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Parenting styles and their effect on raising children in the 21st century
Recent literature on parenting style
Parenting styles and their effect on raising children in the 21st century
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Tangled is a fascinating childhood movie about a teenage girl named Rapunzel, who has been trapped inside the tower of a castle her whole life. She was dying to experience the outside world, and isn’t going to let anyone or anything stop her. Everyone knows the story of Rapunzel, but this paper will give you a better overview of how it relates to child development. This childhood movie relates to child development in the fact that she is cut off from socialization, and she is very unsocial and oblivious to the world outside of the tower she has been trapped in. Although she does interact with her mother every day that is the only personal interaction she ever has experience with making it hard on her when she finally ventures out to society.
The first concept that comes about in the movie is that she has been trapped inside of that tower her whole life, without any access to the world or the people in it until her teenage years. Meaning she had no peers, or other influences to form her into a normal person. In relation to learning about children being cut off from society, this situation is similar to the story of Genie who was locked inside a room in her house for 13 years. Genie experienced severe neglect, abuse, and malnutrition. Genie was strapped to a chair for a majority of the time, which made it very hard for her to develop normally. When she was found, she barely knew how to talk, but she could speak a few words. Rapunzel being in the same environment minus the abuse, didn’t develop any of the problems that Genie did except being hidden from the world making it very hard to develop social skills.
Class applies with nature and nurture getting involved in each of these situations, without proper social interaction or so...
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...bout everything that is going on in the show helps them to understand. (Dowshen,2011). Also it gives families a chance to bond over something that they both enjoy, which creates a more open relationship. This all goes to show that media can be good or bad, depending upon how much time you let your children watch television and what you let them watch. As long as it is kid friendly, the child will develop correctly and nothing relating to media should stand in the way of their developmental path. Media can be harmful or harmless, but you are the one in control of which you allow it to be.
Works Cited
Greno, N. (Director). (2010). Tangled[Motion picture]. United States.
Dowshen, Steven. (October 2011). “How T.V. Affects Your Child.” Kidshealth.org. Retrieved March 18th,2014, from http://kidshealth.org/parent/positive/family/tv_affects_child.html
Fairy tales are a part of childhood. They go back through time depicting magical images of happy children, love stories, beauty, wealth and perfection. Authors, movie and film creators, artists and more draw beautiful images for people to remember and pass on through time. Many times the ugliness of the villains and the horrors that come into play throughout a fairy tale are often not as advertised. However, after careful analysis it is very clear that both authors of the original “Rapunzel” and its retell “The Root of The Matter” by Gregory Frost do not shy away from these evil aspects through their tales, while still capturing the magical moments that make a fairy tale memorable. The Root of the Matter fits the Rapunzel tradition with both
Stephanie Hanes opens up the article with an experience a woman named Mary Finucane had with her daughter. The 3-year-old, Caoimhe (Keeva), became a more passive child than she was before discovering the world of Disney Princesses, which her mother credits to be the cause. Mrs.
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
Gothel, who kidnapped Rapunzel for her own selfish needs demonstrates bad parenting persistently through the movie, Gothel demonstrates narcissistic behavior toward Rapunzel. When they are both standing in front of the mirror Gothel says, “Look in that mirror. I see a strong confidant young lady. Oh and look, you’re here too!” Gothel tends to her own wants and needs, neglecting the wants of Rapunzel. The adolescent stage of life is a period of time where teenagers need to find a personal identity and sense of self. Receiving positive reinforcement and encouragement from parents allows an adolescent to be able to find out who they want to be in life and gives them a sense of direction. According to Erik Erikson’s theory of development this is important to the process of forming a strong identity. (Kroger, 2006) Rapunzel is given no sense of self when is she is constantly being put down by what she thinks is her “mother”. She often receives more criticisms then she does compliments.
A little girl sits on the floor with her gaze fixed on the television screen in front of her, watching magical images dance before her eyes and catchy songs flow through her ears. Even though she had seen it at least twenty times before, she still loved The Little Mermaid just as much as she did the first time she watched it. As she watched it, she longed to be a beautiful mermaid with a curvy body and wonderful singing voice like Ariel. She longed to be saved by the handsome Prince Eric, and fall in love and live happily ever-after like Ariel did. In today’s society, women strive to achieve equality between the sexes. Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future.
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
The familiar story of Rapunzel, as told by the brothers Jacob Ludwig Carl and Wilhelm Carl Grimm, takes on new meaning with a psychoanalytic interpretation. It is a complex tale about desire, achievement, and loss. The trio of husband, wife, and witch function as the ego, id, and superego respectively to govern behavior regarding a beautiful object of desire, especially when a prince discovers this object.
In today’s modern age, young children are being raised by their TV screen. Reining from the original tales of Perrault and the Grim Brothers, the Disney princess line has been a staple on the screens since the 1930s (Do Rozario 1). However, these princesses have gone through dramatic changes to remain relevant to todays youth. The effects that can be influenced by the roles expressed in these types of films send mixed messages to the audience, causing them to ask themselves whether or not they should believe what the princess is expressing on the screen.
Though Rapunzel’s lengthy confinement in one room, her home, is convincing evidence of the female’s domestic belonging, it does not adequately demonstrate the connectedness of the woman to the domestic. The ambitious young Prince faces an insurmountable task when he plans to elope with Rapunzel; he must, temporarily, displace the woman from her domestic home. After the Prince decisively wins Rapunzel’s affection, Rapunzel delineates her escape plan: “ 'I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse’” (The Brothers Grimm). First, Rapunzel states she will “go away with [the Prince]” and he will “take [her] on [his] horse,” two statements which reveal both Rapunzel’s dependence upon the Prince and her lack of independence. Though Rapunzel agrees to leave her domestic realm, she does so only to elope in the safe, steady hands of the Prince, venturing from one sphere of domesticity, with her mother, to another sphere of domesticity with a man. Rapunzel also promises to “weave a ladder with [silk].” Weaving, a deep-rooted, traditional female activity arises in Rapunzel because it is both feminine and perfectly accessible within a domestic setting. The woman’s skills, in any patriarchal work, are not
Not only is she the main character in the movie, but she also faces the most trials and tribulations of any other character. When the movie begins, Rapunzel is kidnapped and taken away from her birth parents by a woman who only wants her because her hair has magical properties. She was then locked away in a tower away from everything and everyone except for her pet chameleon and her captor. Rapunzel does not know she is being held captive at first. Mother Gothel, the woman who kidnapped her, has convinced Rapunzel that the world is a cruel place and that if she left the tower, people would hurt her to get to her magical
...ppy. Not only is the story graphic, but it is also a lesson. It teaches readers that every action comes with a consequence. Without this event, Rapunzel may have never escaped the tower, thus the story may have been different.
Additionally, in the movie Tangled (2010), Rapunzel did not really have a social identity because she was kept in the tower. She only has her only friend Pascal the chameleon. But soon after she meet Flynn who took her to see the lanterns, she have gotten to know that she is actually the princess that the king and queen have lost eighteen years ago. With this her social identity have changed because of her
Once given birth to a beautiful baby girl, often parents refer to her as their little princess; when having a newborn girl, that baby girl will often get all the attention from her surroundings, she will be showered in the most adorable dresses; cute shoes , baby clothes that say “princess” on it and either a bow or a bedazzled head band, perhaps a room that is nothing but pink, letters on her wall over looking her crib saying “Mommy’s little Princess”. There is nothing wrong with spoiling your baby girl. But as time goes her idea of her gender role begins to develop. Buying her princess toys, surrounding her with pink, and watching the Disney movies about how princesses are beautiful, always gets her prince charming, and lives an enchanted life for ever after, is a dangerous “reality” to create for young girls. Eventually, while growing up from child years to young adults, girls in this type of environment can develop a gender constructed identity that, they are superior and deserve an enchanted life. It’s a dangerous reality for these young girls because they will grow up to believe that, they’re entitled to the fairy tale life, having pure beauty , marry her dream man, conceive beautiful children and live happily ever after, but sometimes life is not a fairy tale and you don’t always end up getting what you want.
The development of children differs from individual to individual, depending on their unique temperament, leaning style, family, and upbringing. Research theorists such as Jean Piaget and Erick Erickson have endeavored to organize child development into universal, predictable sequences of growth that typically occurs in most children. In this paper I will be discussing my life story from infancy to adolescence and intergrading the theorists, domains, models that I have learned in child development classes.
How TV Affects your Child? Kids Health. October 2011. Web. The Web.