In The Bluest Eye by Toni Morrison, Pecola, the protagonist of the book, is being portrayed as a young African American girl who believes in her own ugliness under the society’s standards of beauty. Even though her experience is not a typical example of an African American’s life, she serves as a symbol of black community self-hatred. Throughout the book, Morrison shows the Pecola’s internal self-loathing by describing her desire to be considered beautiful in the white world. “Frieda brought her four graham crackers on a saucer and some milk in a blue-and-while Shirley Temple cup …...gazed fondly at the silhouette of Shirley Temple’s dimpled face….I couldn’t join them in their adoration because I hated Shirley” (Morrison 19) The diction of “gazed fondly” shows that Pecola is being attracted by Shirley …show more content…
When Pecola and Frieda are talking about Shirley Temple, Claudia doesn’t seem to be fond of Shirley Temple. In fact, Claudia is the only character that doesn’t agree with the white standards of beauty. The role of Claudia contrasts with Pecola’s to emphasize the self-loathing in Pecola and other African Americans. The blue eyes is a motif in this book; the recurrence of the fact that Pecola wanting blue eyes amplifies her desperation to fit in the the white society and become pretty. “Here was an ugly little girl asking for beauty…… A little black girl who wanted to rise up out of the pit of her blackness and see the world with blue eyes.” (174) Soaphead, as an African American, thinks that Pecola is ugly because of her race. It evokes Soaphead’s self-hatred by seeing Pecola’s desperation of blue eyes. Pecola grows up under the white society’s standards of beauty, her African American’s physical features ensures that she has to go through the racism. The white’s standards of beauty internalized self-hatred in
Trends that can be noticed in these entries are the main focal point, which the authors all seem to cover, that is racism and the social-cultural problems created for young African American women. Many of the authors seemed to blame white culture, or the colourist culture for the problem of lost identity in black girls. They seemed to take the same direction in their articles, but many took different routes in explaining and proving their point. These ideas seemed to be arranged by the stating that Pecola Breedlove is a lost little black girl, who because of her idea that being white would solve all her family and life problems, loses her true self. The authors would then blame the white culture for this deficiency in the young mind of an African American girl.
"And Pecola. She hid behind hers. (Ugliness) Concealed, veiled, eclipsed--peeping out from behind the shroud very seldom, and then only to yearn for the return of her mask" (Morrison 39). In the novel The Bluest Eye, by Toni Morrison, the main character, Pecola, comes to see herself as ugly. This idea she creates results from her isolation from friends, the community, and ever her family. There are three stages that lead up to Pecola portraying herself as an ugly human being. The three stages that lead to Pecola's realization are her family's outlook toward her, the community members telling her she is ugly, and her actually accepting what the other say or think about her. Each stage progresses into the other to finally reach the last stage and the end of the novel when Pecola eventually has to rely on herself as an imaginary friend so she will have someone to talk to.
In Toni Morrison's The Bluest Eye, published in 1970, the struggle begins in childhood. Two young black girls -- Claudia and Pecola -- illuminate the combined power of externally imposed gender and racial definitions where the black female must not only deal with the black male's female but must contend with the white male's and the white female's black female, a double gender and racial bind. All the male definitions that applied to the white male's female apply, in intensified form, to the black male's, white male's and white female's black female. In addition, where the white male and female are represented as beautiful, the black female is the inverse -- ugly.
The concept of physical appearance as a virtue is the center of the social problems portrayed in the novel. Thus the novel unfolds with the most logical responses to this overpowering impression of beauty: acceptance, adjustment, and rejection (Samuels 10). Through Pecola Breedlove, Morrison presents reactions to the worth of physical criteria. The beauty standard that Pecola feels she must live up to causes her to have an identity crisis. Society's standard has no place for Pecola, unlike her "high yellow dream child" classmate, Maureen Peals, who fits the mold (Morrison 62).
Toni Morrison's novel, The Bluest Eye contributes to the study of the American novel by bringing to light an unflattering side of American history. The story of a young black girl named Pecola, growing up in Lorain, Ohio in 1941 clearly illustrates the fact that the "American Dream" was not available to everyone. The world that Pecola inhabits adores blonde haired blue eyed girls and boys. Black children are invisible in this world, not special, less than nothing. The idea that the color of your skin somehow made you lesser was cultivated by both whites and blacks. White skin meant beauty and privilege and that idea was not questioned at this time in history. The idea that the color of your skin somehow made you less of a person contaminated black people's lives in many different ways. The taunts of schoolboys directed at Pecola clearly illustrate this fact; "It was their contempt for their own blackness that gave the first insult its teeth" (65). This self hatred also possessed an undercurrent of anger and injustice that eventually led to the civil rights movement.
She faces constant criticism, has an aggressive home life, and lives in a society that considers beauty as being white, which negatively affects Pecola and leads her to fantasize about becoming more beautiful. She feels the only way to Morrison uses Shirley Temple to show Pecola’s fondness for beauty. Shirley Temple was a popular young actress during the 1930’s, and was known for her curly blonde hair and blue eyes. Pecola developed a fascination for Shirley Temple cups, “she was fond of the Shirley Temple cup and took every opportunity to drink milk out of it just to handle and see sweet Shirley’s face”(pg.23). This image shows that Pecola believes that having blue eyes will maker her life like Shirley making her more like a white child. Another instance showing this is when Pecola goes to the store she buys the candy Mary Jane, which has a girl with blue eyes on the wrapper. We see her fascination with Mary Jane’s blue eyes, and she felt if she ate the candy she would become Mary Jane. This is shown when Morrison writes, “To eat the candy is somehow to eat the eyes, eat Mary Jane. Love Mary Jane. Be Mary Jane”(pg.50) When it comes to Pecola mother, there is similar racial self-loathing manifested in her as
Blond hair, blue eyes. In America these are the ideals of a woman’s beauty. This image is drilled into our minds across the lifespan in the media and it conditions people's standards of beauty. We see Black women wish that their skin was lighter. In an episode of "The Tyra Banks Show", a Black girl as young as 6 talks about how she doesn't like her hair and wishes that it was long and straight like a white woman's. Some minorities get surgery to change their facial features, or only date white men. Having been taught to think that white people are more attractive than people of their own ethnicity. In Toni Morrison’s The Bluest Eye, the character of Pecola exemplifies the inferiority felt throughout the black community due to the ideology that white qualities propel you in social status. Pecola’s mother, Pauline Breedlove, said it best when she was introduced to beauty it being the most destructive ideas in the history of human though. From which the envy, insecurity and disillusion have been derived by the ideas of beauty and physical appearance. Pecola’s story is about the consequences of a little black girl growing up in a society dominated by white supremacy. We must not look at beauty as a value rather an oppressive discourse that has taken over our society. Pecola truly believes that if her eyes were blue she would be pretty, virtuous, and loved by everyone around her. Friends would play with her, teachers would treat her better and even her parents might stop their constant fights because, in her heart of hearts, no one would want to “do bad things in front of those pretty eyes.”
Brought up as a poor unwanted girl, Pecola Breedlove desires the acceptance and love of society. The image of "Shirley Temple beauty" surrounds her. In her mind, if she was to be beautiful, people would finally love and accept her. The idea that blue eyes are a necessity for beauty has been imprinted on Pecola her whole life. "If [I] looked different, beautiful, maybe Cholly would be different, and Mrs. Breedlove too. Maybe they would say, `Why look at pretty eyed Pecola. We mustn't do bad things in front of those pretty [blue] eyes'" (Morrison 46). Many people have helped imprint this ideal of beauty on her. Mr. Yacowbski as a symbol for the rest of society's norm, treats her as if she were invisible. "He does not see her, because for him there is nothing to see. How can a fifty-two-year-old white immigrant storekeeper... see a little black girl?" (Morrison 48). Her classmates also have an effect on her. They seem to think that because she is not beautiful, she is not worth anything except as the focal point of their mockery. "Black e mo. Black e mo. Yadaddsleepsnekked. Black e mo black e mo ya dadd sleeps nekked.
Throughout Toni Morrison’s controversial debut The Bluest Eye, several characters are entangled in the extremes of human cruelty and desire. A once innocent Pecola arguably receives the most appalling treatment, as not only is she exposed to unrelenting racism and severe domestic abuse, she is also raped and impregnated by her own father, Cholly. By all accounts, Cholly is detestable and unworthy of any kind of sympathy. However, over the course of the novel, as Cholly’s character and life are slowly brought into the light and out of the self-hatred veil, the reader comes to partially understand why Cholly did what he did and what really drives him. By painting this severely flawed yet completely human picture of Cholly, Morrison draws comparison with how Pecola was treated by both of her undesirable parents.
As the story goes, In the Bluest Eye, the book provided different pictures in which there was white beauty qualities deformed the lives of black girls and women. In some parts of the book Mrs. Breedlove shares the guiltiness that Pecola is ugly, and lighter skinned Geraldine curses Pecola’s blackness. In the bluest Eye a major factor was whiteness as everyone take that as beauty that's why when Claudia reaches her adolescent she starts to hate herself because her self esteem is not where it should be cause of the racial critiques in the book, Race is a powerful determinant in the novel. The author uses different types of styles such as symbolism One example of symbolism is when Pecola prays to disappear because of her parents fights, I understand her in some point because I can connect that in my life and I wouldn't like my parents to be fighting all the time, sometimes eye's are always the ones that do not fade away. This is symbolizing She cannot forget about her eyes.
People that did not belong to this category was considered unattractive. However, I believe that Pecola’s insanity is principally a result of her being raped by her father. Towards the end of the book, blue eyes are no longer code for Barbie doll beauty or whiteness. It is rather how Pecola makes sense of the rape she has endured. Pecola thinks that the reason she has not got any friends or why no one talks to her is because everyone is jealous of her.
Throughout Toni Morrison's novel The Bluest Eye, she captures, with vivid insight, the plight of a young African American girl and what she would be subjected to in a media contrived society that places its ideal of beauty on the e quintessential blue-eyed, blonde woman. The idea of what is beautiful has been stereotyped in the mass media since the beginning and creates a mental and emotional damage to self and soul. This oppression to the soul creates a socio-economic displacement causing a cycle of dysfunction and abuses. Morrison takes us through the agonizing story of just such a young girl, Pecola Breedlove, and her aching desire to have what is considered beautiful - blue eyes. Racial stereotypes of beauty contrived and nourished by the mass media contribute to the status at which young African American girls find themselves early on and throughout their lives.
She believes that if she could have blue eyes, their beauty would inspire kind behavior from others. Blues eyes in Pecola’s definition, is the pure definition of beauty. But beauty in the sense that if she had them she would see things differently. But within the world that Pecola lives in the color of one’s eye, and skin heavily influences their treatment. So her desperation for wanting to change her appearance on the account of her environment and culture seems child-like but it is logical. If Pecola could alter her appearance she would alter her influence and treatment toward and from others. In this Morrison uses Marxism as a way to justify Pecola’s change in reality depending on her appearance. The white ideologies reflected upon Pecola’s internal and external conflicts which allowed her to imagine herself a different life. The impacts of one’s social class also impacts one’s perspective of their race. The vulnerability created by the low social class allows racism to protrude in society and have a detrimental effect for the young black girls in “The Bluest Eye” (Tinsley).The quotes explained above express the social and economic aspect of the Marxist theory. The theory that centers around the separation of social classes and the relationship surrounding them not one’s internalization of oneself
so shown through Claudia. Lastly her hatred was for herself shown through Pecola; “... If her eyes of hers were different, that is to say, beautiful, she herself would be different too.” (The Bluest Eye, Toni Morrison). This quote also explains how Pecola blames her blackness for all her issues. Pecola believed that her life would be better if she had blue eyes which cause her to pray for them every night; “ Each night, without fail, she prayed for blue eyes.”
So, the blue eyes don’t solve her problems. Pecola’s community compels her into loneliness and therefore she has imaginary friends and develops psychological disorders in order to cope with her lonely life. So, Morrison is clearly illustrating that even though Cholly is at fault for raping Pecola, Pecola’s community as a whole including her mother and Claudia and Frieda have failed to support her and this has led to her mental illness and her loneliness. This theme is prominent throughout the novel but it also is very significant to current media where still most female representations in fashion magazines are white, blue-eyed models. This idea of women