As a result of Gatsby pretending to be in the old money social class, he drew suspicion by the other characters such as Tom, who claimed that he would be investigating Gatsby and his affairs which ultimately led him to his death by Wilson. In a similar way, the protagonist in A Streetcar Named Desire, Blanche Dubois, also represented herself with a pretense. In Blanche’s case, she portrayed herself as a higher class citizen when in reality, she was just as equal as the lower class. Blanche would judge her sister’s choice of living, men and friends as they did not meet the expectations she would want required in her head: “‘Oh I'm not going to be hypocritical, I'm going to be honestly critical about it! Never, never, never in my worst dreams could I picture - Only Poe! …show more content…
- could do it justice! Out there I suppose is the ghoul-haunted woodland of Weir!”’ (Williams 12). Blanche had even had multiple furs and party accessories such as dresses and jewelry which she would act as if they were real and parade around with. Those who would view it at first glance would assume it was real, like Stanley had done. Blanche would judge everyone in the lower class even though they were in the same tax bracket as her, she did this because she wanted to feel as if she was young again and living in Belle Reve, where everything was exquisite and there was nothing to worry about. Once Stella moved to New Orleans and Blanche had to deal with the death and expenses of her husband and family members alone, her life would go downhill and she would have to move out of her large home and live in hotels with bad reputations, something she later denies with her entire soul although it is true. This later led to Blanche losing true self within her pretend self. In short, both characters in The Great Gatsby and A Streetcar Named Desire possess a pretense that would grant them the personal gain they desire to
However Blanche is unable to get attention or protection throughout the story be cause of all the lies she's told. She also ends up hurting the people who are closest to her when she tries to hide who she really is. For example when she says " I don't want realism. I want magic! Yes magic!
Delicate Blanche, virile Stanley. Dynamic Maggie, impotent Brick. Williams' protagonists are distinctly different in temperament. In "A Streetcar Named Desire" Blanche exemplifies the stereotypical old south: educated, genteel, obsolete. Stanley is the new south: primitive, crude, ambitious. Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley. He wants her to be truthful and "lay her cards on the table" but simultaneously would "get ideas" about Blanche if she wasn't Stella's sister (Williams, Street 40-41). Their relationship overflows with sexual tension as they battle for Stella. Stanley, the new south, defeats Blanche, the old south. After destroying her chance for security, his sexual assault erases her last traces of sanity.
In a capitalist society, social darwinism is key aspect and in Streetcar, Blanche is not able to succeed because just like Darwin's theory, only the strongest survive. From the beginning of the play, one sees that Blanche is a big outsider to Elysian Fields. As soon as Blanche arrives she begins to criticize the Kowalski household saying: “what kind of bed’s this-one of those collapsible things?” (Williams 16). Blanche has not been used to this new standard of living and doesn’t know how to understand that in the Kowalski household they don’t have maids, a lot of of rooms, or much privacy. It is said that, “Blanche is doomed by her inability to adapt, whereas Stanley seems bent on adapting the environment to himself” (Winchell 6). Even though
In the novel “The Great Gatsby” by F. Scott Fitzgerald, two characters different in gender and social class share an inability to differentiate between desirable illusions and reality, causing the downfall of each. This novel follows the life of Jay Gatsby, a man who rearranges his life to obtain his only desire, to reunite with Daisy Buchanan, his former love interest who he was unable to marry due to his lack of wealth and enrollment into the army. Gatsby’s efforts to obtain this desire lead him to wealth, and eventually he reconnects with Daisy. But Gatsby’s inability to realize that she has long moved on causes him to continuously chase her, and as a result leads to his ultimate demise. Another character,
Gatsby’s distinct charisma indicates his struggle against moral corruption and sets him apart from the moral decay evident in the upper class. Owl eyes is very surprised when he finds out all the books in Gatsby’s library are real, “‘The books?...Absolutely real--have pages and everything...It’s a bona-fide piece of printed matter. It fooled me. This fella’s a regular Belasco’” (45). While most of the upper class uses outward displays of wealth to cover their inner moral corruption, Gatsby uses his extravagant opulence to mask his love for Daisy. In this way his morals and ability to conceal his love prove his willingness and drive to acquire Daisy’s love and acceptance. The majority of the upper class suffers from moral poverty, lacking internal morals to keep them grounded acting out in ways that diminishes their social status. Gatsby is so close to Daisy his whole life yet he is unable to get any closer until their relationship is destroyed forever. “I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock...his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him” (180). Gatsby continually reaches out for Daisy with hope and optimism, but the distance between his dock and the Buchanan’s does not get any closer symbolic for the
The writer, Tennesse Williams uses symbolism and imagery to help convey the idea that Blanche is deceptive, egotistical and seductive. We can clearly discover how deceptive Blanche is by the symbolism that Williams uses throughout the play. One can note how Blanche continually wears white dresses or a red kimono when she is being especially flirtatious, so that she makes people think that she is innocent and pure. In Scene Five Blanche's white dress, a symbol of purity is stained which is symbolic of the fact that Blanche if far from being pure. Blanche's world hinges on illusion and deception as can be seen when Blanche pours her heart out to Stella in scene five, "soft people... have got to be seductive... make a little - temporary magic". Blanche feels that she must trick and deceive in order to survive in a world where she is "fading now!" and her looks are leaving her. We are introduced to Blanche as a "delicate beauty" that "must avoid strong light". Williams, portrays Blanche as an uncertain character who hides behind the veneer of outer beauty and who when is placed under the spotlight, fails to live up to the person she would like people to think that she is. Williams also provides strong imagery of her as a moth, as she is dressed in white clothes and is fluttering. This imagery of Blanche as a moth is further emphasised when Blanche herself later states, "put on soft colours, the colours of butterfly wings and glow".
... ignorance; and this was the undeniable tragedy that caused her downfall in the end. Stanley was angry when Blanche told Stella that she did not like him, but he never gave her a chance. Stanley despised her from the beginning. Neither Stanley nor Mitch was intelligent enough to comprehend that not everything is black and white. They perceived her as a deceitful whore. Stella chose her violent husband over her sister. Also, Mitch could not overlook her mistakes. Mitch focused on her flaws which blinded him from seeing the beauty and love Blanche had to offer. Blanche wanted their love, but each of their individual flaws sunk her deeper into a hole. The people around Blanche were unwilling to change and develop an open-minded way of dealing with her situation. Blanche needed kindness and affection, but nobody was able to give it to her when she needed it the most.
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
Blanche consider herself as a Southern Belle, despite the changing of her status. Her life changed when she is facing financial difficulty and she has to pay for the cost of the funeral of her relatives.Blanche has lost Belle Reve
Blanche who had been caring for a generation of dying relatives at Belle Reve has been forced to sell the family plantation. Blanche is a great deal less realistic than Stanley and lives in illusions which bring upon her downfall.
Blanche’s developmental history or character development points to her diagnosis. Blanche comes to New Orleans to stay with her sister Stella after being fired from her job as a schoolteacher due to having an inappropriate affair with a teenage student. When she arrives to see her sister, she is consumed with insecurities regarding her appearance and is condescending to her sister’s humble lifestyle. Stella’s husband Stanley immediately has distrust and dislike for Blanche and treats her
On one level The Great Gatsby, by F. Scott Fitzgerald comments on the careless gaiety and moral decadence of the period in which it was set. It contains innumerable references to the contemporary scene. The wild extravagance of Gatsby's parties, the shallowness and aimlessness of the guests and the hint of Gatsby's involvement in crime all identify the period and the American setting. But as a piece of social commentary The Great Gatsby also describes the failure of the American dream, from the point of view that American political ideals conflict with the actual social conditions that exist. For whereas American democracy is based on the idea of equality among people, the truth is that social discrimination still exists and the divisions among the classes cannot be overcome. Myrtle's attempt to break into the group to which the Buchanans belong is doomed to fail. Taking advantage of her vivacity, her lively nature, she seeks to escape from her own class. She enters into an affair with Tom and takes on his way of living. But she only becomes vulgar and corrupt like the rich. She scorns people from her own class and loses all sense of morality. And for all her social ambition, Myrtle never succeeds in her attempt to find a place for herself in Tom's class. When it comes to a crisis, the rich stand together against all outsiders.
Firstly, the reader may initially feel Blanche is completely responsible or at least somewhat to blame, for what becomes of her. She is very deceitful and behaves in this way throughout the play, particularly to Mitch, saying, ‘Stella is my precious little sister’ and continuously attempting to deceive Stanley, saying she ‘received a telegram from an old admirer of mine’. These are just two examples of Blanches’ trickery and lying ways. In some ways though, the reader will sense that Blanche rather than knowingly being deceitful, actually begins to believe what she says is true, and that she lives in her own dream reality, telling people ‘what ought to be the truth’ probably due to the unforgiving nature of her true life. This will make the reader begin to pity Blanche and consider whether these lies and deceits are just what she uses to comfort and protect herself. Blanche has many romantic delusions which have been plaguing her mind since the death of her husband. Though his death was not entirely her fault, her flirtatious manner is a major contributor to her downfall. She came to New Orleans as she was fired from...
“A Streetcar Named Desire” main characters are Blanche, Stella, Stanley, and Mitch. Blanche is the main character of the play, she is Stella’s older sister, and comes to stay with Stella while Stella is pregnant. Blanche after being reunited with Stella, she meets Stanley and Mitch. Stella is torn between her sister and Stanley because of Stanley’s dislike of Blanche. Stanley is a lower class citizen who is devoted to his friends and adores his wife but he is cruel to Blanche. Mitch is Stanley’s friend and poker buddy. Mitch is unlike Stanley because he is more of a gentleman and develops a crush on Blanche. Eventually Stella goes into the hospital to give birth and during this time Stanley rapes Blanche. When Stella returns, Blanche tries to tell Stella what Stanley did to her but she instead believing her, Stanley and Stella send Blanche off to a mental institution.
In A Streetcar Named Desire, Tennessee Williams uses Blanche and Stanley to point out the different features of both periods, old and new. At the end of the play when Stella chooses to be believe Stanley over her sister Blanche. It basically means that New South wins in the end. Blanche who represents the Old South’s rich, beautiful, southern belle is sort of cast out of society. Stella on the other hand was able to adapt to the social evolution of the south and mix with Stanley to create a new life.