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How the film industry has evolved
How new technology is affecting the film industry
How the film industry has evolved
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When you think about movies think about how long they have been around and how they changed over the years. Movies have changed over the years in many ways for Example, in the passage called How Have Movies Changed Over the Years the author Tanya Jenkins “ the most obvious difference in the movies of today versus the movies from 100 years ago is the addition of of color and sound”. My opinion is that Tanya is trying to inform us that movies we’re better back in the day when it didn’t have any color. I also feel like she is trying to persuade us to watch movies from 100 years ago but i also feel like in the other passage called Making Money in Movies Chris Thompson also known as the writer is telling us about how money use to cost thousands
While Price does make a persuasive argument I cannot agree with the theme of his commentary. I have been a fervent viewer of television and films for years on end. Admittedly, much of what I watch on television qualifies as escapism or mere entertainment. I do not have a high degree of respect for the medium; however my love and admiration of film is intense. One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak to us as people and convey messages that are timely and timeless. Words are powerful, but visual images are overwhelming.
One example is the parlor walls that Guy Montag’s wife, Mildred, constantly watches. All she does is watch big screen TV’s so much so that she is brainwashed by the messages she sees. This is similar to today’s world as TV screens are getting bigger and bigger, and covering entire walls might not be too far off in the future. Many movies today are not made with meaningful content, but rather focus on a visual and mental assault of loud, colorful, meaningless images with idiotic plots aimed at the sole purpose of making money.
A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.
In this paper I simply stated if characters are still characters over a period of time? My position was that filmmakers have deterred away from the original versions of Classic Films by comparing the differences in how they have changed two classic movies over a period of time. The moral of the story hasn’t changed over time: good will win in the end over evil, however the character of Snow White has changed from the hapless girl to the empowered female, flowing with the times and the audience(Callow, 2013).
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
In his essay, “It’s Just a Movie: A Teaching Essay for Introductory Media Classes”, Greg M. Smith argues that analyzing a film does not ruin, but enhances a movie-viewing experience; he supports his argument with supporting evidence. He addresses the careful planning required for movies. Messages are not meant to be telegrams. Audiences read into movies to understand basic plotlines. Viewers should examine works rather than society’s explanations. Each piece contributes to Smith’s argument, movies are worth scrutinizing.
The characters, settings, soundtrack, wardrobes, and musical numbers all reflect a more classical feel, bringing the romance of older films into the modern world. The attitudes and personalities are even partially classic with being set on their passions as opposed to fitting into today’s world. What makes this classical-modern mix so special is that it has never been done before. The older films have political issues of underappreciated and recognized, driven women, and are relatable to modern day audiences. Modern films are dry, repetitive, and predictable, lacking in style and creativity, despite filmmakers having access to larger audiences and resources. So by taking the classical style of older films and putting it with a modern mindset and in a today’s world, a wonderful film is
Is there a difference between a Carl’s Jr. Hamburger commercial featuring a scantily clad Paris Hilton and a Disney movie? Many would argue “Well, of course there is a difference!” Those looking through the lenses of feminism would see that both are highly sexualized and send a negative message to children. They teach young girls that they are only valued for what their beauty sells. In this age of technology, children are spending more and more time in front of their television. Whether it is an episode of an edgy situation comedy like Two and a Half Men or a serious, heart-to-heart episode of The Oprah Winfrey Show, there is a very high chance that a child is learning about their gender role and what that entails. The trend of damaging stereotypical portrayal of women in animated films has not lessened and perpetuates poor role models for children.
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
made in. Some incorporate them into the plot, some use them as allegories, and some satirize them.” Without an influence or connection to relate with the audience, the film would have no dimension. When seeing a movie, viewers are always going to search for an underlying meaning or message that could connect to their lives today. Although most
Hollywood is an interesting entity, it provides the world with entertainment that is exciting, emotional, unique and so much more. At the same time, however, it’s hard not to see Hollywood as a money grubbing industry, full of sleazy deals, awful movies and it has even produced films completely diluted of originality. One style of filmmaking that often gets this label of unoriginality is remakes, which “While genre films, cycles, and sequels… have found their legitimate place in film theory and criticism, the same cannot be said for the remake, which at least since the fifties, has been treated as a less than respectable Hollywood commercial practice.”
It’s no question that genre is a very important factor in a screenwriter’s pursuit of creating a highly marketable film. Considering genre types in writing a script for an upcoming film is important to not only the target audience, but the technical characteristics of certain genres. Every film created is categorized into a specific genre based on elements of that genre type, as well as accompanied by technical aspects that classify a film as a specific genre type. Some films are finalized as purely one type of genre, while in other instances the film gains the classification of type different genre types. Sound, cinematography, mise-en-scene, editing, and narrative are the formal elements of film that help determine a final product into a genre class, or multiple genre classes. Yet even dwelling in the subcategories of major genre types, like science fiction or action, films also have the ability to shift genre within their screen time and not only be placed in a genre category but jump genre types as well. This is caused greatly by the blending of genre types that have elements that complement each other’s qualities well and can easily be transitioned from one type to the next. Where Ridley Scott’s Alien (1979) series prequel Prometheus (2012) began under the science fiction type genre and develops a gradual transition into horror, Joss Whedon and Drew Goddard’s Cabin in the Woods (2012) flips the two genres, beginning as a horror genre than transitions into a science fiction category.
Many people don’t think about it so much, but movies (or just film in general) have become such a big part of our lives that we don’t think much of it because it just feels like a usual part of living. But have you ever wondered why this is, and how far back film started? Movies and film have been around for a long time, have developed in big ways throughout time, and has advanced in such a big and new way to this day.
The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry's existence, demonstrates a lot of information about the nature of capitalism.