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Situational irony the crucible
Situational irony the crucible
Situational irony the crucible
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Unexpected alterations occur in everyone’s life. While one anticipates something to happen, adulthood changes the plan ahead. These unexpected turns have a name: irony. Consequently, ironic situations are just a part of growing up. Likewise, Alice Munro has masterly presented life’s irony. Her short stories explore the social realism of rural towns as well as practical reality. They are intellectually complex with well round engaging characters entangled within an interesting plot line. Most importantly, the guided principle to her stories is surprise. Just as the readers believe they know what will happen next, the plot shifts to where the elements fuse into a meaningful ending. One of the short stories related to this principle is “How I Met My Husband.” However, the irony presented in this story offers readers something more than just a dramatic twist. The use of irony in Alice Munro’s “How I Met My Husband” demonstrates how in every situation, each individual holds a different perspective than the others involved.
In “How I Met My Husband”, Munro demonstrates how a young girl attempts to understand the adult world. The story begins by describing how the charming Chris Watter’s low flying airplane stirs the Peebles family, Loretta Bird, and fifteen-year old housemaid Edie. Sequentially, the plot derives from Edie and Chris’s developing connection. As the relationship starts to bloom, so does Edie. As stated by Hallvard Dahlie, Chris “brings her to the edge of, but not onto, the realities of his world: sexual experiences, adult betrayals, and infidelities” (Dahlie 65). In turn, this relates to how couples may not feel the same about each other. For example, when Chris complemented Edie at the initial encounter, she says, “I w...
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...other. Finally, Munro teaches readers life is a fun house; with every turn, the unexpected happens. By the use of ironic events in “How I Met My Husband”, Munro demonstrates how different perceptions and interpretations can be formed by a single event.
Works Cited
Astingon, Janet Wilde. and Eva Filippova. “Further Development in Social Reasoning Revealed in the Discourse of Irony Understanding.” Child Development 79.1 (2008): 126-138. JSTOR. Web. 3 March 2014
Dahlie, Hallvard. “The Fiction of Alice Munro.” Ploughshares 4.3 (1978): 56-71. JSTOR. Web. 3 March 2010
Munro, Alice. “How I Met My Husband.” Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy and Diana Gioia. 12th ed. New York: Pearson, 2013. 218-229. Print.
Ravitch, Michael. “Alice Munro.” The Yale Review 90.4 (2002): 160-170. Wiley Online Library. Web. 3 March 2013
Brockmeier’s short story represents a damaged marriage between a husband and a wife simply due to a different set of values and interests. Brockmeier reveals that there is a limit to love; husbands and wives will only go so far to continually show love for each other. Furthermore, he reveals that love can change as everything in this ever changing world does. More importantly, Brockmeier exposes the harshness and truth behind marriage and the detrimental effects on the people in the family that are involved. In the end, loving people forever seems too good to be true as affairs and divorces continually occur in the lives of numerous couples in society. However, Brockmeier encourages couples to face problems head on and to keep moving forward in a relationship. In the end, marriage is not a necessity needed to live life fully.
It has been said of Anton Chekhov, the renown Russian short-story writer, that in all of his “work, there is never exactly a point. Rather we see into someone’s hear – in just a few pages, the curtain concealing these lives has been drawn back, revealing them in all their helplessness and rage and rancor.” Alice Munro, too, falls into this category. Many of her short-stories, such as “Royal Beatings” focus more on character revelation rather than plot.
Kempe, Margery. "From The Book of Margery Kempe." The Norton Anthology of Literature By Women. 2nd ed. Sandra Gilbert and Susan Gubar. New York: W.W. Norton & Company, 1996. 18-24.
Critical Essays on Alice Walker. Ed. By Ikenna Dieke. Greenwood Press, Westpoint, Connecticut, London, 1999
To the uninitiated, the writing of Flannery O'Connor can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character's emotional devastation. Working his way through "Greenleaf," "Everything that Rises Must Converge," or "A Good Man is Hard to Find," the new reader feels an existential hollowness reminiscent of Camus' The Stranger; O'Connor's imagination appears a barren, godless plane of meaninglessness, punctuated by pockets of random, mindless cruelty.
Westwood, M. “What are examples of Verbal, Situational< and Dramatic Irony in ‘The Story of an Hour.’” E-Notes. E-Notes, Inc., 30 Sept 2013. Web. 17 March 2014
Kimmich, Allison."Alice Walker, Overview." Feminist Writers (1996). Literature Resource Center. 2003. GaleNet. Nicholls State University Library, Thibodaux, Louisiana.
Porter, Katherine. “The Jilting of Granny Weatherall.” Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia. 11th ed. New York: Longman, 2010. 79-86. Print.
When a wife surprises her husband on his birthday, an ironic turn of events occurs. Katherine Brush’s “The Birthday Party” is a short story about relationships, told from the perspective of a nearby observer. Brush uses the words and actions of the married couple to assert that a relationship based on selfishness is weak.
Atwood’s “Happy Endings” retells the same characters stories several times over, never deviating from clichéd gender roles while detailing the pursuit of love and life and a happy ending in the middle class. The predictability of each story and the actions each character carries out in response to specific events is an outline for how most of us carry on with our lives. We’re all looking for the house, the dog, the kids, the white picket fence, and we’d all like to die happy.
In Alice Munro’s “Boys and Girls” she tells a story about a young girl’s resistance to womanhood in a society infested with gender roles and stereotypes. The story takes place in the 1940s on a fox farm outside of Jubilee, Ontario, Canada. During this time, women were viewed as second class citizens, but the narrator was not going to accept this position without a fight.
Surprise can lead to happiness, or surprise can lead to depression. Situational irony is when somebody expects something to go one way, but it really happens the exact opposite way. Situational irony can also change the reader’s mind in a way they will never believe. In “The Ransom of Red Chief,” O. Henry uses situational irony to amuse the reader. In “The Necklace,” Guy de Maupassant uses a feeling of compassion for the short story. In “The Ransom of Red Chief” and in “The Necklace,” O. Henry, Guy de Maupassant, and any author can use situational irony to affect the reader's emotions.
In Alice Munro’s “Boys and Girls,” there is a time line in a young girl’s life when she leaves childhood and its freedoms behind to become a woman. The story depicts hardships in which the protagonist and her younger brother, Laird, experience in order to find their own rite of passage. The main character, who is nameless, faces difficulties and implications on her way to womanhood because of gender stereotyping. Initially, she tries to prevent her initiation into womanhood by resisting her parent’s efforts to make her more “lady-like”. The story ends with the girl socially positioned and accepted as a girl, which she accepts with some unease.
Furthermore, Brush employed situational irony to help present the purpose. Brush started her work with a normal date turning into an occasion, since it ended up being a surprise for the husband the reader would conclude a happy ending
Whitted, Qiana. "Alice Walker (b. 1944)." New Georgia Encyclopedia. N.p., 4 Sept. 2013. Web. 9 Oct. 2013.