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Use of language in Shakespeare's plays
Persuasion techniques
Persuasion techniques
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Recommended: Use of language in Shakespeare's plays
In Shakespeare's A Midsummer Night’s Dream, each character has their own take on a persuasive argument. Helena uses many insults and sarcasm, in contrast with Hermia's use of pronouns and repetition of the last thing said. Demetrius and Lysander take a more love driven approach and use much more beautiful pathos until the end of the passage. Much happens within this cut portion of text, and it contains quite the persuasive arsenal.
Lysander uses emotive language as a primary technique of persuasion. We can see this when Lysander says, “Lysander's love, that would not let him bide”. Lysander dramatizes his love for Helena. He does this multiple times in the scene. For example, when Lysander says, “Helena, I love thee; by my life, I do”
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he obviously is being dramatic. Lysander is also using emotive language when he calls Hermia a vile serpent. His emotive language is a very effective technique at persuading the audience that he has undergone a change of Heart. Helena’s word choice clearly shows her distaste towards of Hermia, Lysander, and Demetrius.
Although it must be noted that her persuasive language does make a significant appearance in her lines. In particular her sarcasm and insulting capability become well known in the passage of text. When she says, “O excellent!;” you can practically hear the sarcasm dripping off of it. Her insults are ones to be aware of, she attacks Hermia’s stature as a woman of high society as well as her height many a times. Upon calling Hermia a “counterfeit” and “puppet,” her immediate reaction is that of anger and false realization that Helena’s height is why the men lover her so while Hermia is …show more content…
small. The word choice that was issued in Demetrius’s lines shows his passion for Helena over his odium about Hermia. In many lines the persuasive language is very apparent throughout many of his lines shows he uses pathos to convey his love for Helena. In the second time he appears, he says that his love for Hermia has truly dissolved and says if he ever did love “her”-(Shakespeare). This pronoun he uses is directing obviously towards Hermia, saying he has someone else on his mind. The later in the text he fights over Helena with Lysander and Demetrius says he is better by using the words “more than he”-(Shakespeare). In the text he uses these words to convey to Helena that he would be better than Lysander. The persuasive techniques of Hermia are quite evident of ones used by an individual in an argument.
In the beginning of the act, Hermia only appears to be mildly upset with Lysander for leaving her. Simply calling him out for what he had done, saying “Why unkindly didst thou leave me so?”. As a scene goes on and the argument progresses Hermia begins to use pronouns in her argument, such as “I scorn you not, it seems you scorn me”. However towards the end of the argument things really start to get heated. She uses insults, like calling Lysander a “Juggler” or using repetition, like when Helena calls Hermia a puppet, which causes Hermia to respond with “Puppet, why so..” All of these persuasive methods can allow us to view what is going on inside of the mind of Hernia, she is pissed off. These methods of name calling, repetition, and use of pronouns would typically be used in an argument, such as this
one. Ultimately, each character had their own take on how to be persuasive with in an argument. The usage of methods ranging from exaggerated pronouns, sarcasm, and emotive language. All of which can be found in an everyday argument. Or the one that took place in this scene, and let’s be honest. Arguments happen all the time, weather it be political or Demetrius stealing your girl, you gotta be ready.
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
In act two scene two Lysander continues to insult Hermia. For example in the book it states “ Content with Hermia? No, I do repent…” (2.2.118-120). This shows that Lysander wants Helena’s love, but he is trying to hard to get it. In act three scene two Helena finds that both Lysander and Demetrius are “mocking” her. For example in the book it states “ ...I pray you,though you mock me, gentlemen.” (3.2.314). This shows that Helena doesn’t believe that Demetrius and Lysander “love” her. Oberon and Lysander find it impossible to control love.
She exemplifies her strengths in one occurrence by standing up to her father’s wishes concerning her wedding. Speaking to her father, Hermia proclaims, “So will I grow, so live, so die, my lord, ere I will yield my virgin patent up unto his lordship whose unwished yoke my soul consents not to give sovereignty” (I.i.81-84). Hermia demonstrates immense courage and strength by standing up to her father and threatening to pursue the occupation of a nun for the rest of her life. This persistence in marrying the love of her dreams, Lysander, shows incredible courage that resonates throughout the play. Here, Hermia exhibits boundless courage and strength and from now on, her vigor only grows stronger. Later on in the play, knowing that the rules of Athenian law of marriage did not apply outside of Athens, Hermia and Lysander snuck out of the city. As Hermia and Lysander conversed alone, Hermia demands, “Nay, good Lysander. For my sake, my dear, lie further off yet. Do not lie so near” (II.ii.47-48) when Lysander desires to draw nearer to Hermia. By this point, Hermia battled her father and contains immeasurable mental strength. At this instance, Hermia gains greater moral strength when she resisted Lysander’s inappropriate love. Displaying courage to stand up to her father and her moral strength to resist Lysander, Hermia exemplifies a strong
This is evident in the quote where Lysander says, “Athenian law cannot pursue us.” This would not of been a trial for them, but fate had something else in store. “Content with Hermia? No, I do repent The tedious minutes I with her have spent. Not Hermia, but Helena I love” (II.i ll. 118-12). Puck, a fairy, put cupid’s love juice into Lysander’s eyes. This is evident in the quote, “Night and silence! Who is here? Weeds of Athens he doth wear. This is he my master said, despised the Athenian maid, and here the maiden, sleeping on the ground. Pretty soul, she durst not lie near this lack-love, this kill-courtesy. Churl, upon thy eyes I throw all the power of this charm doth owe” (II.i ll. 76-85). As it states in the quote, it made him fall in love with the first person he saw, which happened to be Helena. This is proven when Lysander said, “but Helena I love”. Lysander told Hermia he was in love with Helena, not her, so the elopement was off. This is evident when he says, “I repent the minutes I spent with her.” This is difficult for Hermia because she is confused, and does not know what is going on, or why Lysander was acting this way. This is evident when she takes her
An important passion shown in this story is the passion of friendship from Helena. Lysander and demetrius were both deeply in love with Hermia, but suddenly they became slaves for Helena, under the spell of a love potion. This antagonises Helena and she blames it all on Hermia and her cruel joke. She says to Hermia, “The sisters’ vows, the hours that we have spent, when we have chid the hasty-footed time for parting us,-o is all forgot” (III.II.199-201)? Helena asks her if she has forgotten about their friendship, about the vows they took to be like sisters and never leave each other. This shows that although Hermia may have forgotten their friendship, Helena will always remember because friendship is really important to her. Friendship is a bond Helena feels really passionate about and takes very seriously. Another quote that shows Helena’s passion for friendship is “ Both warbling of one song, both in one key, as if our hands, our sides, voices and minds have been incorporated”(III. II. 207-208). This represents that Helena took their friendship sincerely and she believed in them and nothing could break their bond. Her last bit of her anger com...
Lysander calls Demetrius a?spotted and inconsistent man?, indicating Demetrius? fickleness towards women, that he is flirtatious and flawed. Demetrius is willing to go to any extent to have Hermia marry him, even allowing Hermia to be subject to a life of a nun or death, if she does not marry him. Demetrius. infatuation with Hermia brings out the tyrannical and possessive part of his character, as can be seen when he says?and, Lysander, yield thy crazed title to my certain right?
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Hermia is the daughter of Egeus. She is a tiny woman that possessed sparkling eyes and a lovely voice. Hermia is very adamant about what she wants from the balance of the play. She has only eyes for Lysander and is very faithful, even when faced with the obstacles of death or the nunnery. Throughout the play Hermia emotions were confused at times. She even says "Am I not Hermia? Are you not Lysander? (Act III Scene 2 Line 292). We see at this point that she is confused and her feelings are hurt. At that very moment I think she feels like she has lost part of herself, a part that she has given to Lysander. So when Lysander returns to her, she is her self once again.
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
In "A midsummer nights dream" Helena, is rather cynical about love. Because she has always been turned from, especially by her own love, Demetrius, she is sceptical when she is loved. Helena subsequently sees Lysander on the ground and shakes him awake; unwittingly becoming the first woman he sees when he opens his eyes. Lysander immediately falls in love with Helena, and tells her that he deeply loves her.
Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.
William Shakespeare, born in 1594, is one of the greatest writers in literature. He dies in 1616 after completing many sonnets and plays. One of which is "A Midsummer Night’s Dream." They say that this play is the most purely romantic of Shakespeare’s comedies. The themes of the play are dreams and reality, love and magic. This extraordinary play is a play-with-in-a-play, which master writers only write successfully. Shakespeare proves here to be a master writer. Critics find it a task to explain the intricateness of the play, audiences find it very pleasing to read and watch. "A Midsummer Night’s Dream" is a comedy combining elements of love, fairies, magic, and dreams. This play is a comedy about five couples who suffer through love’s strange games and the evil behind the devious tricks. This play begins as Theseus, the Duke, is preparing to marry Hippolyta. He woos her with his sword. Hermia is in love with Lysander. Egeus, Hermia’s father, forbids the relationship with Lysander and orders her to marry Demetrius. Demetrius loves Hermia, but she does not love him. On the other hand, Helena is in love with Demetrius. To settle the confusion, Theseus decides that Hermia must marry Demetrius or become a nun. In retaliation to her father’s command, Hermia and Lysander run away together. Amidst all the problems in the human world, Titania and Oberon, the fairy queen and king, continually argue about their various relationships that they have taken part in. (Scott 336) Titania leaves Oberon as a result of the arguments. Oberon is hurt and wants revenge on Titania. So he tells Puck, Oberon’s servant, to put a magic flower juice on her eyelids while she is sleeping. This potion causes the victim to desperately in love with the first creature that they see. Oberon’s plan is carried out, but the potion is also placed on Lysander’s eyes. Lysander awakes to see Helena, who is aimlessly walking through the woods, and instantly falls in love with her. She thinks that he is making fun of her being in love with Demetrius, so she leaves and Lysander follows. This leaves Hermia to wake up alone. Puck now has journeyed to the area where several actors are rehearsing. He uses his magic to turn one of them into a donkey, in hopes that Titania will awake to see it.
When Helena first appears in the middle of Act 1 Scene 1, she seems to
Shakespeare and Dickens show the audience/reader that when one mistakes another’s identity, love becomes damaged. Shakespeare shows the damage that a mistaken identity can inflict on love when he writes, “Thou hast mistaken quite and laid the love juice on some true-love’s sight. Of thy misprision must perforce ensue some true-love turned, and not a false turned true” (Shakespeare III.ii.90-93). Puck mistakes Lysander for Demetrius and casts a spell that makes Lysander fall in love with Helena. His mistaken identity destroys his love for Hermia and destroys Helena’s trust in him. Throughout the play, Shakespeare shows that the love between Hermia and Lysander diminishes as Lysander fawns over Helena and Hermia wanders, heartbroken, after him. Puck manipulates the love between two people and in turn, new identities are established. Lysander no longer loves Hermia, which makes him chase after Helena and act immature and love-struck. Demetrius becomes jealous of Lysander and the two fight of Helena. Hermia becomes a grief stricken girl. Helena feels as though she cannot trust her friends and becomes skeptical of everyone. All of the main protagonists become confused versions of their old selves. Shakespeare warns the audience to not meddle in other people’s love life. He shows the audience that people cannot set up true love, true love develops between two people naturally. Shakespeare shows that love changes people and brings out