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Role of magic in Midsummer night's dream
Love and magic in the midsummers night dream
Love and magic in the midsummers night dream
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Do you love manipulating the emotions of others? Oberon sure does. He changes the minds and hearts of 33% of the cast in A Midsummer Night’s Dream. William Shakespeare’s A Midsummer Night’s Dream focuses on the tale of young lovers who get lost in the woods. In the days leading up to an esteemed wedding, four individuals wander through the forest. With the help of a few fairies, a plan that would invalidate a father’s promise turns into a wild ride of falling in and out of love with others in the forest. Oberon is responsible for a majority of the hectic plot and the swiftly changing hearts of the characters. To Oberon, love is simply something that can be manipulated and changed at the will of those with power; we see this in his use of Titania’s emotions for personal gain, and his interference with the couples in the wood. …show more content…
At the beginning of the play the couple’s quarrel is evident. “And this same progeny of evils comes/ from out debate” (2.1.115-116). Titania is saying how many bad things have come from their fight, and how long it has been going on. The main focus the their argument is over who gets an Indian boy that Titania has stolen. She wants to keep him because this boy is the son of one of her late friends. Oberon wants this boy for himself and to once again receive the attention that is being pilfered from him by this child. To get what he wants, Oberon uses sadistic methods. He uses the love-in-idleness flower to make Titania fall in love with another creature. “And ere I take this charm from her sight/(As I can take it with another herb)/ I’ll make her render up her page to me” (2.1.183-185). In this quote Oberon is saying how he will only give Titania the antidote, and free her of her false love, if she gives him the little boy in return. When she gives the boy back to him, Titania is, again, in love with Oberon and thinks of her love for another merely a
Every time that Oberon attempts to control someone, it ended up causing chaos. This even caused Demetrius and Lysander to fight over Helena. Not to mention how Hermia felt when Lysander suddenly stopped loving her for Helena. She was miserable that Lysander had done this. Since most of the control in A Midsummer Night’s Dream is a result of
Titania has been giving all of her time and affection to a “changeling” child, left in the custody of Titania. Not only is Oberon jealous that Titania no longer gives affection or time to him, but Oberon selfishly wants the boy to be employed as his henchman. When Titania refuses to disclose the boy’s location to Oberon, Oberon devises a plan to use magic on Titania by forcing her to fall in love with the next living creature she lays her eyes upon. How this is supposed to lead to the boy, I have no idea. But Titania ends up falling in love with an Athenian man who has the head of a donkey; using the strange donkey-love distraction, Oberon is able to locate and take the boy. Does Oberon want the boy solely for the purpose of employing him as a henchman, or does Oberon wish to rekindle a relationship between himself and Titania that the boy has interrupted? Either way, forcing your wife to fall in love with a donkey man is pretty outrageous and
In the book Oberon and Lysander find a way to try and control others. Oberon and Lysander try to have power . In act three scene two Lysander convinces Hermia that he loves Helena. For example in the book it states, “ What love could press Lysander from my side?” (3.2.189).This shows that Hermia believes Lysander when he says that he loves Helena now. In act four scene one the lovers find themselves all together. For example in the book it states, “ These couples shall be eternally knit.” (4.1.188). This shows that they all got what they want in the end. Oberon and Lysander, not in control of others.This shows that they have a little bit of power ,but have one hundred percent of it. Oberon and Lysander learn that they aren’t in control and that they can’t control
In Shakespeare’s Midsummer’s Night Dream he entices the reader using character development, imagery, and symbolism. These tools help make it a wonderful play for teens, teaching them what a well-written comedy looks like. As well as taking them into a story they won’t soon forget.
Helena, hearing about their plans, tells Demetrius, and all four of them end up in the woods where Lysander’s quotation, “The course of true love never did run smooth”(28), becomes extremely evident due to several supernatural mix-ups, authority, and jealousy. The four lovers run away to the woods outside of Athens. In the woods, a world of fairies dwells. The fairy king, Oberon, stumbles across Demetrius and Helena while Helena is begging Demetrius to love her. Since Oberon is having some problems with love on his own, he tries to help Helena with her unfortunate situation.
Oberon is one of the most important characters in the play A Midsummer Night's Dream by William Shakespeare and is the answer to the question of why there are so many problems in the play. Not only is Oberon the King of the Fairies but he is the husband of Titania and the master of Puck. Oberon’s character is multifaceted although it is evident that he will do anything for a good laugh. At times, Oberon is extraordinarily nice, generous, and compassionate. He felt sorry for Helena and tried to get Demetrius to fall in love with her. However, On the other hand, Oberon is cruel, jealous, and tyrannical. Resembling his mischievous servant Puck, Oberon finds no problem with playing with other people’s love. He swindled his own wife and laughed at the misfortunes of the four Athenians Helena, Hermia, Lysander, and Demetrius. Despite one’s view of Oberon, it is clear that he is the root of all the problems in the play because he starts a sequence of problems by making the love juice, orders the love juice to be used on Demetrius which in turn causes disarray for all four of the young lovers, and causes disgrace for Titania and creates obstacles for Bottom and the Rude Mechanicals when he uses the love juice on Titania in order to fulfill his own selfish desires.
The play moves into the woods which is haunted by fairies who are there to bless the wedding of Theseus and Hippolyta. The quarreling between Oberon and Titania over the changeling boy leads to the king wanting to embarrass Titania with the love juice by making her fall in love with a monster. The first person she sees is Bottom and she falls violently in love with him.
Infatuation is love, which is self-indulgent, obsessive and irrational. It causes people to lose their self-control and perspective. It is often a product of the senses, which is of physical infatuation rather than mental compatibility, thus it is appropriate for Oberon's love potion to be applied to the eyes which is the strongest senses a person depends on to view the world. The nature of the infatuation Demetrius has for Hermia is fickle and selfish. Demetrius' affections switch from Helena to Hermia, sparing no thought for Helena, who is deeply in love with him.
Throughout A Midsummer Night’s Dream the theme of conflict with authority is apparent and is the cause of the problems that befall the characters. It also is used to set the mood of the play. The passage below spoken by Theseus in the opening of the play clearly states this theme.
However, the ideal relationships are not immune to experiencing unharmonious periods. Despite this, the ideal couples eventually found harmony which allowed them to experience a joyous ending. Lysander and Hermia have a harmonious relationship in that they display similar desires and mindsets. In the beginning, after declaring their love for one another Lysander and Hermia devise a plan to run away and elope (A Midsummer Night’s Dream 1.1.156-178). Even when they are not of the same mindset Hermia and Lysander find an amicable solution. After becoming lost in the forest, Lysander’s desire is for them to sleep together, Hermia refuses for fear of the disgrace that would be placed upon her if for some reason they did not become married. Even though Lysander is a reluctant he respects her wishes (A Midsummer Night’s Dream 2.1.47-67). On the other hand, the relationship between Oberon and Titania in spite of being plagued by dysfunction comes to a harmonious agreement. At the beginning Titania and Oberon are quarreling over the control of an Indian changeling boy (A Midsummer Night’s Dream 2.1.18-31). While under the influence of an enchantment that Oberon had placed on her Titania relinquishes the control of the changeling boy to Oberon (A Midsummer Night’s Dream 4.1.56-60). After the enchantment is removed from her Titania no longer has feelings of defiance toward Oberon (A Midsummer Night’s
In William Shakespeare’s “A Midsummer’s Night Dream” two worlds are contrasted throughout the play. The Athenian state is governed by order, law, and reason; the forest or Fairy world lies within the realm of the imagination where anything is possible. While both worlds run parallel in the play, their inhabitants are influenced by one another. Their rulers, Theseus and Oberon, play critical roles in the events of the story. Theseus acts compassionately with a sense of duty, order and respect; his initial rulings for Hermia provide the exposition for the comedy (May 75). Oberon acts compassionately as well, but acts on a whim and resorts to trickery if it suits his desires; his actions direct the complication in the plot (May 75). Their personalities are characterized by how they attempt to help the young lovers, how and why they make decisions and how they interact with their loved ones and subjects. The rulers’ similarities govern the reasons behind their actions; their differences contribute to the success of the story.
A Midsummer Night’s Dream is a play of conflicted love. Thus semi-comedy displays the notion of, the spiritual and natural world working together. The play begins with a noble family discussing a planned marriage. Hermia is arranged to marry a man she does not love. In rebellion she and her lover (Lysander) flees to the woods so they can avoid Athenian law. Before leaving Hermia tells her sister about her plans to run away. In desire to gain revenge and find love herself Helena (Hermia’s sister) chases Hermia and her intended mate into the woods. The forest is where the spirits live, the fairy king, Oberon, is desperate to gain the affection of the fairy queen. He saw cupid shoot his love arrow, which landed on a flower. He is determined that,
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
Kids can make or break a relationship, so if you have to fight for your child, it can get very messy. Luckily, Titania and Oberon eventually got over their rough patch and made
When the lovers awoke in the morning, they thought all of the ridiculous things that had happened or been said the night before had just all been a dream. However, if Oberon had been more specific in his directions to Robin, "a sweet Athenian lady is in love with a disdainful youth. Anoint his eyes. thou shalt know the man by the Athenian garments he hath on," all of this could have been avoided, and everything would have been fine (page 53). This gives insight to the thematic nature of the work by setting a magical atmosphere for the lovers to be in.