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Revenge as a theme in literature
Satan as hero by literary devices
Revenge in literature composition
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The concept of revenge has prevailed as an integral component of literature, exemplified in Paradise Lost written by John Milton among other works. In Paradise Lost, Satan acts as the main proponent of revenge. The actions of his character create the basis for a Miltonic ideal of revenge, later modified by Emily Brontë and Mary Shelley. Wuthering Heights written by Brontë presents Heathcliff as a modernization of Satan. The characters share the experience of evolving from their lives as outcasts within their societies by means of revenge. The monster in Mary Shelley’s Frankenstein romanticizes the Miltonic concept of revenge found in Paradise Lost. Although the creation and experiences of Satan and the monster differ, their premises for …show more content…
Unlike Satan, the premises of the revenge of Heathcliff take root in his childhood, rather than in a specific moment. Heathcliff grows up with the Earnshaws, a family with two children, Catherine and Hindley. Mr. Earnshaw especially favored Heathcliff, although not related by blood. Because of the favoritism shown, Hindley expresses his anger by antagonizing Heathcliff. In a letter written by the young Catherine Earnshaw, she states that Hindley “has been blaming our father (how dared he?) for treating H. too liberally; and swears he will reduce him to his right place” (Brontë 22). The love of Heathcliff for Catherine helps him survive the time during his childhood after the death of Mr. Earnshaw. However, the “social and intellectual meanness” of Hindley “produces a Heathcliff whose manner and intellect Catherine finds unacceptable” (Vargish 10). Heathcliff does not accept the harsh treatment he receives, as he states “I’m trying to settle how I should pay Hindley back. I don’t care how long I wait, if I can only do it, at last. I hope he will not die before I do!” (Brontë 61). When Nelly tells Heathcliff that God should punish, Heathcliff responds by saying that “God won’t have the satisfaction that I shall” (Brontë 61). The thirst for vengeance Heathcliff harbors has begun to grow into a …show more content…
Edgar Linton, who resided at Thrushcross Grange, representative of Paradise, whereas Wuthering Heights constitutes Hell, began courting Catherine. Catherine chooses Edgar Linton to marry, even after Heathcliff tells Nelly Dean “make me decent, I’m going to be good” (Brontë 56). The ultimate point of betrayal between their strong childhood bond occurred when Heathcliff heard Catherine telling Nelly Dean that she could not marry Heathcliff because Edgar Linton “will be rich, and I shall like to be the greatest woman of the neighborhood, and I shall be proud of having such a husband” (Brontë 78). Heathcliff leaves shortly after hearing such news, bearing resemblance to the reaction of Satan after he did not receive the kingship granted to the son of God. Heathcliff returns with money, something he lacked before his mysterious excursion. Despite the idea that money is equivalent to power in his Victorian society, Heathcliff remains dissatisfied and continues to seek revenge for the wrongdoings he endured during his childhood. Heathcliff does not wish to embark on the pursuit of glory that Satan sought after. However, much like Satan, he begins to make other people miserable on account of his own
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Revenge is most likely the most disputable human concept to exist. While many consider it a crime to seek vengeance, others view it as rightfully restoring justice. It is not uncommon in literature for revenge to be a recurring idea, due to its controversial nature. Ray Bradbury’s “The Utterly Perfect Murder” follows the journey of a man named Doug to claim the life of a man who had tormented him in his childhood years. Similarly, the narrator of Edgar Allan Poe’s “The Cask of Amontillado”, Montresor, seeks revenge on his friend Fortunato and eventually kills him. Doug and Montresor’s motives and mental state are very similar, yet the outcomes of the execution of their revenge differ greatly.
Linton Heathcliff is only interested in himself. He is a sickly and scared young man. Like his mother Isabella Linton who accused Catherine Earnshaw of selfishly wanting Heathcliff for herself – in which she didn't- Linton enjoys inflicting and watching people suffer. As Heathcliff threatened to kill Linton, Linton only thought about his own life and, decided to betray Cathy, tricking her into staying at Wuthering Heights and getting married to him, instead of returning to Thurshcross Grange to where her father lies on his deathbed.
“Vengeance is sweet” and “Revenge is a dish best served cold” are two statements often used to describe Revenge, but in British literature the idea of revenge leads to tragedy; this fact is evident in the stories Frankenstein, Hamlet, and Beowulf. Throughout each story, particular characters are challenged by a need for vengeance. Revenge is an emotion that can be stronger than love and that comes saddled with hate, anger and tragedy. In Mary Shelley's Frankenstein, the character of the monster is an intelligent, kind hearted being who spirals down a path of darkness after being rejected by his creator. Soon after this event he becomes reclusive and cold hearted in his pursuit of revenge against society and the man who made him.
The Roman poet, Juvenal, once said that, "Revenge is always the weak pleasure of a little and narrow mind." Most people would agree with Juvenal that revenge is an abhorrent human need that can only satisfy narrow-minded people. Even though, we know revenge will generally not bring us much satisfaction, we still constantly lust for taking revenge on someone. It is because revenge is such a natural part of human nature that writers so often use it as their theme. Revenge can easily be an awe-inspiring theme for a novel because it is something that all people can relate to, whether they know it or not. The suspense from it will make most people sit on the edge of their seats.
Which drew Catherine towards him; she describes him as “handsome”, “pleasant to be with,” and “cheerful,” and “rich”. Linton turns Catherine from a wild child to a well-mannered lady. They meet when Catherine got bit by a dog, and then the Lintons take her in while she is healing, this lasts for five weeks. Edgar tames her in a way, his overall persona clashes with hers in a perfect way. His love gives Catherine safety a security in the society. Heathcliff on the other hand is almost obsessed and can't give her the attributes she needs and wants; such as, commitment and how he won't sacrifice anything. However, those exact qualities attract Catherine to him. “She was much too fond of Heathcliff. The greatest punishment we could invent for her was to keep her separate from him: yet she got chided more than any of us on his account.”(Brontë 41) According to Levy, “As a result of the Unlove that they were made to suffer, both Heathcliff and Catherine, by opposite means and in distinct circumstances, turn loneliness into a community of rejection over which they wield absolute control. Heathcliff does this by persecuting those he hates; Catherine, by persecuting those she loves.” Edgar and Heathcliff have a good angel bad angel complex, of course Heathcliff is the bad angel and Edgar is the good angel. The reasons behind this is simply the characteristics portrayed;Edgar
Philosopher Friedrich Nietzsche once declared, “It is impossible to suffer without making someone pay for it.” In other words, when one is suffering, the desire to reap revenge without consideration as to who is being harmed in the process is innate. This is a common theme within the poem The Epic of Gilgamesh, Euripides tragic play, Medea, and Shakespeare’s play, The Tragedy of Hamlet. Characterization is used in these three works to exemplify the revenge seeker’s disregard for anyone but themselves in order to take vengeance on those who committed an act against them.
From the beginning of the novel and most likely from the beginning of Heathcliff's life, he has suffered pain and rejection. When Mr. Earnshaw brings him to Wuthering Heights, he is viewed as a thing rather than a child. Mrs. Earnshaw was ready to fling it out the doors, while Nelly put it on the landing of the stairs hoping that it would be gone the next day. Without having done anything to deserve rejection, Heathcliff is made to feel like an outsider. Following the death of Mr. Earnshaw, Heathcliff suffers cruel mistreatment at the hands of Hindley. In these tender years, he is deprived of love, friendship, and education, while the treatment from jealous Hindley is barbaric and disrupts his mental balance. He is separated from the family, reduced to the status of a servant, undergoes regular beatings and forcibly separated from his soul mate, Catherine. The personality that Heathcliff develops in his adulthood has been formed in response to these hardships of his childhood.
The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic nature, as seen in chapter 17, “in rousing his rage a pitch above his malignity” there is hyperbole and melodrama as the cruelty that stemmed from his abuse in childhood has been passed onto Isabella in adulthood.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a destructive force, motivating him to enact revenge and wreak misery. The power of Heathcliff’s destructive love is conquered by the influence of another kind of love. Young Cathy’s love for Hareton is a redemptive force. It is her love that brings an end to the reign of Heathcliff.
The Lintons, and the social and material advantages they stand for become Heathcliff’s rivals for Catherine’s love, which leads directly to the central conflict of the novel. Heathcliff despises them at first sight for their weakness, but Catherine, being an extremely proud girl, is tempted. A lovers’ triangle begins to take definite shape when the aristocratic Edgar Linton falls in love with Catherine, upsetting the balance between the relationship of Catherine and Heathcliff. Edgar’s love for Catherine is sincere, but the element of great passion which is strongly characterized does not compare to Heathcliff’s love. The difference between Catherine’s feeling for Heathcliff and the one she feels for Linton is that Heathcliff is a part of her nature, while Edgar is only a part of her superficial love. “For he (Heathcliff), like her, is a child of storm; and this makes a bond between them, which interweaves itself with the very nature of their existence.” (Cecil 26) Emily Bronte makes a point in the novel to mention the fact that Catherine’s affection for Heathcliff remains unchanged in spite of the Lintons’ influence over her. As Catherine confesses to Nelly that Heathcliff and her share the same soul, and also declares “I am Heathcliff.” (Bronte 84) Her pride, yearning for the world of the Lintons, has gotten the better of her natural inclination, and she knows she has made the wrong decision by
Heathcliff never finds peace through his revenge. In fact, the only time he truly finds happiness is when he gives up his plan for retaliation. Austin O’Malley states “Revenge is like biting a dog that bit you” (O’malley 1). O’Malley’s quote reflects Heathcliff’s immature need to propagate agony in those who have offended him. Heathcliff’s plan for revenge on Edgar and Catherine is to marry Isabella, who is ignorant of love and of men because she has never experienced either. He wants to hurt Edgar because of his marriage to Catherine, and he wants to get revenge on Catherine by making her jealous. Catherine’s death proves that this flawed plan of repayment helps nothing. Heathcliff, haunted by the ghost of Catherine because he is her “murderer,” still is motivated by the need for revenge and tries to get young Cathy away from Edgar by having her marry his son, Linton. Heathcliff never finds peace until he gives up his plan for revenge just before he dies. When Heathcliff gives up his plan for revenge, he meets Catherine in death and truly becomes happy once more.
Although, Mr. Earnshaw tried to make Heathcliff an equal part of the family, Heathcliff never truly fits in. Heathcliff is from a completely different social class than the rest of his “family”. This led to the hatred that Hindley felt towards Heathcliff. Hindley robs Heathcliff of his education, forces him to work as a servant at Wuthering Heights and frequently beats him. Throughout this all, Heathcliff never complains.
His strong, merciless hate towards others is a result of the events that occurred in his childhood. “I’m trying to settle how I shall pay Hindley back.I don’t care how long I wait, if I could only do it at last. I hope he will not die before I do!” (69) Because of all the torturous things Hindley did to Heathcliff back when they were children, “Hindley had blamed our father for treating Heathcliff too liberally; and swears he will reduce him to the right place,” (30) he hopes Hindley will not die before him just so he can carry out his revenge-driven plan. He is shaped by what has happened in his life previously which then causes meticulous actions that signify his intense hate towards everyone at Wuthering Heights. Although it is essentially not his own fault, some argue that there is no excuse for Heathcliff to act vindictively. In contrast, though, the psychological problems that he experienced have hand-crafted Heathcliff into the person he is. “It expressed, plainer than words could do, the intensest anguish at having made himself the instrument of thwarting his own revenge.” (58) This only adds to the complete and serious hatred he has for everyone that even saving his nephew from falling from the balcony was a thwart to his own revenge. The audience can conclude based on the characterization of Heathcliff as malicious that he is only focused on
In the novel Wuthering Heights, the dark and mysterious Heathcliff once began his life with an open heart, but after mistreatment from Edgar and Hindley he turns to revenge. Heathcliff's actions are reasonable; he has been hurt from the unfair reason of discrimination. Heathcliff slowly becomes sickly obsessed with planning an elaborate revenge after eavesdropping a conversation between his beloved Catherine to Nelly. He hears his young beautiful and idolized Catherine say, “It would degrade me to marry Heathcliff” (77). Heathcliff, heartbroken and hopeless, abruptly leaves Wuthering Height for two years. Catherine is left wondering where he is. Heathcliff leaves in search of revenge.