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Gender roles in Shakespeare plays
Gender roles in Shakespeare plays
Gender roles in Shakespeare plays
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Opening with indistinguishable and chaotic audio news snippets, the play teases the audience with the foreshadowed integration of modern historical events into the complex relationships and identities of its various characters. Caitlin Mason’s production of Time Stands Still, a dramatic play by Donald Marguiles performed in the Bonn Studio, captures the essence of Sarah Goodwin’s internal and external battle with chaos, whether that struggle be with her boyfriend, famine, or war. The drama details the return home of Sarah, a travelling photojournalist, whose extreme experiences abroad have forever changed her relationships and view of life. Through the set design, costume design, and acting, the internal battle and struggle of the photojournalist …show more content…
However, the level of physical characterization is revealed through makeup and clothing. Sarah Goodwin’s face features makeup marks that gradually disappear throughout the play to indicate both the presence of her injuries and their recovery. Richard Ehrlich features gray hair and an enlarged stomach to indicate his old age relative to the other characters. The relationship between Jamie and Sarah is complicated, and the struggle between the two’s different perspectives can be seen through Jamie’s sense of responsibility for Sarah. While Sarah is injured, Jamie attempts to help Sarah with every little thing possible, while Sarah refuses the coddling, subsequently exhibiting her strong independence. This struggle between Sarah’s independence and Jamie’s sense of duty features prominently throughout the drama, gradually revealing histories and ideas that slowly divide the relationship of the two seemingly distant, yet intimate lovers. After Jamie proposes to Sarah, the interaction reveals that Sarah had a sexual relationship with her “fixer”, translator, Tariq who had passed away. Jamie, in a storm of mixed emotions, runs out of the loft in an attempt to escape what he had just learned; but as Sarah falls and injures herself during this moment, Jamie immediately rushes to her rescue to carry her back into the bed she had fallen out of. This
With nobody but herself at home, Ann strongly desires to talk to someone, and that someone who arrives at her house is Steven. Ann who has been feeling anxious and helpless while isolated suddenly feels relief when Steven comes as shown, “-and suddenly at the assurance of his touch and voice the fear that had been gripping her gave way to an hysteria of relief.” Steven helps comfort Ann, while Ann is being cautious of herself. She knows that Steven is enticing, but will not give in to him despite how attractive she finds him. Steven is the complete opposite of John and Ann compares John to Steven multiple times, “Steven’s smile, and therefore difficult to reprove. It lit up his lean, still-boyish face with a peculiar kind of arrogance: features and smile that were different from John’s.” and even favours Steven more than her husband. Ann is used to seeing John’s features but not Steven’s. This excites Ann and prompts her to develop feelings that are of a high school girls’, “She didn’t understand, but she knew. The texture of the moment was satisfyingly dreamlike.” It takes Ann a moment to realize that her object of temptation is right in front of her, and it does not take long for her to take the opportunity to ease her boredom and isolation through her upcoming
With the exception of some small problems with Sarah’s strong will, MacLachlan makes the relationship between Sarah and Jacob seem easy. However in the movie, Jacob also has a hard time letting Sarah get close to him because of his love for his dead wife, Katherine. For example, in the movie when they fight about putting Katherine’s possessions in the house and going to visit the grave Sarah says “I cannot make a difference until you make peace with Katherine’s death”. Jacob does not make that peace until Sarah goes to help Maggie deliver her baby. The delivery brings back memories of Katherine’s death since she died giving birth to Caleb. It is here that Jacob realizes “I never stopped long enough to tell her that I missed her”. Once Jacob realizes this he has room to love Sarah.
For awhile she feels deathly lonely "cheated and robbed of the life that more fortunate girls seemed to have (Chapter 16)." However, Sara manages to get into college and despite all the discouragement and hard work she graduates and gets a job as a teacher. She gets her own apartment, which she vowed to keep clean and empty, a dramatic change from her small and filthy childhood home she shared with her whole family on Hester Street. And even despite her mother's death, her father's rapid remarriage, and then his diamond earring wearing new wife's attempt to blackmail her into losing her teaching job, Sara still manages to find happiness. She gets married to the principal at her school, even when she thinks that her step mother drove him away. Yet, in the midst of all her good fortune, "[her] joy hurt like guilt (Chapter 21)." So much in fact that even through all her hatred for him, she still developed a longing to see her
In Patricia MacLachlan’s Sarah, Plain and Tall the narrative style is apparent. We know that it is the character Anna whose point of view this story is from. It is essential that it is told from her point of view, because the arrival of Sarah will ultimately affect her the most. We get a sense of the pain that she has undergone, as well as the over-whelming sense of love and pride she has for her family. As Anna explains, “…I didn’t tell him what I really thought. He was homely and plain, and he had a terrible holler and a horrid smell. But these were not the worst of him. Mama died the next morning. That was the worst thing about Caleb” (MacLachlan 4). It also reveals to us the tremendous amount of responsibility that is resting on her young shoulders.
The play, “Riley Valentine and the Occupation of Fort Svalbard”, by Julia- Rose Lewis is an exploration of the resilience of teenagers. The play is heavily symbolic and supports the dramatic meaning of the show. Throughout the Queensland Theatre Company’s interpretation of this play, the director, Travis Dowley, expresses forms of dramatic elements to articulate three types of manipulations. These manipulations include the manipulation of body and voice, space and the creation and manipulation of dramatic mood. Through these types of manipulations, it portrays the dramatic meaning towards the performance. Although, the use of space throughout Travis’s performance allows the audience to identify this dramatic meaning.
...her silent thoughts and how they pulled her away from her love for Logan and Jody, now those same silent thoughts preserve Tea Cake for her in perpetuity. And in Seraph on the Suwanee, Jim’s departure allows Arvay to realize the chasm between her and her past, and in so doing, realize that her struggles portray a woman destined to be a caregiver. For both Janie and Arvay, inner turmoil is quelled into a role that reconciles both themselves and their relationship with their men. And, perhaps most remarkably, this idealization of their partners persists despite – indeed, is even enhanced by – the fact that both women see their former love interests, those who came before Tea Cake and Jim, as now standing on cracked or even shattered pedestals. Both Janie and Arvay in the end take comfort in their new-found roles and those men who best compel them to adopt these roles.
The scene once again peaks in volume, but this peak is followed by a dramatic shift to Sarah's quiet, comforting voice and Matthew's whimpering. The dramatic volume shift makes the conclusion of the scene more dramatic as Matthew repeats, "Mother, they laughed at me," and Sarah comforts, It's OK, baby." Sarah assumes a motherly role as a caretaker and comforter while Matthew is reduced to a scared child. Matthew's breakdown is surprising because the audience does not expect it. Matthew plays the confident and cool lawyer who appears to in control of all situations.
After Sarah escapes the unsanitary camp with Rachel, the two run until they find a place of beauty. “In the late afternoon, they came to a forest, a long, cool stretch of green leafiness. It smelled sweet and humid….a mysterious emerald world dappled with golden sunlight….The water felt wonderful to her skin, a soothing, velvety caress. She wet her shaved head, where the hair had started to grow back, a golden fuzz” (Rosnay 99). This description places images in the mind of the reader that allow for the reader to experience this moment in the forest with Sarah. Vivid descriptions of places and events are more common within Sarah’s story, as she is experiencing the horrors of the war, allowing the reader to visualize the tragedy through the descriptions in a book. Soon after the arrest, Sarah and her family are thrown into the Velodrome d’hiver with other Jews, where a woman jumps from “the highest railing” with her child in hand: “From where the girl sat, she could see the dislocated body of the woman, the bloody skull of the child, sliced open like a ripe tomato” (Rosnay 33). This description captures the horrifying sight Sarah has just witnessed, darkening the mood and tone of the book alike to the depressing events that occurred within the
Sarah and her mother are sought out by the French Police after an order goes out to arrest all French Jews. When Sarah’s little brother starts to feel the pressures of social injustice, he turns to his sister for guidance. Michel did not want to go with the French Police, so he asks Sarah to help him hide in their secret cupboard. Sarah does this because she loves Michel and does not want him to be discriminated against. Sarah, her mother, and her father get arrested for being Jewish and are taken to a concentration camp just outside their hometown. Sarah thinks Michel, her beloved brother, will be safe. She says, “Yes, he’d be safe there. She was sure of it. The girl murmured his name and laid her palm flat on the wooden panel. I’ll come back for you later. I promise” (Rosnay 9). During this time of inequality, where the French were removing Sarah and her mother just because they were Jewish, Sarah’s brother asked her for help. Sarah promised her brother she would be back for him and helped him escape his impending arrest. Sarah’s brother believed her because he looks up to her and loves her. As the story continues, when Sarah falls ill and is in pain, she also turns to her father for comfort, “at one point she had been sick, bringing up bile, moaning in pain. She had felt her father’s hand upon her, comforting her” (Rosnay 55).
In Jamie’s begging quest for love she meets her first husband Logan, in which she is tricked in to the illusion of love by her nanny. “Cause you told me Ah mus gointer love him, and, and Ah don’t Maybe if somebody was to tell me how, Ah could do it” (pg. 23). Jamie realizes that nanny portrayed love as money and respect, but Janie wanted both emotional and physical love in which Logan couldn’t provide. Jamie starts meeting a man named Joe Starks who she is an essential alteration in her loveless marriage. “ Every day after that they managed to meet in the scrub oaks across the road and talk about when he would be a big ruler of things with her reaping the benefits. Janie pulled back a long time because he did not represent sun-up and pollen and blooming trees, but he spoke for far horizon” ( pg. 29). I Janie’s eyes Joe could be her horizon that she is searching for.
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
In the novel Missing Sarah by Maggie deVries she writes and illustrates a sad tribute to the memory of her sister, Sarah. The author Maggie deVries makes a clear connection between Sarah's adoption by her family and Sarah's incredibly sad life. Adoption of children from another background, heritage and race into white families sometimes doesn't go well, despite the best efforts of the family. Sarah deVries was one of at least 21 women who could only be identified by DNA found on a pig farm in Port Coquitlam, BC. The women were all sex workers or prostitutes who were killed, and the cause of their vanishing was not investigated promptly possibly because they were engaged in selling sex to survive. Even the choice of whether to refer to these women as 'prostitutes' or 'sex
It is clear that in their marriage, her husband makes her decisions on her behalf and she is expected to simply follow blindly. Their relationship parallels the roles that men and women play in marriage when the story was written. The narrator’s feelings of powerlessness and submissive attitudes toward her husband are revealing of the negative effects of gender roles. John’s decision to treat the narrator with rest cure leads to the narrator experiencing an intense feeling of isolation, and this isolation caused her mental decline. Her descent into madness is at its peak when she grows tears the wallpaper and is convinced that “[she’s] got out at last, in spite of [John] and Jennie… and [they] can’t put her back!”
The bars on windows, bedstead nailed down, and a gate at the top of the stairs suggest an unsafe place. The narrator’s preference for living in the downstairs room is undermined by John’s control over her. Furthermore, John puts his wife into an environment with no communication, making her socially isolated. The protagonist is home alone most of the time while John is at work. She is not allowed to raise her own baby, and Jennie, John's sister, is occupied with her job.
Her tense mind is then further pushed towards insanity by her husband, John. As one of the few characters in the story, John plays a pivotal role in the regression of the narrator’s mind. Again, the narrator uses the wallpaper to convey her emotions. Just as the shapes in the wallpaper become clearer to the narrator, in her mind, she is having the epiphany that John is in control of her.