may know a character is going to be murdered while they’re completely oblivious to the fact. This creates suspense because the reader knows what will happen, but desperately wanted to be wrong so they keep on reading. Many elements of suspense also rely on it. Foreshadowing for example, creates dramatic irony because readers can predict what will happen to the characters. Throughout the story, the author drops hints on what will happen to Billy, but it is never directly stated. So the reader can safely assume that Billy is going to be murdered, but all the while Billy is completely naive to the situation. So, many of the foreshadowing examples work as examples of dramatic irony. One example of dramatic irony is, “‘Now wait a minute,’ he said. ‘Wait just a minute. Mulholland ... Christopher Mulholland ... wasn’t that the name of the Eton schoolboy who was on a walking-tour through the West Country, and then all of a sudden …’ ‘Milk?’ she said. ‘And sugar?(p. 177)’” You can safely infer two things: that Christopher Mulholland disappeared and that the Landlady had something to do with it. It never says that Christopher disappeared but it seemed Billy was about to say that. Also since the Landlady interrupted him before he could say ‘disappeared’ might mean she had something to do with his disappearance, even though it never says that. Another
One example of expertly used irony is when Hamlet is talking to his mother when he hears a noise behind the curtains, so he stabs the figure behind the tapestries thinking it is Claudius, “How now, a rat? Dead for a ducat, dead!” (3, 4, 24), only to find out it is Polonius. This irony can be interpreted as dramatic irony, because the audience knows Polonius is behind the curtains while Hamlet does not. It can also be interpreted as situational irony, because Hamlet suspects that the person spying on him is Claudius. Wanting to avenge his father, he stabs him through the curtain but it turned out to be Polonius. Doing this initiates a chain of events that lead to his tragic death. Another prime example of irony increasing the enjoyment of the readers for the past 400 years is when Laertes is killed by his own poisoned sword. When Osric asks Laertes how he is doing right after he was scratched with his own sword, Laertes responds, “Why, as a woodcock to mine own springe, Osric. I am justly killed with mine own treachery.” (5, 2, 308-309). It is quite ironic that Laertes is murdered by his own plan. One would expect Laertes to draw first blood as he is a better skilled swordsman than Hamlet. However, he dies by poison first because the sword that was intended to kill Hamlet was used on him; this is situational irony. Irony brings a greater depth to the story.
The most obvious use of dramatic irony is in the prologue. The chorus summarizes the entire play in a fourteen line sonnet, revealing the plot and the conclusion of the play. The prologue creates a sense of fate because the audience knows and expects that Romeo and Juliet will die despite all their efforts to sustain their true love.
In both A Streetcar Named Desire and Hamlet, Tennessee Williams and William Shakespeare, respectively, demonstrate their abilities to create engaging plays which work on several levels in order to produce the desired effect. One of the most important characteristics of these plays is the playwrights' success in using their words to create the worlds surrounding their works. Both Shakespeare and Williams effectively use irony in the aforementioned plays, both in the plot and with specific symbolism, to create mildly existential environments where effective irony is a confirmation of fate and justice. Immediately apparent to the reader upon completion of these two works is the glaring appearance of irony in the plays' plots. For example, in A Streetcar Named Desire, a great deal of dramatic irony is created when the audience is made aware of details that characters are ignorant to.
In the play Othello, Shakespeare uses many literary devices to help the reader understand the theme of the story. One of those many literary devices used in the play, is the wide range of irony. Throughout the pages of the book the reader will see the use of dramatic, situational, and verbal irony. Shakespeare does not use irony in an understated way, it is very direct, and can be found on almost every page of the book. The use of irony creates suspense, and adds interest as to what will happen.
In the tremendous play of ‘Romeo & Juliet’, Shakespeare’s ways engages the audience straight away. The astounding methods he uses hooks the audience into the play and allows them to read on, wondering what will happen. The tragic love story of Romeo & Juliet, as mentioned in the prologue, sets a variety of themes throughout Act 1 Scene 5. Many of the recognisable themes are: youth and age, revenge, forbidden love, fate, action and hate. The main idea of the play is a feud that had been going on between two families, The ‘Montagues and Capulets’, the son of the Montagues and the daughter of the Capulets fall in love and the story tells us how tragic, death, happiness and revenge find them throughout the play.
Good morning/afternoon Ms Pritchard and 10B English, today I will be exploring two of the same scenes from different film versions of Romeo and Juliet. Each film was directed by different but equally professional directors to allow the audience to understand the tragedy of Romeo and Juliet. The scene I am going to analyse is the party scene when Romeo and Juliet meet for the first time. The first film being discussed was directed by Baz Luhrman in 1996; an Australian director who loves to spice up his films to keep the audience on their feet. The second film was directed by Carlo Carlei in 2013; an Italian master mind of directing who prefers to stay true to his films and become one with the audience and the story being told. Both directors
One example of dramatic irony is when Oedipus is looking for the killer of the king Laius-his father. The irony here is that he is looking for himself because he is the murder of his father. Oedipus knows that he killed someone, but what he does not know is that it was Laius, the one he murder. Oedipus wants to punish the person who killed Laius, but we, the audience know that Oedipus was the one who killed Laius. Also Oedipus married Jocasta without knowing that she is his mother. We, the audience knew that he was Jocasta's son, but he was unaware of that.