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An essay into literary devicees
Literary devices english12
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In the introduction of Thomas C. Foster’s How to Read Literature Like a Professor, Foster sets the scene for the upcoming chapters by pointing out crucial literary devices. Through several references, it is further explained how memories, symbols and patterns help to create broader understandings throughout literary texts. Foster continues by stating that the usage of these devices establishes the advanced readers from “the rest of the crowd” (xxvii). English professors are, in Foster’s eyes, “cursed with memory” (xxvii). He relates his literary memories to an ancient Rolodex and mentions how he mentally goes through several previously read works in attempts to find any correlations with newer documents. Memory is especially vital to readers when remembering symbols and patterns. Symbols are so vast throughout literature, Foster jokingly adds that “everything is a symbol of something until proven otherwise” (xxvii). As comic as that statement is, it is also completely substantial. Any small item in literature can have a massive symbolic importance or …show more content…
even represent several different meanings. While this might seem daunting to some, Foster suggests that symbolic imagination, or the intensive training in symbol recognition becomes easier and easier with practice and the addition of memory. Finally, patterns are found by connecting past and present knowledge of a novel. Patterns are challenging to comprehend because readers can often become entangled with the plot and drama. The best thing to do when searching for a pattern is to “step back from the work, even while you’re reading it, and look for those patterns” (xxviii). With memory, patterns become easier to pick up once you step away from the plot. Recently, I just completed the novel Red Queen by Victoria Aveyard.
Mare Barrow, the red blooded protagonist goes through several trials and tribulations dealing with the segregation and morals. A recurring pattern that blew me away was the repetitive idea of anyone can betray anyone. At first I did not recognize this as a pattern, but as the book progressed, it became more and more evident. The symbolism of Mare’s earrings, one rhinestone for each of her brothers that have gone war, was a beautiful symbol for the love of her family. Comprehending several of the symbols as well as the patterns with memory brought the novel onto a whole new level for me and only increased my appreciation and adoration for the characters. After reading the introduction of How to Read Literature Like a Professor, I recognize the importance of symbols, patterns and memory, and I plan to apply these devices on works I read in the
future.
The fear of reading literature and not being able to comprehend the ideas presented forces readers to create a deeper meaning through annotations, as expressed through Billy Collins’ use of comparative imagery and aggressive diction in “Marginalia” and “Introduction to Poetry.” Collins’ choice to
Memory, symbol, and pattern are a big bulk of reading in literature. By reading more and more, you will begin to see patterns in different works. Once you begin to compare and contrast, it will help you understand the bottom line of books.It’s becomes fun and exciting when you make connections.
In some novels, strong impressions are exploited to conceal other meanings. Unraveling these symbolic word puzzles may reveal insights into the author's perspective and one's own secrets. A careful analysis of selected passages of two books: Zora Neale Hurston's Their Eyes Were Watching God and Francis Scott Fitzgerald's The Great Gatsby, will show that symbolical language can reveal even more insight. In this comparison, symbolism in the passages containing variations of the words "blossom" or "blooming" will be examined to reveal human development beyond sexuality and anatomy.
How to Read Literature like a Professor by Thomas C Foster is a how to do book that teaches children how to become better readers. The novel was written in second person. The purpose of this novel is to inform readers on details that they wouldn’t usually realize in literature. Students who read Thomas C Foster’s How to Read Literature like a Professor are suppose to gain knowledge of how to identify details of their story that have connections to other literature or have alternative meanings that the author is trying to get across to the reader. Thomas C Foster believes reading his novel can help develop you into a better reader. He believes this because the information that he includes can apply to your reading. When you realize the connections he talks about, it gives you a better understanding of the book you are reading.
He too quickly dismisses the idea of reading on your own to find meaning and think critically about a book. For him, Graff states that “It was through exposure to such critical reading and discussion over a period of time that I came to catch the literary bug.” (26) While this may have worked for Graff, not all students will “experience a personal reaction” (27) through the use of critical discussion.
In Franz Kafka’s The Metamorphosis, symbolism, archetype, and myths are three concepts he uses to compose the unique story. The symbolism in the story stands out vaguely. An archetypical reference occurs at the very beginning of the story that carries on throughout the book. The mythological aspect is sensibly the whole concept the story is about. All three of these notions are openly highlighted throughout the story. They each obtain explanations for multiple subjects. The book, How to Read Literature Like a Professor by Thomas C. Foster helps explain the three concepts in Kafka’s, The Metamorphosis.
Thomas C. Foster’s novel How to Read Literature Like a Professor, helps the reader understand the beginnings of a quest by breaking down the task into five steps. A quest will always consist of 1) a quester, 2) a place to go, 3) a stated reason to go there, 4) challenges and trials en route, and 5) a real reason to go there. A quester, the protagonist, typically is not aware that they are partaking in a quest. Step two and three are thought of together usually because the protagonist is told to go somewhere to do something. However, the stated reason to go to their destination is not the real reason they go there. As Foster explains, “In fact, more often than not, the quester fails at
Without much thought, authors use brilliant techniques in order to portray the images and stories that they wish to tell. The novel, How to Read Literature Like a Professor, by Thomas C Foster, helps readers discover the hidden truths among literature and the brilliant techniques that the authors use as well as learn how to add innovative concepts into their writing in order to portray exactly what they are trying to say. It is evident that in A Thousand Splendid Suns the author, Khaled Hosseini, unconsciously uses some of the brilliant concepts that Foster addresses in his book. Khaled Hosseini, the accomplished author, habitually uses the concepts by Thomas C Foster in How to Read Literature Like a Professor, therefore making Hosseini an iconic author.
In conclusion, the brilliant novel “How To Read Literature Like A Professor” by Thomas C. Foster is a fantastic novel that helps grasp the basic ideas and structure that makes up a work of literature. Foster’s laid-back attitude made a major contribution to the great tone of the novel, and made it easier to understand. Many connections were included in the novel, along with some great quotes. After reading this novel, I have a better idea of what to look for when reading a novel.
Schakel, Peter J., and Jack Ridl. "Everyday Use." Approaching Literature: Writing Reading Thinking. Boston: Bedford/St. Martin's, 2008. 109-15. Print.
Kennedy, X. J., & Gioia, D. (2013). Symbol. In J. Terry, K. Glynn & D. Campion (Eds.), Literature: An Introduction to Fiction, Poetry, Drama, and Writing (7 ed., pp. 234-245; pp. 250-256). Upper Saddle River, NJ: Pearson Education Inc.
...at could these five pieces of literature possibly have in common?’ The answer to this question is very simple, these pieces of literature each possess symbolic colors that represent something different. Yellow wallpaper represents a deteriorating mind, a shabby, black box represents a gruesome, sacrificial death, green is the physical representation of power and wealth in society, a mixture of blue and yellow represents the confusion of a clear sky with dead grass and ‘Blue Roses’ and Blue Mountain represent the longing someone feels for something they can never have. Perhaps a paining is not the only symbol for the universe. Perhaps every piece of literature is related to each other in such a way that by reading each piece of literature, one can connect the different symbols an author chooses to use and recognize the complex harmony that binds the literature world.
Finally, through symbolism the novels truly come alive. The symbolism present gives the reader a clear depiction of the cruelty that is to befall both men. It is truly tragic how close these horrific stories are, a sad testament to dark chapters in time honored establishments, American economy and Christian missionaries. If these are the consequences of such highly thought of establishments, is there anyway to stop oppression from overcoming the world? It tends to make one think.
The Scarlet Letter, by Nathaniel Hawthorne, is a cult classic. And with good reason. Anyone who simply believes that the title of this book just signifies that the protagonist wears a scarlet “A” on her dress in punishment of her adultery is ignorant. Obviously this paper would not be required if such were true. Instead, The Scarlet Letter is extremely ambiguous. One can argue that the scarlet letter is a character itself. I intend to flesh this out in literary, historic, and symbolic terms.
In this book review I represent and analyze the three themes I found the most significant in the novel.