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Women's oppression in the Victorian era
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A series of strange occurrences take place at Bly causing the governess and the reader to question her sanity. Bly, located in Essex, England, can be looked upon as a reputable location for ghost sightings because their have been nearly 1,000 reports of ghost sightings in the UK just in the past 25 years. This gives insight that the governess could possibly be sane and does in fact see ghosts. The governess is complete sane because she experiences supernatural presences on the watchtower, at the lake, and in Miles’ room. The governess is sane because she spots Peter Quint on the watch tower staring at her. Peter Quint is a dead employee at Bly who the governess clearly detects. She exclaims that “[h]e did stand there!-but high up, beyond …show more content…
Toward the end of the novel, the governess sees Ms. Jessel and tries to point her out to Flora and Mrs. Grose. However, Mrs. Grose questions the governess by wondering “[w]here on earth does [she] see anything?” (James 70). Even though Mrs. Grose claims that she does not see any figure, it is not certain that she is telling the truth. It is obvious that she is overwhelmed in this scene because Flora is fearful of the governess’ behavior. Mrs. Grose is merely trying to be rational and appeal to Flora’s anxiety over the governess’ temperamental and persuasive attitude. Another argument that could appeal to the governess’ insanity is that she is love struck by the master, causing her to be delusional. This is exemplified through her imagining that the master “would appear…and stand before [her] and smile and approve” (James 15). Nonetheless, she is not imagining any people because in the last scene of the novel, Miles recognizes Peter Quint’s presence by implying to the governess that he is in the room. If the governess was creating the ghosts in her mind, Miles would not verbally notice Peter Quint’s presence in the room. The governess is clearly sane and does not simply imagine the
When the governess first arrives at the small town of Bly to begin her assignment over the niece and nephew of her employer, she describes her self as having gone through many ups and downs in terms of her emotional and possibly mental state. She says, "I remember the whole thing as a succession of flights and drops a little see saw of write throbs and the wrong" (page 121). It appears evident even from the beginning of the story that the governess is not in an 'even keeled' state of mind, neither stable nor calm enough to hand the task set before her in any means.
Ever since the new governess shows up to the household, Bly, in The Turn of the Screw, the story of the residents’ lives change forever. Things go from peaceful, beautiful, and orderly to chaotic, ugly, and messy. Every step the governess makes seems to worsen things, but why? Is it the children making things go awry? Or could it be the ghosts messing with the balance of the peace? Or maybe, is it the one person who you would expect to trust the most who is doing the most damage. The protector is the destroyer. The savior is the killer. In The Turn of the Screw, by Henry James, the governess is insane because all her actions from sleeping and sensing demons, to assuming far-fetched notions and being the hero in every situation demonstrates
Windham, Kathryn Tucker, and Margaret Gillis Fish. “The Face in the Courthouse Window.” 13 Alabama ghosts and Jeffrey. 1969. Reprint. Huntsville, Ala.: Strode Publishers, 1976. Print.
One issue which, like the rest, can be answered in more than one way is why Mrs. Grose believes in the Governess when she tells her about her ghost encounters. Usually one would second-guess such outlandish stories as the ones that the governess shares throughout the story, yet Mrs. Grose is very quick to believe our borderline-insane narrator. One of the explanations for such behavior could be the underlying fact that Mrs. Grose and the governess have a similar socio-economic background, therefore making them somewhat equal even if the governess does not always seem to think that way. This fact makes them susceptible to trusting and believing each other, and to believing that the ghosts are there, for the people that the ghosts are presenting used to be servants and therefore from a similar socio-economic background. To add on to that, Bruce Robbins proposes in his Marxist criticism of The Turn of the Screw that the idea of a ghost is synonymous to that of a servant, subconsciously making the two lower-class workers of Bly more vulnerable to believe that the ghosts were real; in other words, servants were ghosts....
The issue whether the governess was insane or not may never be solved. Not only because critics seem to be able to find as much evidence as possible to prove their arguments but also, the reliability of the account of the governess colors the whole story with great ambiguity. We are not certain of the state of mind of the governess when she wrote down the story and when she related the story to Douglas. However, as we closely examine the state of mind of the governess, her reliability does appear to be in question. Beidler provided two readings of The Turn of the Screw and in the second one he declared: ¡§the governess saw only what she wanted to see¡¨ (Beidler 9). She was so exhausted from her prolonged insomnia that she envisioned a story with ghosts for herself to fulfill her growth as a governess.
What if the governess never really saw the apparitions of Quint and Miss Jessel? The governess’ psychosis created the images of the pair from Mrs. Grose’s tales about them having something to protect the children from. After ‘seeing’ Quint and Miss Jessel late at night, she frequently visits the children’s rooms to check on them. Oftentimes when she visits the children, she lingers for a while.
The governess sees a woman on the other side of the lake and jumps to the conclusion that Flora has seen her and is choosing to act like she didn’t. The child was playing with a boat and had her back turned to the lake. Why would she think that she had to have seen her? There is no proof and does not even ask the child if she saw anything. She automatically assumes it’s Miss Jessel, the previous governess who died and that she is after Flora. She tells her story to Mrs. Grose drawing her in more deeply into believing her crazy hallucinations and Mrs. Grose asks her if she is sure its Miss Jessel and the governess replies “Then ask Flora—she’s sure!” and then immediately comes back to say “no, for God’s sake don’t! She’ll say she isn’t—she’ll lie” ((James 30). She comes to the conclusion that the child will lie about it when there is no reason to suspect that she would. Again, this is her jumping to conclusions, because there is not any proof to say that the children have seen or know anything about the ghost’s. “Thus a very odd relationship develops between the governess and the children, for the more she loves them and pities them and desires to save them, the more she begins to suspect them of treachery, until at last she is convinced that they, in league with the ghosts, are ingeniously tormenting her’ (Bontly 726). “The ghosts appear, thus, when the governess is both aware of the corruption which threatens the children and convinced of her own power to preserve them untainted” (Aswell 53). It’s the governess fabricating all this up in her mind again so she can play the part of
...ng up the pebble road so they went outside to see who or what was coming to the plantation. When they went outside no one or thing was there one of the office workers there at the plantation said that they heard something so they went to see what it was and they saw a group of rocking chairs rocking all at the same time. Another one of the workers there said that she saw multiple things move across the desk tops. One of the couple tour guides there was giving a tour when suddenly a candle stick flew across the room. Another one of the staff workers there reported hearing someone crying inside of the mansion. A staff worker Mitchell borne was working alone one night inside of the mansion when he felt someone touching his arm. One of the tour guides was walking around when they did not have a tour and saw a figure sitting upright in one of the beds. ("Ghosts tales”).
The book questions their existence indirectly, by suggesting that the governess may be imagining things, as is made particularly evident when it appears that Grose and the children are unable to see the apparitions. The žlm does the same, as it follows the same narrative path, but utilises a few visual tricks as well - after all, in a žlm something is either on screen or it isn't; therefore, how do you make a ghost's appearance uncertain? Clayton solves this problem easily. When Quint is žrst sighted atop the tower, it is against the glare of the sun, Jessel's appearances at the lake always take place amongst tall, dark reeds, which act as an interesting camouŸage and Quint's žnal appearance in the garden is amongst human statues. These visual effects allow the audience to doubt what it is
The Governess is afraid that the children are lost to the apparitions, to the evil
How is that even possible? The dictionary definition of the word insanity is the state of being seriously, mentally ill (“Definition of the Word Insanity”). Insanity is also classified as a medical diagnosis. Insanity came from the Latin word insanitatem (“History of the Word Insanity”). People started using this word in the 1580’s. The Latins interpreted insanity as unhealthy Modern day society uses the word insanity too loosely. Although the dictionary definition of insanity is not wrong, several cases that prove having “insanity” does not always mean “being seriously mentally ill” has came to surface.
... the Screw, it seems quite clear that the supernatural events the governess records were merely only real in her unstable mind and were the result of some internal issue. Her insanity drover her through a chain of assumptions and hallucinations. Nonetheless, the book altogether was very ambiguous. It is rare that one would find information explicitly confirmed or established. Because of the book’s obscurity, one can draw many conclusions and opinions about the book. From reading this book, the reader will find that establishing a right or wrong answer is unattainable. Although one may be able to support their theory thoroughly, it is ultimately based upon the matter of one’s interpretation. However, no matter how you interpret the story, the credibility of the governess’ narration, will still remain questionable due to the book‘s obscurity of events and dialogue.
In The Turn of the Screw, by Henry James, a young governess begins seeing ghosts at the estate she works at, causing her to become suspicious of the seemingly perfect children she watches over. Many argue whether the governess is sane or insane - she is either a victim of real ghosts or a victim of her own mind. Mayoclinic.org states that some symptoms of mental illness include “detachment from reality” “excessive worries” and “paranoia and hallucinations” which accurately applies to the governess and what she goes through. The governess in The Turn of the Screw is clearly insane because she confuses fantasy from reality, hallucinates, and acts extremely irrationally.
...t want to be the only one who does. It is another feeble attempt to prove her sanity to herself and to others. However, because she “is so easily carried away”, she soon believes that the children do in fact see the ghosts by reading into their every remark and behavior. By piecing all of this together, the governess proves to herself that she is not insane. The governess in The Turn of the Screw, is a highly unreliable narrator. From the beginning of the story, her energetic imagination is displayed to the reader. With this knowledge alone, it would not be irrational to conclude that she had imagined the appearances of Peter Quint and Miss Jessel. However, these facts in addition to her unsubstantiated inferences allow the reader to intelligently label the governess as an unreliable narrator. Works Cited Poupard, Dennis. “Henry James.” Twentieth-Century Literary Criticism: Volume 24. Ed. Paula Kepos. Detroit: Gale research.; 1990. 313-315.
From the very beginning of the book, the governess showed signs of mental instability. The first, and the only, time she met the uncle, she was instantly swept away by him; her youthful innocence and ideology betrayed her. She also showed an early obsession with the children. The governess admitted she is easily influenced and she even told Mrs. Gross that she was fond of the Uncle at their Harley Street meeting.“I’m rather easily carried away.” (James 8) The children were inarguably beautiful and could do absolutely no wrong in her eyes,