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Women's oppression in the Victorian era
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A series of strange occurrences take place at Bly causing the governess and the reader to question her sanity. Bly, located in Essex, England, can be looked upon as a reputable location for ghost sightings because their have been nearly 1,000 reports of ghost sightings in the UK just in the past 25 years. This gives insight that the governess could possibly be sane and does in fact see ghosts. The governess is complete sane because she experiences supernatural presences on the watchtower, at the lake, and in Miles’ room. The governess is sane because she spots Peter Quint on the watch tower staring at her. Peter Quint is a dead employee at Bly who the governess clearly detects. She exclaims that “[h]e did stand there!-but high up, beyond …show more content…
Toward the end of the novel, the governess sees Ms. Jessel and tries to point her out to Flora and Mrs. Grose. However, Mrs. Grose questions the governess by wondering “[w]here on earth does [she] see anything?” (James 70). Even though Mrs. Grose claims that she does not see any figure, it is not certain that she is telling the truth. It is obvious that she is overwhelmed in this scene because Flora is fearful of the governess’ behavior. Mrs. Grose is merely trying to be rational and appeal to Flora’s anxiety over the governess’ temperamental and persuasive attitude. Another argument that could appeal to the governess’ insanity is that she is love struck by the master, causing her to be delusional. This is exemplified through her imagining that the master “would appear…and stand before [her] and smile and approve” (James 15). Nonetheless, she is not imagining any people because in the last scene of the novel, Miles recognizes Peter Quint’s presence by implying to the governess that he is in the room. If the governess was creating the ghosts in her mind, Miles would not verbally notice Peter Quint’s presence in the room. The governess is clearly sane and does not simply imagine the
Windham, Kathryn Tucker, and Margaret Gillis Fish. “The Face in the Courthouse Window.” 13 Alabama ghosts and Jeffrey. 1969. Reprint. Huntsville, Ala.: Strode Publishers, 1976. Print.
One issue which, like the rest, can be answered in more than one way is why Mrs. Grose believes in the Governess when she tells her about her ghost encounters. Usually one would second-guess such outlandish stories as the ones that the governess shares throughout the story, yet Mrs. Grose is very quick to believe our borderline-insane narrator. One of the explanations for such behavior could be the underlying fact that Mrs. Grose and the governess have a similar socio-economic background, therefore making them somewhat equal even if the governess does not always seem to think that way. This fact makes them susceptible to trusting and believing each other, and to believing that the ghosts are there, for the people that the ghosts are presenting used to be servants and therefore from a similar socio-economic background. To add on to that, Bruce Robbins proposes in his Marxist criticism of The Turn of the Screw that the idea of a ghost is synonymous to that of a servant, subconsciously making the two lower-class workers of Bly more vulnerable to believe that the ghosts were real; in other words, servants were ghosts....
The existence of the ghosts in The Turn of the Screw has always been in debate. Instead of directly discussing whether the ghosts are real or not, this essay will focus on the reliability of the governess, the narrator of the story. After making a close examination of her state of mind while she is at Bly, readers of The Turn of the Screw will have many more clues to ponder again and to decide to what extent the governess can be believed. While critics like Heilman argue that there are problems with the interpretation that the governess was psychopathic, textual evidence incorporated with scientific research show that the governess did go through a period of psychical disorder that caused her insomnia, out of which she created hallucinations.
As humans, we can’t help but to jump to conclusions, but the governess’s assumptions are too misguided and are taken too far without substantial proof. When she first arrives at Bly, she automatically infers that Ms. Grose, although not showing any hint of it, is relieved that the governess is there and simply “wish[es] not to show it” (7). This could be the case, or, as it would seem to any sane person, Ms. Grose could just be unmoved by the governess’s arrival. Her second assumption with Ms. Grose is when they agree on one thing and the governess assumes that “on every question [they should] be quite at one” (9). Some people can hope that a person may have similar ideas to them, but they wouldn’t expect to agree on everything all the time. People understand that we all have different views, but obviously the governess does not. Then, the governess goes on to guess that Miles got kicked out of school because “he’s an injury to others” (11). She has no specific proof that shows he was kicked out for any reason but she is quick to make the inference. She hasn’t talked to the school, the uncle, or even Miles himself to find out what happened, but instead goes along with her own imagination. She also makes many assumptions about the ghost when she hasn’t even been talking to them. She deduces the ghost of Peter Quint “was looking for Miles” but she only had a feeling to base that off of
In the governess's last attempt to consume the children for herself, she sends Ms. Grose away with the sickly Flora and keeps Miles with her at Bly. After her last vision of Quint and with Miles dilapidated in her ineludable arms, the governess frightens Miles so that he collapses and dies, by the governess's conniving will, and to her own bane. Although the governess seemed to have good intentions, her root of mind was self-serving and deceptive.
What if the governess never really saw the apparitions of Quint and Miss Jessel? The governess’ psychosis created the images of the pair from Mrs. Grose’s tales about them having something to protect the children from. After ‘seeing’ Quint and Miss Jessel late at night, she frequently visits the children’s rooms to check on them. Oftentimes when she visits the children, she lingers for a while.
...ng up the pebble road so they went outside to see who or what was coming to the plantation. When they went outside no one or thing was there one of the office workers there at the plantation said that they heard something so they went to see what it was and they saw a group of rocking chairs rocking all at the same time. Another one of the workers there said that she saw multiple things move across the desk tops. One of the couple tour guides there was giving a tour when suddenly a candle stick flew across the room. Another one of the staff workers there reported hearing someone crying inside of the mansion. A staff worker Mitchell borne was working alone one night inside of the mansion when he felt someone touching his arm. One of the tour guides was walking around when they did not have a tour and saw a figure sitting upright in one of the beds. ("Ghosts tales”).
In conclusion, it is not the ghosts, as the governess suspected, that are corrupting the children, but the governess herself, through her continually worsening hysteria that is corrupting the children. Both Peter Quint and Miss Jessel are not real ghosts that have the peculiar habit of appearing before the governess and the governess alone but they are merely the signs of the fragmenting mental state of the governess.
The governess sees a woman on the other side of the lake and jumps to the conclusion that Flora has seen her and is choosing to act like she didn’t. The child was playing with a boat and had her back turned to the lake. Why would she think that she had to have seen her? There is no proof and does not even ask the child if she saw anything. She automatically assumes it’s Miss Jessel, the previous governess who died and that she is after Flora. She tells her story to Mrs. Grose drawing her in more deeply into believing her crazy hallucinations and Mrs. Grose asks her if she is sure its Miss Jessel and the governess replies “Then ask Flora—she’s sure!” and then immediately comes back to say “no, for God’s sake don’t! She’ll say she isn’t—she’ll lie” ((James 30). She comes to the conclusion that the child will lie about it when there is no reason to suspect that she would. Again, this is her jumping to conclusions, because there is not any proof to say that the children have seen or know anything about the ghost’s. “Thus a very odd relationship develops between the governess and the children, for the more she loves them and pities them and desires to save them, the more she begins to suspect them of treachery, until at last she is convinced that they, in league with the ghosts, are ingeniously tormenting her’ (Bontly 726). “The ghosts appear, thus, when the governess is both aware of the corruption which threatens the children and convinced of her own power to preserve them untainted” (Aswell 53). It’s the governess fabricating all this up in her mind again so she can play the part of
...t want to be the only one who does. It is another feeble attempt to prove her sanity to herself and to others. However, because she “is so easily carried away”, she soon believes that the children do in fact see the ghosts by reading into their every remark and behavior. By piecing all of this together, the governess proves to herself that she is not insane. The governess in The Turn of the Screw, is a highly unreliable narrator. From the beginning of the story, her energetic imagination is displayed to the reader. With this knowledge alone, it would not be irrational to conclude that she had imagined the appearances of Peter Quint and Miss Jessel. However, these facts in addition to her unsubstantiated inferences allow the reader to intelligently label the governess as an unreliable narrator. Works Cited Poupard, Dennis. “Henry James.” Twentieth-Century Literary Criticism: Volume 24. Ed. Paula Kepos. Detroit: Gale research.; 1990. 313-315.
The book questions their existence indirectly, by suggesting that the governess may be imagining things, as is made particularly evident when it appears that Grose and the children are unable to see the apparitions. The žlm does the same, as it follows the same narrative path, but utilises a few visual tricks as well - after all, in a žlm something is either on screen or it isn't; therefore, how do you make a ghost's appearance uncertain? Clayton solves this problem easily. When Quint is žrst sighted atop the tower, it is against the glare of the sun, Jessel's appearances at the lake always take place amongst tall, dark reeds, which act as an interesting camouŸage and Quint's žnal appearance in the garden is amongst human statues. These visual effects allow the audience to doubt what it is
She questions them, trying to get them to tell her the ‘truth’, that they can see the ghosts, even though she fully believes they do. She questions Flora about it one time she saw the child looking out the window. Flora replied ‘“Ah, NO!" she returned, almost with the full privilege of childish inconsequence, resentfully, though with a long sweetness in her little drawl of the negative. At that moment, in the state of my nerves, I absolutely believed she lied…’ The governess believes that Flora is trying to hide her lie behind her innocence and beauty. The child 's sweetness, such loved before, was now an escape from trouble in the Governesses. The children continue to do this to the governess, saying such things but with such sweetness as for what Miles did, talking to her. “Think me—for a change—bad!" I shall never forget the sweetness and gaiety with which he brought out the word” Miles hid his words behind his sweetness and happiness, that the child still is innocent seeming. The children are beginning to act as how the governess believes them to act, bad yet
How is that even possible? The dictionary definition of the word insanity is the state of being seriously, mentally ill (“Definition of the Word Insanity”). Insanity is also classified as a medical diagnosis. Insanity came from the Latin word insanitatem (“History of the Word Insanity”). People started using this word in the 1580’s. The Latins interpreted insanity as unhealthy Modern day society uses the word insanity too loosely. Although the dictionary definition of insanity is not wrong, several cases that prove having “insanity” does not always mean “being seriously mentally ill” has came to surface.
Turn of the Screw written by Henry James tells the story of a governess and her recollection of events at the country home of Bly. The story begins at a Christmas gathering where everyone is sharing different ghost stories around the fire. One man has a manuscript or diary of a former governess which details her experience at a “haunted house (302).” The audience begs for him to read it, and so he does. As soon as he begins to read the story, the book’s point of view shifts to the governess’s. Over the course of the governess’s interviews with her employer, she immediately falls in love with him. In an attempt to win her master’s approval, she becomes extremely protective over the children. She views herself as their guardian or rather their “hero” in shielding them from the ghosts that she assumes the children are communicating with. The question that strikes every reader is whether the ghosts perceived by the governess are real or not. This also questions the credibility of the governess’s narration. In reading Turn of the Screw, the governess is proven to be an unreliable narrator through her recollection of events at Bly. Because of the governess’s loves for the master and quest for heroism, her insanity is exposed through her hallucinations.
The ghosts were hallucinations, and like many mental disorders, her condition escalated with every hallucination she saw. She began telling Mrs. Grose, her only friend and confidante at Bly manor, but a few discrepancies appeared. As the governess narrated her visions of the ghosts, she gave very few visual details, only location, body language, and what she felt as she saw them. Details of their appearance came when she told Mrs. Grose, who then filled in her own descriptions of the ex-coworkers Peter Quint and Miss Jessel. This only fueled the governess and allowed her to draw her own crazed conclusions. However, every time she told the kindly housekeeper of her visions, Mrs. Grose trusted her less and less, eventually causing the complete loss of trust between the two, leaving the governess alone in her fight against her unstable