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Katherine in taming of the shrew
The Taming of the Shrew gender norms
The Taming of the Shrew gender norms
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In Shakespeare’s The Taming of the Shrew, Petruccio employs several methods to attempt to tame the shrewish Katherine. Petruccio and Katherine’s various encounters throughout the play illuminate their struggle to maintain power and control. At a certain point, the audience is convinced that Katherine has truly been tamed by Petruccio. However, the audience’s perception of Katherine changes during her final monologue in the comedy which evinces that, despite Petruccio’s attempt to tame her, Katherine still maintains aspects of her shrewishness. Shakespeare utilizes complex dialogue in order to outwardly portray Katherine as tamed, but upon closer inspection, still highlights her individuality. By analyzing Katherine’s final monologue in Act 5 scene 2, it is evident that she is still not tamed despite Petruccio’s sustained …show more content…
efforts throughout their interactions.
When Katherine is first introduced to the audience during her meeting with Petruccio, she is an uncontrollable, sharp-witted shrew. Katherine is angered that her father Baptista is desperate to wed her to any man who will accept the challenge. Petruccio is eager to woo Katherine and tame her shrewish spirit. He is attracted to Katherine’s lively nature and professes that his attraction has multiplied greatly after getting a glimpse of how much of a spitfire Katherine is. During their first encounter, Petruccio seeks to demonstrate his wit and power in an attempt to control Katherine’s spirit. When he informally addresses Katherine as her nickname Kate she sharply puts him in his place by responding “Well have you heard, but something hard of hearing: They call me Katherine that do talk of me” (Shrew 2.1.182-3). She insults him as
being deaf because she does not let anyone speak of her as Kate. Petruccio employs re-framing in an attempt to annoy Katherine and overwhelm her. He counters with a lengthy response that utilizes her nickname “Kate” in nine different ways. However, Katherine is not swayed and sharply replies “Moved, in good time. Let him that moved you hither remove you hence. I knew you at the first you were a moveable” (2.1.195-7). She insults him by saying that she recognizes that she can easily be rid of him. Their banter spans nearly one hundred lines and Katherine responds to Petruccio’s advances with sharp wit, insults and intelligent puns. The lengthy exchange reveals to the audience the extent of Katherine’s shrewishness and provides insight to how difficult it will be for Petruccio to try to tame her. She maintains composure and does not allow Petruccio to undermine her. During their marriage, Katherine is subjected to Petruccio’s methods of taming and, instead of succumbing, she placates him to get him to leave her be. Petruccio employs harsh methods of starvation, sleep deprivation, and psychological manipulation in order to gain control over Katherine. He likens his marriage to a king’s reign and utilizes an extended metaphor of falconry to depict his methods of taming Katherine. However, during an exchange between Petruccio and Katherine about the sun, it is revealed to the audience that Katherine may not truly be submitting to Petruccio’s will. The exchange between the husband and wife is laced with sarcasm and annoyance. Petruccio comments on how brightly the moon shines and Katherine replies “I know it is the sun that shines so bright” (4.6.5). At this point in the play, the audience can still see that Katherine clearly resists Petruccio’s control. She further takes a stand against Petruccio and when he insists that it is the sun she replies “And be it moon, or sun, or what you please. And if you please to call it a rush candle, henceforth I vow it shall be so for me” (4.6.13-5). Despite Katherine’s sudden outward submission to Petruccio’s will, it is apparent to the audience that she is not completely conceding to him. Katherine recognizes that Petruccio is challenging to test her and see how far she is willing to follow along with his ploys. She is carefully observing Petruccio to determine what he desires from her. At the end of the exchange, Petruccio changes his mind about it, claiming it is actually daytime and Katherine wittily replies “Then God be blessed, it is the blessèd sun. But sun it is not when you say it is not, and the moon changes even as your mind. What you will have it named, even that it is, and so shall be so for Katherine” (4.6.20-4). She placates him to satisfy his need for her submission, but it is evident that she does not truly believe what he tells her. Katherine’s sarcastic response admitting that she will agree to whatever Petruccio says provides insight into her thoughts for the audience. Her allusion to the moon and how Petruccio’s mind changes with it is a covert insult to Petruccio and accuses him of being crazy. Katherine seeks to maintain her shrewish qualities throughout Petruccio’s taming process but only to get him to leave her alone. She progressively learns what she needs to do in order to satisfy Petruccio’s demands. While it may appear to the audience that she is starting to lose her battle to Petruccio, by closely analyzing her dialogue it can be seen that she is not being tamed.
A very prominent theme in Shakespeare's The Taming of the Shrew is society's double standards of men and women. In the play, Katherina is a very free-willed, independent woman who wishes to follow her own path in life and is not dependent on a man for her happiness. Petruchio is also free-willed, independent and speaks his mind freely. However, where Petruchio is praised for these characteristics, Katherina is scorned and called names. Petruchio is manly and Katherina is bitchy for the same traits.
In the play, Taming of the Shrew, this character is known as Petruchio. In act 1 scene 2, Petruchio insists on meeting Kat no matter who tells her of his behavior, for he was only looking at one factor – that she had a rich father. Upon meeting Baptista, Petruchio insists on meeting Katherine. “Lucentio” and Petruchio battle, promising this and that to Katherine until Baptista finally chooses Petruchio. Upon meeting Katherine, she immediately is biting at his heels. With his quick wit he is responding with equal amounts of insults which frustrates Katherine. Every insult Katherine throws at Petruchio he manages to throw back a sexual innuendo. further along into the story with Kate and Petruchio. Petruchio
.... She now obeys what is asked of her by Petruchio like such as when she is told to lecture the other wives about how to be a good wife, “Katherina, I charge thee, tell these headstrong women, what duty they do owe their lords and husbands.” Without arguing and saying a word against what is asked of her she gives her advice, “Thy husband is thy lord, thy life, thy keeper, thy head, thy sovereign, one that cares for thee.”
find a wife. "I come to wives it wealthy in Padua; If wealthy, then happily in
Her personality is strong and she is independent, unlike most women. This makes her unattractive to most suitors and gains her the label of shrew. She demonstrates her personality in the beginning of the play: "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1 57-58). Shakespeare uses the characterization of Kate to demonstrate the defiance against traditional gender roles and how Kate almost immediately speaks out for herself, unlike her sister Bianca. In addition, Kate describes her future husband as a "mate," unlike how most women would describe their lovers. Moreover, Kate is educated: "I 'faith, sir, you shall never need to fear: I wis it is not half way to her heart; But if it were, doubt not her care should be to comb your noodle with a three-legg 'd stool and paint your face and use you like a fool." (1.1 61-65). Shakespeare uses the characterization of Kate to demonstrate how she defies traditional gender roles by being the only person to speak in iambic pentameter. This demonstrates her intelligence unlike many women. In addition, Kate doesn 't enjoy receiving orders from others. When her father leaves with Bianca and tells Kate she may stay, she gets angry. "Why, and I trust I may go too, may I not? What, shall I be appointed hours; as though, belike, I knew not what to take and what to leave, ha? (1.1 103-105). Shakespeare uses the characterization of Kate to
In the play The Taming of the Shrew by William Shakespeare, Petrucio recognizes, respects and desires Katherine’s strength of character. Petrucio is a clever man who sees beyond facades because he uses them himself. (II, i 46) (II, I 283 - 89) He is stimulated by Katherine’s sharp tongue and harsh actions. He proves this many times throughout the play.
By charming her with kind words, Petruchio is able to manipulate Katherine into marriage and woo her, but in an unaccustomed way, as Kate is not used to men being so nice and direct with her. Petruchio is able to achieve this end by manipulating Katherine’s words. He twists what Kate says and makes it seem as if she is coming on to him sexually, while in reality he is the one implying the sexual innuendo. This manipulation can be seen when they have an argument about whether or not the wasp carries his sting on his tail or tongue, and Petruchio says “What, with my tongue in your tail? Nay, come again, good Kate. I am a gentleman—” (II, 1; 230-231). By contorting the words he ...
and the events for the rest of the play during the first two acts. & nbsp; Although even her father calls her a shrew, Katherine has a deeper. character than the epithet would imply. From the beginning we see that she is continually placed second in her father's affections, and despised by all others. Bianca on the other hand, is identified as the favorite. playing the long-suffering angel, increasing Baptisa's distinction between. the two. As Katherine recognizes her sister's strategy, her reaction is as one can imagine how another would react suffering this type of bias for so.
In this marriage Katherine has no power. She is verbally abused by Petruchio and denied what she needs. As said in the article,“ Kate is transformed after enduring the irrational world of Petruchio 's country house, where she is denied food, sleep, and fashionable accoutrements of her social class” (Karen 263). Katherine is tamed and she praises and respects him now that she is tamed. At the end of the play, when Katherine and Petruchio are at the wedding, Katherine is the only woman out of all at the wedding that actually listens to her husband when they all call their wives. Katherine ends up giving them a speech and telling them to respect their husband: “Thy husband is thy lord, thy life, thy keeper, Thy head thy sovereign, one that cares for thee And for thy maintenance commits his body” (Shakespear V. ii . 162-164). She respects who he is and all the work that he does for her. Petruchio has the power in marriage because she respects him and his
When someone is a female their first thought should not be weak or nurturing, just as when someone is male their first though shouldn’t always be powerful. Unfortunately it has becomes so ingrained in societies mentality that this is the way that things work. The Taming of the Shrew is a past writing piece that expands on a mentality that is modern. The male gender cannot be put into this same constraint. Petruchio is the epitome of what society would describe a male as. He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. Moreover he should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told. When she does speak she always speaks like a lady. She exists merely for decoration in the home and to serve her husband. Katherine is the inconsistency in this stereotype on femininity. Her purpose in the novel originally is to rebel against this biased thought on female gender roles. Katherine is not afraid to speak out against the things that she is told to do. If she disagrees with something she will act on it and she is just as strong as the men in the novel; which is why many of the men actually fear her. Katherine is not submissive and does not believe that the only reason that she exists is to serve a husband. Katherine does not want to be just the damsel in distress, she wants to be in charge. At the end of the novel there is a switch in the personalities of Katherine and Bianca. This alteration provides the purpose of showing that gender is not something that someone can be confined in just because they were born a female. A woman can have many different traits and still be feminine. It is impossible to put femininity in a box because there are no real qualities for what
In Shakespeare's play “Taming of the Shrew”, the main character, Petruchio employs several different techniques to control the shrewish Katharina. At the beginning of the play, he deceives Katharina's father in order to marry her against her wishes. During the wedding, he humiliates her. After the wedding, he deprives her in order to control her. At the end of the play, Katharina's obedience to Petruchio's request proves that he has tamed Katharina.
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The Marriage formed between the two is a match made in heaven for two reasons. First Because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them. The second reason the bond survives is that Petruchio is strong enough to accept the fact that Katherine has a mind and, more importantly he loves her for that reason. Petruchio cleverly weaves the relationship into the framework of society without compromising the integrity of the relationship. Petruchio does this by comparing Katherine’s at attitude to repulsive clothing. Carefully and calculatingly, Petruchio forges a relationship that is envied by all who witness it.
During The Taming of the Shrew, Shakespeare has used pleasure and pain in order to tell the story of Petruchio and Katherina’s courtship. This is problematic for modern day audiences, as they do not find the courtship methods that Petruchio employs to woo Katherina particularly comical. However, it could be argued that Shakespeare crafted The Taming of the Shrew precisely for this reason, to feature his views on patriarchy and to make the audience see what was happening through a new perspective. The Elizabethan audience would have been shocked at the methods used in order to achieve the taming, even though it was well within a man’s right to discipline his wife if she was deemed unfit. From the very beginning of The Taming of the Shrew, Shakespeare indicates that this play will not follow traditional rules of decorum, and that it is intended to both give pleasure and cause pain in order to make both Elizabethan and modern audiences take note of his underlying message.
The taming of the shrew displays sexism through gender stereotyping, patriarchy, and power. The play has set a certain stereotype on how women should act and be. For example, Petruchio tames his wife Kate, who was a shrew, in order for her to become obedient and follow his rule. Taming is discrimination rather than discipline because it does not allow women to be themselves.
Shrewish Katherine and uncaring Petruchio were transformed into, what the writers believed to be, the modern equivalent of the plays characters. Although most of the characters are quite alike to one another there are still significant differences. Kat and Katherine both end up giving in to their suitors Patrick and Petruchio but in very different ways and different reasons. Kat forgives Patrick hoping that he actually has feelings for her and will continue to see her without the monetary compensation as she wants love. Whereas Katherine is the opposite, she gives guarantees and stamps them with powerful and theatrical words of submission.