How Hamlet is Manipulated by Hamlet's Ghost in the Play

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How Hamlet is Manipulated by Hamlet's Ghost in the Play

This particular scene of the play brings the main plot into motion as

Shakespeare finally introduces the ghost for the third time to Hamlet

alone demanding his vengeance. Their interaction brings Hamlet to his

madness in the next few acts, something of which Shakespeare does to

expand his character and to change the minds of other characters that

interact with him. It is clear by the ghost’s speech that he was

murdered by Claudius, and that sin must be returned with punishment.

In this case, Claudius’s act upon murdering King Hamlet is a sin, a

sin that needs to be punished to restore order to the kingdom.

The first line of the ghost’s speech, ‘Ay, that incestuous, that

adulterate beast’ immediately points out how vile and corrupt Claudius

is, someone who has committed incest and married Gertrude, a woman who

he only married to become king. The ghost’s description of Claudius is

very powerful and offensive, ‘with witchcraft of his wits’ a man who

uses powerful manipulative words like the power of witchcraft to

manipulate people ‘so to seduce’, in Denmark, to make it seem like he

had nothing to do with his murder. Claudius has accomplished his goal

successfully, ‘won to his shameful lust’ and his jealousies for the

crown and his ‘most seeming virtuous wife queen’ have gone now that he

has finally gained power over the kingdom. The ghost continues on as

he brings the imagery of sexual disgust, pondering on the question how

Gertrude could agree to marry such as foul and corrupt person like

Claudius, someone who didn’t really love her and was really into it

for the crown. He moves on to the non-political side of things and

more to the issue with Gertrude,

‘I made to her in marriage, and to decline.

‘Upon a wretch whose natural gifts were poor’.

He makes it clear on how his love for Gertrude was authentic and that

Claudius love is no more than false. He asks himself how she could

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