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Literature and society
Literature and society
Literature and society
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When Edna was just a child “she had lived her own small life all within herself. At a very early period she had apprehended instinctively the dual life—that outward existence which conforms, the inward life which questions” (Chopin 14). Edna Pontellier has always had two parts to her life: an internal one that challenges society, and an exterior one that assimilates to it. In the novella, The Awakening, Kate Chopin explores these two parts and explains how Edna tries to balance the two. Unfortunately, with both of these parts behaving simultaneously in opposite directions, Edna is unable to survive. Edna is not truly independent because she refuses to choose between her personal desires and society’s expectations.
Contrary to societal norms
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of the time, Edna Pontellier holds onto her personal desires and refuses to give them up. Edna does this because,“Every step she [takes] toward relieving herself of obligations [adds] to her strength and expansion as an individual. She [begins] to look with her own eyes; to see and to apprehend the deeper undercurrents of life” (89). Everytime Edna pulls away society she feels stronger and more free as an individual. She realizes that without all the rigid restraints from society on her, she can be free and strong. She starts to understand that her personal world can be controlled by herself. At the time of this novel, the sole purpose of a woman was to take care of her family. Edna challenges this idea when she admits to Madame Ratignolle that, “She would never sacrifice herself for her children, or anyone” (46). Edna refuses to give up her individuality in any of her relationships whether it be as a mother or a lover. She wants to keep her personal identity to only herself. This inherent desire in Edna to become an self-sufficient woman, goes completely against the ideas of society at the time. She is not acting as the perfect mother-woman and is instead following just her personal beliefs. However, Edna fails to take the full step towards total independence as she still remains married to Léonce. In this way she is still conforming to society and not really behaving completely autonomously. Without deciding between these two important parts of her life, she left feeling hopeless and confused—not at all independent. Even after Edna Pontellier expresses her controversial personal beliefs she continues to conform to society, which prevents her from being independent.
Following her personal desires, Edna goes swimming with Robert early in the novel. This shows that she wants to be self-sufficient and go against society, but when she returns she, “silently reached out to [Robert], and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers” (4). By putting back on her wedding ring, Edna is accepting her role in society and is no longer being defiant. Edna feels that she is neither able to control her situation nor change it, so she just stay in it. If Edna had stopped caring about all her duties as a woman, she would finally become independent, but as she puts back on the ring, symbolizing the society, she refuses to do this. Edna continues to struggle between her personal desires and societal obligations to her family even later in the novel. Edna explains to Doctor Mandelet, “There are periods of despondency and suffering which take possession of me. But I don’t want anything but my own way. That is wanting a good deal, of course, when you have to trample upon the lives, the hearts, the prejudices of others–but no matter–still, I shouldn’t want to trample upon the little lives” (105). Edna goes through times where she does not have courage and feels oppressed; these feelings take control of her. She wants to be
autonomous in her life, but cannot find any way to do that without hurting other people in her life. If Edna was to follow only her personal ideas, the lives of her children suffer. Edna Pontellier must let go completely of all her ties to the rigid society if she wants to be free–but she is not willing to do that. It is impossible for Edna to live as an independent if she is still conforming to society in this way while still trying to live out her personal ideals. Edna must decide whether she wants to please her society or herself. By choosing herself, she must commit to the idea of leaving her Creole status family behind; by choosing society she must be ready to forget all of her personal aspirations. Since Edna can not choose between her personal desires and social obligation, she is left feeling oppressed and hopeless. What Edna went through happens to many women even today. Women are forced to choose between their personal success or familial obligations. Women that are like Edna and refuse to choose are left feeling even more oppressed by their families and inner tendencies. If Edna had found some way to break free from her societal expectations, maybe by the means of divorce, she could have served as an example to show women everywhere that they can be independent. Instead Edna actions show them that there can never be a perfect a balance between personal ideals and social duties since they inherently contradict themselves. Through Edna Pontellier, women should learn that they must be ready to put their own needs first in order to become truly independent.
Kate Chopin's novella The Awakening tells the story of Edna Pontellier, a woman who throughout the novella tries to find herself. Edna begins the story in the role of the typical mother-woman distinctive of Creole society but as the novelette furthers so does the distance she puts between herself and society. Edna's search for independence and a way to stray from society's rules and ways of life is depicted through symbolism with birds, clothing, and Edna's process of learning to swim.
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
Kate Chopin’s “The Awakening” is wrought with symbolism, foreshadowing and careful diction choices. Many of the passages throughout the novel embody Edna’s awakening sense of self-reliance, independence and sexuality. These are sy...
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
Throughout the story Edna takes many risks. While at grand Isle, she risks the dangers of the sea so that she might learn to swim. Furthermore, Edna risks impropriety by spending so much time alone with Robert. Upon returning home, Edna continues to be the risk taker. One must ask himself, however, what exactly is Edna risking with her, at times, juvenile behavior? In truth, she is risking nothing more than humiliation. Edna knows that her husband will never leave her nor will he allow her to leave him.
Edna Pontellier, the protagonist in the novel The Awakening by Kate Chopin, is followed by the audience through her voyage of self-realization. As Edna’s journey unfolds, Chopin incorporates a vast variety of symbols in order to express Edna’s relationship with society. One of the most present symbols that Chopin uses is the way she addresses Edna’s clothing or its absence. As Edna’s character develops and her desire to liberate herself swells, she removes clothing that she feels are not only constricting to her body physically but to her soul emotionally. While Edna removes her clothing throughout the novel, she is contravening the social norms and rules that the society she lives in has presented to her. This is one of many ways that Edna
Critics of Kate Chopin's The Awakening tend to read the novel as the dramatization of a woman's struggle to achieve selfhood--a struggle doomed failure either because the patriarchal conventions of her society restrict freedom, or because the ideal of selfhood that she pursue is a masculine defined one that allows for none of the physical and undeniable claims which maternity makes upon women. Ultimately. in both views, Edna Pontellier ends her life because she cannot have it both ways: given her time, place, and notion of self, she cannot be a mother and have a self. (Simons)
In Kate Chopin’s The Awakening, Edna Pontellier’s suicide is an assertion of her independence and contributes to Chopin’s message that to be independent one must choose between personal desires and societal expectations. Chopin conveys this message through Edna’s reasons for committing suicide and how doing so leads her to total independence. Unlike the other women of Victorian society, Edna is unwilling to suppress her personal identity and desires for the benefit of her family. She begins “to realize her position in the universe as a human being and to recognize her relationship as an individual to the world within and about her” (35).
Edna Pontellier’s character in The Awakening has been the source of the novel’s controversial assessment by critics since it’s publication in 1899. The author, Kate Chopin, officially began writing in 1885 and composed novels that challenged the many conflicting social standards in that time period. The late 1800s, predominantly known for the Industrial Revolution, served as a beacon of opportunity for women during this era. Chopin wrote The Awakening to be used as an instrument to eradicate the accepted impression of gender roles in society: women are more than submissive tools to their oppressive counterparts in this masculine dominated world. Chopin’s ideology originated from the lessons and wisdom of her great-grandmother who encouraged her to read unconventional concepts: women were capable of obtaining and maintaining a successful career as well as a thriving family and social life. Although The Awakening was widely banned and condemned in national presses, critics cannot deny the underlying theme of sexism and its effect on gender roles. Some critics even suggest there is a distinct correlation between Edna’s character and Chopin herself. According to critics, Kate Chopin encumbers The Awakening with incidents of a single woman's hunger for personal and sexual identity as a mechanism to display Edna Pontellier’s deviations from societal standards.
As Kate Chopin’s The Awakening develops a woman’s journey to defy the present social oppression, this selected passage is Edna’s metamorphosis and the turning point in the novel. After listening to Mademoiselle Reisz’s music at Robert’s departure party, Edna swims for the first time and experiences her awakening to the desire for freedom. The surrounding ocean becomes a place that provides Edna strength to free herself and an isolated hiding where she can express her true essential self. However, Edna’s attempt for liberation eventually resigns to the overwhelming presence of death and the unfortunate realization about the society’s dominance. This passage from page 47-48 is the point of epiphany, establishing Edna’s transformation
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
Social expectations of women affected Edna and other individuals in Kate Chopin’s novel The Awakening. The protagonist, Edna Pontellier, struggles throughout the novel in order to become independent and avoid her roles as mother and housewife in American Victorian society in 1899. This was because women during the 19th century were limited by what society demanded of them, to be the ideal housewives who would take care of their families. However, Edna tries to overcome these obstacles by exploring other options, such as having secret relationships with Robert and Arobin. Although Edna seeks to be independent throughout the novel, in the end she has been awakened but has not achieved independence.