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Short note about shakespeares othello racism
Short note about shakespeares othello racism
Short note about shakespeares othello racism
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Morocco addresses the issue of Portia’s racism. First, Morocco explains that Portia should not judge him based on his skin color. Raised in the sun, Morocco uses his upbringing in a hot climate as a reason for his dark complexion. However, Morocco then uses his blood as an example of how the prince is as human or manly as anyone else, or perhaps even more than the others. Attempting to counter her racism, Morocco even offers to cut himself to show the color of his blood, thinking that it would counteract her dislike of his skin color.
The imagery in Morocco’s speech reflects the Elizabethan perception of Moors through displaying an apparent stereotype of Moors. According to both speeches, Moors were depicted as fearless warriors with dark complexions. For example, lines 1-12 address Portia’s racism. Using Portia, Shakespeare delineates an underlying racist opinion of Moors. And, in lines 22-38, Morocco only expressed his actions that made him appear more fearsome or manly. One reason why this reflects the Elizabethan perception is because this trait was significant enough to not only be valued by a prince of the culture, but to also be used to persuade a lady to marry. Portia’s reaction to Morocco is indifference. An incident conveying this is when
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Evidently, the meeting was planned for Gratiano to meet with Bassanio to ask this favor. The incident that shows this is where Shakespeare foreshadows this meeting on line 107, where Bassanio tells an attendant to ask Gratiano to meet with him soon. Later, when the two finally meet, Gratiano asks it as a favor and even promises to behave well. Obviously, shown by the two aforementioned parts of the scene, Gratiano’s reason to attend is not simply to have a fun time, but to support his friend on this momentous
Othello, from the onset, is shown to us a play of love and jealousy. There is however more to this play than just love and jealousy; there is underlying racism, hate, deception, pride, and even sexism between these pages. Othello is a transcendent play, one that will survive the perils of time simply because it is still relevant. Even today, over 400 years later, there are still issues of racism and sexism. Hate is as natural as love in humans and Othello gets right to the root of that. We witness this from the very first scene, “…you’ll have your daughter covered with a Barbary horse/ you’ll have your nephews neigh to you” (I.i.112-14); to the very last, “Moor she was chaste. She loved thee, cruel Moor” (V.ii.258). Moor however is used as an insult all throughout the play; not so much the word itself but the feel of the word. Between these pages we see many different ways as to how the cultural differences between Othello and the other characters.
is unfolded, the reader sees a wife in love with the husband who was wise enough to earn her love (and consequently her fortune!). Beware, gentle reader! Do not fall under the spell of Portia the control freak! The following scenerios must be proof that this woman is not to be trusted!
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
His love for Portia blinds him of the fact that possessions do not always bring others close to you. Later, this decline in moral values is seen when Portia pretends to like the Prince of Morocco, one of her suitors, by inviting him to dinner, but later reveals her true opinion of him after he chooses the golden casket. Once the Prince of Morocco leaves Portia's house, after picking the wrong casket, Portia expresses her feelings concerning the outcome, "A gentle riddance. Draw the curtains : go. / Let all of his complexion choose me so," (II.vii.78-79). Portia's hope that anyone with the prince's dark colour chooses the wrong casket shows her low morals in that she does not want to marry any of them. Through deceiving the prince, Portia's displays her prejudice towards the prince's race. These examples show how deception, as seen through love, leads to a decline in the moral values of
Brabantio is also racially prejudiced. He is upset when he discovers that Othello, the Moor, is the man that Desdemona has chosen. He feels that Othello is not worthy of his daughter's love because he possesses darker skin and is of Arabian descent.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey
I think this puts the writer across as prejudice. against non-Christian people and their beliefs. On the other hand, This story could also put across the point that Shakespeare ridicules prejudice and discrimination because some phrases in the play where Christians are prejudiced, seem to be emphasised ridiculously. Another point of racial prejudice is conveyed in the sub plot of Portia's courtship. Left rich by her late father, she is obliged to.
Bartels, Emily C. “Making more of the Moor: Aaron, Othello, and Renaissance Refashionings of Race.” Shakespeare Quarterly 41.4 (1990): 433-54. JSTOR. Web. 17 Feb. 2014.
His lack of education has deprived him of good manners as well as good sense. The scene itself initially seemed inconsistent with the rest of the play. The prejudice the women tolerate is evidenced by their tendency to dress in men’s clothing in order to be heard or considered (Olson). As women, their voices are inhibited or disregarded; they are overshadowed and overlooked by society. Portia, for example, has little choice but to consent to being the prize in her “loving” late father’s lottery.
Throughout the rest of the play we see Portia fight back not only through giving herself control of who she marries but also through deceiving the Duke into believing that she is a clever, young lawyer named Balthazar by writing a letter that the Duke receives from, supposedly, Bellario telling him that he cannot make the court hearing but he has sent a young man, a disguised Portia, called Balthazar to take his place. She starts the letter with flattery, saying, ‘Your Grace shall understand…’ This makes the Duke feel elevated and respected because Your Grace is a sign of humbleness showing respect and a feeling of status. She then writes that Bellario is ‘very sick’ so that the Duke would have sympathy for Bellario and therefore be more likely to agree to Balthazar being the prosecution councillor.
Throughout Shakespeare’s various works, it has been observed that he rarely uses females in his literature, but when he does, he uses them for a distinct purpose, as is evident in Julius Caesar. By defying the societal standards of her gender and showing genuine interest in her husband’s thoughts and feelings, Portia, the wife of Brutus, reveals key aspects of his character while adding depth to the story. For her time, Portia was a woman who both respected herself and took pride in herself, without allowing society to make a mark on her. This is evident when she states, “Think you I am no stronger than my sex/ Being so father'd and so husbanded?" (Port...
Being a mirror of the age, Elizabethan literature was not in isolation from the currents of the era including these stereotypes. All these attitudes of ethnocentrism and xenophobia was skillfully interpreted through literature in general and drama in particular. One example of this is Shakespeare's The Merchant of Venice which is about a miser money-lender Jew. Portrayal ...
Throughout the Merchant of Venice, while Portia is being courted. the reader can see that she does not like any of the suitors, except Bassanio. She finds a flaw in all the suitors and readers, as well, can see. the flaws in each as they present themselves to her. Her true love however, is for Bassanio
Shakespeare highlights three of Portia’s suitors, the Prince of Morocco, the Prince of Arragon and Bassanio. He does this to heighten dramatic tension, as these three men are the most important candidates to win Portia’s hand in marriage. They reveal the contents of the three caskets and their different characters as exposed as being proud, vain and humble. They also emphasise the racial prejudices of Venice a place where many races clash. Their attitudes towards the caskets and their choices indicate what their character is like. This essay will compare and contrast the three suitors and will explore how Shakespeare influences the audience’s attitudes towards the three men.
For example, the lovely Portia who exhibits features that are typical of a heroine in Shakespeare’s plays is no stranger to discrimination. By emphasizing her lack of choice in the matter of her marriage, the dialogue left no more place for Portia to deny her discomfort with the color of Morocco's skin. Also her choice of the word fair, indicating to light-skinned, is intentionally cruel because she knows of Morocco’s concerned about his appearances. Further...