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Analysing twelfth night
Twelfth night as tragedy
Analysing twelfth night
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Honors 102 2/11/18 In Twelfth Night, Malvolio’s controlling personality and dislike for merrymaking ultimately make him the product of humiliation for Sir Toby, Maria, and Sir Andrew. While the other characters punish him for entertainment, Sir Toby does so out of his desire to sustain his disorderly way of living. Sir Toby and his companions punish Malvolio justly with the forged letter as payback for the ill-treatment he inflicts on them, however …show more content…
It is just for them to forge that letter out of revenge and the desire “To anger him” (2.5. 8), however they exceed their limits by isolating Malvolio in a dark room “for [their] pleasure and his penance” (3.4. 143-144). Malvolio pays for his actions by humiliating himself in front of Olivia, yet there is no justification for attempting to affect his mental state. Due to his natural tendency to follow the rules, Malvolio dresses and acts foolishly because of the letter, making him out to be a madman and seem “bewitched” (3.4. 107). To further punish him, Sir Toby and the rest confine him in complete darkness because of his madness, aiming to make him feel as if he is truly crazy. They go even further by having Feste disguise himself as a fictional priest to assess Malvolio’s mental state. During the conversation, Malvolio claims that “[He] [is] not mad” (4.2. 41) and Feste denies his claim, stating that he is in fact a madman. Feste does this to make Malvolio appear crazy and helpless. Malvolio’s bitter attitude should not earn him torture to this extent, hence why Malvolio tells Feste “never was a man thus wronged” (4.2. 29). There is no justification for such actions due to their level of
In The Twelfth Night Maria (Olivia’s clever servant) plays and awful trick on Malvolio (Olivia's steward). According to the play, Maria devilishly states, “...I will drop in his way some obscure epistles of love… I can write very like my lady...” (2.3.143-147).
His inflated ego has lead him to misinterpret Lady Olivia’s feelings for him-or rather, her lack of feelings. Although he already has the notion that he should end up with the Lady, he is fooled by Sir Toby, Maria, and Sir Andrew, believing Olivia feels the same for him. The tricksters deliberately write a letter indirectly addressed to Malvolio, divulging “Olivia’s” hidden love for the steward. Without giving much thought to the credibility of this discovered letter, Malvolio follows its enclosed instructions, unwittingly earning the real Lady Olivia’s disfavor (2.5.91-195). “This and his continuous disapproval of Sir Toby and Sir Andrew's drinking, earn him their hatred and he quickly becomes their pawn in a complex romantic ruse” (Review at Absolute
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household. While Malvolio may be considered a social outcast to most of the characters in the play, Olivia considers Malvolio to be a very trusted steward of her household. For these reasons Malvolio is not only a social outcast, but an outcast that Shakespeare uses to keep people interested in his play.
Twelfth Night, written by Shakespeare between the years of 1599 and 1601 (“Shakespeare-Online”), is easily one of his most well-known plays. A year after the assumed date of publication, on February the 2nd of 1602, Twelfth Night was performed for the first time (“William-Shakespeare)”. The location of the production is thought to have taken place in the Middle Temple, which was one of four law schools within London that were known as the Inns of Court (“Shakespeare-Online”). Though some would classify Twelfth Night as generic, it is laced with a sharp sense of humor and controversial concerns that can easily be applied to the issues of present day. Many of these issues, such as marriage, gender identity, gender, homosexuality, and social ambition, are relevant in today’s society, making them easy to relate to.
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by everyone else in the play except Olivia. He doesn’t act the same way that any of the other characters act, and he seems to be a real stickler for the rules, which upsets certain characters more than others. But it is this strict coherence to the rules that allows Malvolio to have such a high position in Olivia’s household. While Malvolio may be considered an outcast to most of the characters in the play, Olivia shows concern for Malvolio and his well-being.
something that he would not notice or be able to get out of if he did
Malvolio’s unfortunate issue is a warning tale of ambition overcoming good sense. At the close of the play, he is brought out of the darkness into a celebration in which he has no part, and where no one seems willing to offer him a real apology. “I’ll be revenged on the whole pack of you,” he snarls, stalking out of the festivities (V.i.365). His exit strikes a jarring note in an otherwise joyful comedy. Unfortunately, I do not believe Malvolio has no real place in the anarchic world of Twelfth Night, only to suggest that333 someone must suffer while everyone else is happy.
The reading of the letter creates comedy the requests are outrageous. Malvolio is told to wear yellow cross-gartered stockings "to be opposite with kinsman, surly with servants" and to constantly smile. The thought of this is hilarious considering that Malvolio is a strict puritan and is very malice towards others.
The antagonist of Twelfth Night is Sir Toby Belch because he tries to control Olivia’s life. Even though some may consider him a partier and jokester, he is also kind of a jerk. First he takes advantage of his nieces and Sir Andrew’s wealth. Sir Toby also wants Olivia to marry Sir Andrew so he can have more money for himself. He seeks revenge upon Malvolio by writing a phony love letter convincing Malvolio to perform hideous acts for Olivia’s love. Sir Toby knows Olivia will not put up with such acts and Malvolio was sent to the dark room for his insanity.
Feste is able to prevent any delusions of grandeur by a reminder that foolishness is a condition common to all mankind whether one is king or servant. It is Malvolio's vanity that convinces Feste to take part in the joke played on the steward. As "Sir Topas", and Malvolio's `prosecutor` Feste attempted to help Malvolio realize that there was "no darkness but ignorance".
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.
Malvolio also promises revenge on those who played the trick on him and his last words symbolise parts of the darker side of Illyria: ' I'll be revenged on the whole pack of you' Disguise is the main plot in Twelfth Night and without it the storyline would not have been possible as disguise was needed in order to create the Orsino, Viola, Olivia love triangle. This is the main event in the play which is created by disguise. Disguise is also used to bring in humour and confusion to the plot without which Twelfth Night would not be the notorious and famous play as we know it today.