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The "anger in literature
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“The Factory”, by Mary Dilworth, utilizes the colors red and brown to demonstrate the narrator’s hatred toward the factory and her husband. The wife describes her disdain for the factory when she states that she often “imagined it without its red bricks,” (1). This suggests to the anger that the wife feels. The wife also implies how boring and drab Eric is by comparing him to “brown leather shoes,” (2). This hints at the hatred she feels for Eric. The wife describes the way the factory looks as it is on fire and the happiness it brings her when she indicates that the sky was “a brilliant red,” (3). This demonstrates her love for the destruction of the factory. The use of color throughout “The Factory” allows the wife to convey her emotions
without explaining them. Wolfgang Borchert’s “The Bread” uses light, crumbs, and bread to symbolize knowledge, destruction, and life. The wife went into the kitchen because she heard noises and discovers her husband betraying her. The acquisition of this knowledge is implied as she “put the light on,” (1). The wife realizes that her marriage is crumbling when she notices that there were “crumbs on the cloth,” (1). This insinuates that the husband is destroying their marriage. The wife demonstrates her love for husband by giving him her ration of bread with the excuse that she cannot “digest this bread,” (2). This implies that the wife is giving up her life for her husband.
Through the use of complementary colors, she achieves great contrast. Contrasting hues develop a theme of light vs. dark, or in Liu’s case, expectations vs. reality. Dark colors are used to suggest the harsh, chaotic conditions experienced by the workers; while light, less saturated colors illustrate the calm passivity of traditional Chinese customs and ideas. The sky surrounding the stylized women contrasts greatly with the surroundings of the exhausted men. The dark hues establish heavy visual weight below the figures and the light tones of the sky create a sensation of weightlessness and help to further distinguish the fantasy like qualities. Liu also includes the application of analogous colors, primarily to make the traditional figures less dramatic and to help unify the surrounding
A key symbol in this story is the red convertible. The vehicle as a whole symbolizes the strong bond that was once held between the brothers. The color red has many different meanings. In some Native American cultures the color red means beauty, faith and happiness but sometimes it means blood, violence, and energy. Within the story there were two brothers that loved each other dearly. They had love for each other and everything was great between them. One day Henry lost his job and his brother Lyman had already had money saved up and they went to Winnipeg to get away and there they saw the car, the red convertible. Since both of the brothers were so close, they decided to buy the car. Both brothers loved the car just as much as they loved each other. The color of the car symbolized the love these two had for each other because the color was bright and vibrant and the car represents the strength of the actually bond between these two. After they made their trip to Alaska the car needed repairs. At the same time Henry was called to serve his country. When the car needed repairs, so did the relationship between the brothers. When Henry returned, he was not well and suffered from PTSD.
In Red Harvest, in both his description of both “Poisonville” and it’s inhabitants, Hammett uses contradicting language, and often iconic reoccurring imagery to express the deterioration of American morals with the growth of underground crime, judicial politics, and the emergence of the femme fatal. The characters in the novel, including the operative himself are willing to lie, cheat, and kill in cold blood for their own personal gain. Although infidelity, greed, and self-preservation are expected from characters involved with the murders and inner crime ring; the story becomes more complicated when characters like the operative, and chief of police begin to get their hands dirty. Bringing the age-old crime ad punishment theme to a higher tier where the reader is unable to make an impulsive decision on who is a “bad guy”, and who is a “good guy”.
In conclusion, Fitzgerald uses colours to express the different themes in the novel. The colour grey in the Valley of Ashes symbolizes all of the corruption, while the colour blue represents the reality that is blinded throughout the plot, and green represents all of the jealousy and envy. In the end, the colours have a lot of important significance to the book, just as certain colours may have importance to people.
...teristics. In Yann Martel’s novel Life of Pi, the author utilizes the color orange to represent hope that Pi survives his endeavor with a Bengal tiger at sea. Orange signifies life and ensures that Pi lives to tell his story. Throughout the course of events, the orange tiger aboard the lifeboat drives Pi to fight for his life. In contrast, the fading yellow color in Charlotte Perkins Gilman’s short story The Yellow Wallpaper steers the woman further into mental hysteria. Rather than leading to salvation, the aging yellow embodies her illness and leads to her ultimate demise. Whether a color provides positive or negative thoughts and emotions, any piece of literature remains incomplete without splashes of color throughout the text.
Symbolism is carried out through the pages of Yasmin Crowther’s novel The Saffron Kitchen. Crowther’s novel is about a women named Maryam, her daughter Sara along and her husband Edward who live in England; one day a tragic incident happens in Maryam’s family that leads her to feel guilty enough to leave to her hometown in Mazareh, Iran. Throughout this story secrets and childhood memories come forth. One unique symbol that is brought up throughout the novel is the red book, which contains poems in English. The red book was given to Maryam when she was younger by a boy named Ali; Ali was a young boy who was working for Maryam’s family. Throughout this story we are shown that this red book is very important to Maryam and one can see that it symbolizes relationships, memories, and a connection with the outside world.
In Native American culture, the red is the color of faith, and represents communication. The short story The Red Convertible by Louise Erdrich is more than an emotional story about the lives of two Chippewa brothers who grew up together on an Indian reservation in North Dakota. Erdrich uses metaphor, symbol, vivid imagery and a simple writing style to allow the reader to understand the text while also providing the opportunity to read a lot into the story.
In the dystopian novel, "The Handmaid's Tale" written by Margaret Atwood, the color red is a reoccurring, significant symbol throughout the book. The dominant color of the novel, the color red is paired with the Handmaids. The Handmaids are always seen in their red uniform, even down to their red shoes and red gloves. From the opening pages of the novel we are informed that they are trained at the “Red Centre,” and we are introduced to the importance of the red imagery as Offred, the narrator and protagonist of the novel, describes herself getting dressed: “The red gloves are lying on the bed. Everything except the wings around my face is red.” Which reveals to us how the handmaid’s are required to wear all red, representative of the way they are visually defined, and therefore confined within their role in the caste system as sexual servants to their Commanders.
Ellison uses colour such as white, gold and red in order to transmit the story’s themes and issues. White people have power over black people and the use of a gold color demonstrates it: “I would use both hands. I would throw my body against the boys nearest me to block them from the gold” (21). The gold represents the power, the wealth and the prosperity of the white people. Instead of grouping up together against the white, black people continue to fight for the money. And it benefits the whites because as long as they fight each other they will not fight them. Red color is usually associated with love, but here it represents rage and blood: “I spoke automatically and with such fervor that I did not realize that the men were still talking and
The use of color in Stephan Crane’s Maggie: A Girl of the Streets is crucial when looking at the setting of the story; the repeated use of red is significant when describing Maggie’s mother Mary and the importance of color in describing the social system through the story. It is seen prominently when Maggie and Pete go to the theater, parts of the play paralleled the lives of the common people: "The latter spent most of his time out at soak in pale-green snow storms, busy with a nickel-plated revolver, re...
Many Americans choose to forget the past brutalities of child labor. Unfortunately, the past does not disappear. Child labor did take place in the U.S. and the Carolina Cotton Mill photograph is a prominent witness. Lewis Wickes Hine is the artist behind this powerful photo, which was taken in the early 1900s (Dimock). Hine’s Carolina Cotton Mill embodies the struggle of child labor through the incorporation of situational information, artistic elements such as lines and space, and cultural values.
Summers is a very ironic and influential character in this story. When you think of summer you think of green growth, warmth, life and joy, but in this short story Mr. Summers is everything other than that. Mr. Summers is married to a woman, who was thought of as a “scold” and he has no children because he is infertile; ironic because the word summer is thought of as happiness and growth, therefore being infertile is the opposite of producing life. Mr. Summers also owns a coal plant; this is also ironic because coal is a combustible dark rock consisting mainly of carbonized plant matter, and found mainly in the ground. In the short story “Maus” the color black can be symbolized in the black and white panels, it brings suspense but more depth to the story. When taking a close look at the characters, you will notice that the cats are dark and bold; they have black helmets and guns. Nevertheless this can be thought of as a darker evil sense. Whereas, the white mice are forced to wear black suits because of the harsh rules the cats
To the color red can be attributed diverse meanings that accurately portray the mood of the movie. Red signifies passion and desire. We see these allusions represented in different objects: the flower in Irene's desk, the curtains in her office, and the lamp in Benjamin's room. Most of Benjamin and Irene's scenes together, in fact, include the slight appearance of that color. The purpose for this setup, is to allow the viewer to use it as context clues; to interpret, from the beginning, the passion that both have for each other. This passion remain...
On the contrary, Zadie Smith’s Hanwell in Hell uses the colour red to symbolize the only hope left in Hanwell’s life. Zadie’s idea of the narrative is a witness to her post-modernist writing. The story is actually a letter from Clive to one of Hanwell’s daughters. The short narrative is of a tragic man who left everything behind and is preparing a new life in Bristol for himself and his three daughters. After his wife’s suicide he left his daughter with their aunt and uncle in London until he was ready for them in Bristol. Through a specific encounter, Hanwell suggests to Clive that he is in need of help to which he declines. However, Hanwell wants Clive to help him see the color of the paint in his daughters’ room. He does not need help with
Throughout Sons and Lovers, D.H. Lawrence uses colors to suggest the underlying implications of the events taking place. Three colors in particular - red, black, and white - seem to carry some sort of subtle connotation which reveals more about the characters, their actions, and their motives for those actions, than the plot or the setting alone. Tied to the color images are material images which carry the same connotative meaning: the color red is associated with fire, black with darkness and dirt, and white with cold. Also, Lawrence tends to use such color images at times when an emotional response arises from one of the characters or from the reader. Especially in the first chapter, Lawrence tends to associate certain people and actions with colors. In the two instances when Walter and Gertrude Morel begin fighting, conflicts arise in colors, which echo the conflicts confronting the characters. The thr...