Oppression and Isolation in "The Chrysanthemums"
John Steinbeck's works often deal with social and economic issues. In the short story, "The Chrysanthemums", John Steinbeck portrays a tone of oppression and isolation. The chrysanthemums symbolize Elisa's femininity, along with the confinement she faces.
"The Chrysanthemums" major theme focuses on gender roles and women's oppression. Elisa is trapped in the traditional female role, acting as a housekeeper and gardener. The initial description of Elisa is of a woman covered by the farming clothes of a man. Her overalls and hat are men's clothing, which defeminizes her as a woman. When Elisa's husband, Henry, mentions that she could work in the orchard fields, Elisa states "Maybe I could do it, too. I've a gift with things, all right. My mother had it. She could stick anything in the ground and make it grow. She said it was having planters' hands that knew how to do it" (Steinbeck 243). In saying this here, the author portrays Elisa's
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In relation to the first quote, Elisa is stuck working in the garden outside her home. However, she wants to reach out and expand her responsibilities. When the traveler comes to talk to Elisa, he gives her the attention that she craves. "Elisa's voice grew husky. She broke in on him. 'I've never lived as you do, but I know what you mean. When the night is dark - why, the stars are sharp-pointed, and there's quiet. Why, you rise up and up! Every pointed star gets driven into your body. It's like that. Hot and sharp and-lovely." This tangent speaks to Elisa's spiritual side, along with her connection to nature. The encounter with the traveler sparks hope in Elisa for a better marriage, until she finds her chrysanthemums that she gave to the traveler on the side of the road. Elisa's devastation at this occurrence is complete, and she is found "crying weakly- like an old woman" (Steinbeck
In this short the Chrysanthemums, written by John stein beck. The author tells a character who is in need of love. Stein back reflects the charazteratiom of Elisa in the story because he shows us how Elisa character changes threw out the story. The traits of Elisa’s show us that Elisa is strong and want affection and resorts to the chrysanthemums as a way to show herself.
During a rather bleak period of her life, Elisa was visited by a strange wanderer. Galore o...
Several characters in the novel Of Mice and Men are presented with additional obstacles throughout the book. Whether because of color, sex, or disabilities, John Steinbeck purposefully did this to illustrate oppression. Of Mice and Men explores the
The two short stories have different characters, plot and setting and yet they have a common ground in which human beings are deeply involved. In short, the setting of each work powerfully suggests a rather calm, dull and peaceful mood at a superficial level; however, the main characters are struggling from the uncontrollable passions and exploding desire at heart. First of all, in "The Chrysanthemums" the Salinas Valley is depicted as somewhat dull, like "a closed pot." In addition, its geographical setting represents an isolated atmosphere, and, furthermore, Elisa's actions of handling chrysanthemums can be translated into a static, inactive one. However, when it comes to her concealed passion, the whole picture in this piece can be interpreted in a different way. In fact, Elisa is portrayed as "over-eager, over-powerful" in a sharp contrast to the unanimated space in which she lives. On top of that, Elisa expresses her volition to explore uncharted worlds like the peddler who happens to visit her farm house. Also, it must be noted that, even though Elisa does not reveal her desire openly largely due to the authoritative patriarchal system, Elisa's interior motive is directed toward the violent, bloody prizefights. In other words, the imbalance between the relatively restricted setting and Elisa's vaulting desire to wander into the unknown territory is chiefly designed to strengthen the overall imagery of Elisa, whose drive to experience the violent outer world. At the same time, it can be inferred that appearance (setting) and reality (Elisa's human nature) are hard to understand.
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
Discrimination was one of the issues that caused conflict in the novel “Of Mice and Men” by John Steinbeck. One example of discrimination in the novel comes in the form of racial discrimination against Crooks, as he is an African American. Another example of discrimination is gender discrimination against Curley’s wife. Finally, there is discrimination against mentally disabled people, which is evident in Lennie’s character. The ranch hands' actions and conversations demonstrated the racial discrimination against Crooks for his skin colour, gender discrimination against Curley’s wife for her gender, and prejudice against Lennie, who was mentally disabled individual. This prevented the characters from reaching their full potential and causes tragedy.
In Of Mice and Men, John Steinbeck explores human relationships through characters who are barely fleshed out beyond the boundary of a stereotype. Many of the minor characters even have names which reflect their status as a symbol of their position rather than thinking, feeling people. Crooks, the African American stable buck, represents the "crooked" thinking of the majority toward other races during the time period while Curley's wife represents only that- the wife of a man. Her character serves to show the place of women in a man's society. Likewise, the two main characters, George and Lennie, each serve as a symbol of psychological and physical traits which complement each other to show how important human relationships are, regardless of the traits a person may possess. All human beings develop relationships with others because those relationships fill particular needs. Those needs may be physical, economic, psychological, or social.
Steinbeck, John. “The Chrysanthemums” Literature: An Introduction to Reading and Writing. Ed. Edgar V Roberts and Robert Zweig. 10th ed. New York: Pearson Longman, 2012. 416-422. Print.
Elisa Allen is a thirty-five-year-old woman who lives on a ranch in the Salinas Valley with her husband Henry. She is "lean and strong," and wears shapeless, functional clothes (Steinbeck 203). The couple has no children, no pets, no near neighbors, and Henry is busy doing chores on the ranch throughout the day. Elisa fills her hours by vigorously cleaning the ''hard-swept looking little house, with hard-polished windows,'' and by tending her flower garden (204). She has ''a gift'' for growing things, especially her chrysanthemums, and she is proud of it (204).
In the short story “The Chrysanthemums” John Steinbeck uses symbolism to reflect the characteristics of his main character Elisa Allen. Elisa, a married woman uncovers her deeply smothered femininity in an inconspicuous sense. Her life in the valley had become limited to housewife duties and the only sustenance that seemed to exist could merely be found in her chrysanthemum garden. Not until she becomes encountered with a remote tinker-man out and about seeking for work, does she begin to reach many of the internal emotions that had long inhibited her femininity. The tinker subtlety engages an interest in Elisa’s chrysanthemum garden that encourages Elisa to react radically. When Elisa realizes that there are other ways to live she attempts to lift the lid off of the Salinas Valley, but unfortunately the tinker’s insincere actions resort Elisa back to her old self and leaves Elisa without any optimism for her hollow breakthrough. Steinbeck’s somber details of the setting, strong description of the chrysanthemums and meaningful illustration of the red flower-pot reveal the distant, natural, ambitions Elisa Allen desired to attain.
Elisa Allen embodies the image of a simple woman eager to escape the confines of a gender defined role in society. Readers are introduced to Elisa as a 35 year old, strong woman living with her husband, Henry, on a ranch in Salinas Valley (Steinbeck 460). Elisa’s masculinity is highlighted from the attire she is wearing to the strength in her hands. Henry affirms that Elisa is capable in her endeavors when he states, “you’ve got a gift with things,” in regards to her garden (Steinbeck 460). Even though Elisa is delighted at Henry’s suggestion that she work in the orchard, the idea does not seem to get a second thought (Steinbeck 460). The idea of a woman working in the orchard is dismissed on the premise that the orchard is not a woman’s place. In Elisa’s account with the man in the wagon, her sexuality exudes in her graphic explanation of picking off the flower buds and being under the stars, to the point that she almost physically touches the man (Steinbeck 463). Her desire would go unsatisfied, as it would not be appropriate for her to act on her impulse. Elisa is searching for fulfillment in life but finds her role to be trivial. Intrigued by the idea of traveling, as the gentleman in the wagon does, she states, “It must be very nice. I wish women could do such things.” She is shot down as the man replies, “It ain’t the right kind of a life for a woman” (Steinbeck 464). This conversation clearly depicts the prevalent inequality of the sexes. Furthermore, once the man leaves in the caravan Elisa cements her urge for something more, looking out at the horizon whispering, “That’s a bright direction. There’s a glowing there” (Steinbeck 464-465).
In the opening of the story Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron…" (paragraph 5). When Elisa’s husband Henry comes over and compliments her garden and ability to grow things Elisa is smug with him and very proud of her skill with the flowers. Her "green thumb" makes her an equal in her own eyes. When Elisa’s husband asks her if she would like to go to dinner her feminine side comes out. She is excited to go eat at a restaurant and states that she would much rather go to the movies than go see the fights, she "wouldn’t like the fight’s" at all (paragraph 21). Elisa is taken aback with her own submissiveness and quickly becomes preoccupied with her flowers as soon as her husband leaves. When the drifter comes and asks Elisa for work to do she is stern with him and refuses him a job. She acts as a man would to another strange man and becomes irritated. When he persists in asking her she reply’s "I tell you I have nothing like that for you to do" (paragraph 46). The drifter mentions Elisa’s chrysanthemums and she immediately loosens up as "the irritation and resistance melt(ed) from her face" (paragraph 51). The drifter feigns great interest in Elisa’s chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him "if you ever come across some nice chrysanthemums I wish you’d try to get me a few seeds" (paragraph 56). Elisa is overjoyed by any interest in her flowers and gives the man chrysanthemum sprouts to take to his friend.
... real love, she may be able to find fulfillment in her flowers more than she ever has. They can be released into the male world and survive, beautiful and strong, though fragile, just as she has. The chrysanthemums are not Elisa's frustration, they are her hope in a world she sees without hope. Therefore, when the tinker simply drops the flowers on the side of the road, the symbolic weight of the chrysanthemums must be considered. Higdon states that "the crucial question remains whether or not Elisa has been destroyed" (Higdon, 668). The reader can see how the flowers represent mostly a positive symbol of growth and life. Elisa may not have anywhere to turn for real understanding, since men are not able to explore her inner-qualities, but it is better that she grows flowers than shutting off her own emotions and feelings and using others like the men around her.
...hich was the symbol of her prettiness” (Steinbeck 94). Although when Elisa and Henry are on their way to go to the town, Elisa sees the chrysanthemums that the tinkerer had thrown out. At this moment, Elisa suddenly realizes that she will never be anything more than what she was before, a woman that is worthless to society.
From undergoing sacrifice to enduring unpleasant moments in life. There were many moments in a women life where they would of have to sacrifice something great in order also receive some great in return too.