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Character development introduction
An essay on character development
Character development introduction
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Authors will portray their characters in ways they will invoke certain emotions from the reader and determine how the character is perceived. Even though multiple works will depict the same characters the authors will change details about them. An epic poem titled “Beowulf”, composed in 750 AD, and the novel “Grendel”, published in 1971 AD, contained the same antagonist but he is depicted differently in each tale. One values Grendel being portrayed as a mindless beast while the other prefers to have him be show intelligence while on his murderous rampage. The composure of the epic poem “Beowulf” never gave Grendel the ability to speak as a way to force the reader's opinion of Grendel to be based on what the Danes and Geats had to say about …show more content…
Gardner wanted Grendel to be viewed as a psychopathic killer, something without empathy and remorse. Grendel’s intelligence is demonstrated when he infers what is going on around him when he goes back into Herot and sees that “The Geats are stones, whether it’s because they’re numb with terror or stiff from too much mead, I cannot tell.” (167). There are clear signs of a thought process that Grendel expresses, the purpose of this is to show that he does understand what he is doing and to him he has a reason for doing it. Signs of emotions that normally are not connected with a murder spree is revealed when Grendel shared with the reader that he is “...swollen with excitement, bloodlust and joy and a strange fear that mingle in my chest like a twisting rage of a bone-fire.”(167-168). The reasoning behind Grendel’s attack is shown to be a bloodlust, it’s like a sport to Grendel to kill all of those who sleep in Herot. Gardner’s reasoning for this is to demonstrate how monstrous Grendel is because nothing is worst than and intelligent being killing for sport. Grendel is twisted since he decides “For pure, mad prank, I snatch a cloth from the nearest table and tie it around my neck to make a napkin.” (168). Finding humor in mocking those who Grendel is about to messily devour is completely insane but at the same time shows how he had planned this attack and ways to make it humorous to him. By giving Grendel the ability to speak and to let the reader understand his thoughts, Gardner reveal the intelligent monstrous side of Grendel and helps the reader better understand why he must be
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
John Gardner's revolutionary style is not encompassed by a single genre; instead, he mixes first-person narrative and several different literary styles to give the "Ruiner of Meadhalls" a unique voice. The use of first-person narrative is essential to convey Grendel's spiritual growth. Were it not for Grendel's often self-deprecatory tone, which varies from mocking - "big shaggy monster intense and earnest, bent like a priest at his prayers" (72) - to bitter and cynical - "I, Grendel, was the dark side. The terrible race that God cursed" (51) - Grendel would be impossible to relate to. Even Grendel's bouts of insanity - (whispering, whispering. Grendel has it occurred to you my dear that you are crazy?)" are easily understood.
Good vs. Evil in John Gardner's Grendel? & nbsp; John Gardner's novel Grendel gives the reader a new perspective on the classic "good vs. Evil" plot. From the start of the book the reader can tell that there is something very unique about the narrator. It is evident that the narrator is a very observant being that can express himself in a very poetic manner. The story is one the reader has most likely seen before, the battle between the glorious thanes and the "evil" beast. In this case, however, the "beast" is the eyes and ears of the. reader. This, of course, forces the reader to analyze situations in the book in the same way that Grendel does. By using this viewpoint, author allows his readers to see the other side of the coin. Therefore, Throughout the course of the novel the reader is able to understand how important to Grendel in defining the human. & nbsp; Grendel's first encounter with the human beings that he literally defines is not a pleasant one. After accidentally trapping himself in a tree he is discovered by a group of thanes out on patrol. Grendel expresses absolutely no hostile intentions towards these "ridiculous" (ch. 2). pp.24) creatures that "moved by clicks." (ch.2, pp.24) The thanes do not understand what Grendel is and are very uneasy about the whole situation.
John Gardner’s Grendel brings a new perspective to the the way the story of Beowulf is told and interpreted. (Grendel’s ability to be influenced by the multiple sources around him changes his outlook on life. It also changes the reader’s ideas of who Grendel is as a character as he develops and changes in the book.) Grendel’s ability to be influenced with ease by multiple characters throughout the book shows his true adolescence and nature to follow others. These multiple characters such as the Dragon, the Shaper, and Wealtheow all are able to use their propaganda to instill into Grendel a new value or trait. Grendel’s adolescence therefore results in multiple sources of propaganda being so influential on him as a character. (is the reason why propaganda from many different sources influences him so heavily.)
Particularly in chapter 3, Grendel listens as a blind old man, the Shaper, tells the tale of Danish history to Hrothgar. Though what is told is largely fictitious, Grendel cannot help but to feel strangely moved by the brilliance of the Shaper’s story. “Thus I fled, ridiculous hairy creature torn apart by poetry—crawling, whimpering, streaming tears, across the world like a two-headed beast, like mixed-up lamb and kid at the tail of a baffled, indifferent ewe—and I gnashed my teeth and clutched the sides of my head as if to heal the split, but I couldn’t.” (Grendel, John Gardner, pg.44) In this moment, Grendel’s mind is split between what he understands to be true and the truth that is desired. The world is callous and careless, blunt and belligerent; this he knows. However, with the artistic style and formation of the Shaper’s words, he is brought to tears and is captivated by his spiritual and emotional yearnings. Grendel is also overwhelmed with disgust and shame for himself and his vile
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
Authors often have to choose between concentrating on either plot or social commentary when writing their novels; in John Gardener's Grendel, the plot becomes is a secondary consideration. Grendel's exploits provide the reader with a clear understanding of the strong opinions the author carries and can be seen clearly as a narrative supporting nihilism in its many forms. The reader easily perceives the blatant religious subtext in the guise of corrupt priests and the foolish faithful. The notion of the old being wise is unacceptable to Gardener along with any notion of hero idolization. Within his novel, Gardner expresses his views concerning religion, wisdom and nature.
The counterclaim that Gardener is trying to make Grendel seem more monstrous, I don’t think was formed, keeping in mind that his whole life treated him like a monster, before he became one. He once says to his mother, “The world resists me and I resist the world.” The majority of the second chapter in Grendel is Grendel in pure agony. He deals with severe physical pain as well as emotional pain, such as rejection from his mother and from society. Grendel cries out from anguish of his terrible childhood, “Ah, monstrous stupidity of childhood, unreasonable hope!”
Grendel as a character is very intelligent, he is capable of rational thought at all times. Because of this, at sometimes during the story I would forget Grendel is a monster, the way he acts in his thoughts and actions I would mistake him for a human; at times I was even feeling bad for Grendel because he is a very lonely person who tries to understand all of the meaningless of the world around him. Grendel can never get to close to
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
John Gardner’s Grendel portrays a monster searching for his purpose in life. The characters know the meaning of their lives, but Grendel tries to discover his role and what life has to offer him. Grendel discovers his identity through other characters’ actions and beliefs. In Grendel, John Gardner illustrates the contrasting views of each character to show their view of society and the influence they have on Grendel.
John Gardner’s Grendel is the retelling of the heroic epic poem Beowulf; however, the viewpoint has shifted. Grendel is told from the viewpoint of one of Beowulf’s antagonists and the titular character of Gardner’s work—Grendel. In Grendel, Gardner humanizes Grendel by emphasizing parallels between Grendel’s life and human life. Through Gardner’s reflection of human feelings, human development, and human flaws in Grendel, this seemingly antagonistic, monstrous character becomes understood and made “human.”
Indeed Gardner wants to make Grendel feel truly alone forcing, Grendel to sadly proclaim " I understood that the world was nothing; a mechanical chaos of casual, brute enmity on which we stupidly impose our hopes and fears. I understood that, finally and absolutely, I alone exist. All the rest, I saw, is merely what pushes me, or what I push against, blindly—as blindly as all that is not myself pushes back. I create the whole universe blink by blink... (22)''.This realization gives Grendel's predicament meaning for although his mother has been there all his life he must not trust that she will come to aid him. For his life is governed by his actions, not
In the story, Grendel has many interactions with the people, however, each one that he has leaves a more negative impact on the people. He never really achieves a positive dialogue with anyone, and if he does, he always ends it by killing them. He has a general disposition of anger and disgust towards the humans, and it is not described as to why he has had one. He is unempathetic and aggressive towards humankind in the novel. For one, he takes pride in his killings, and even goes into great detail about each of the many killings he does.
...zes humanity in this scene by portraying them as the evil beings instead of Grendel who is the helpless victim of their savage assault. The men attack Grendel solely because they could not understand him and because of his appearance. Grendel makes no attempt to harm the men but to communicate with them while they are the ones that savagely tried to kill him. John Gardner portrays the men as the real monsters who mercilessly tried to kill Grendel while he was defenseless. Grendel has another revelation due to this attack in where he states. “The world resists me and I resist the world… “That’s all there is.”(Gardner, 28) Grendel makes this assertion as a means to organized the ways he perceives the world. While he once saw the world as a confusing array of frightening images, now he can separate the world into categories: those who do not resemble him and himself.