Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How does othello and desdemona relationship change
Role of women characters in Shakespeare's plays
Character of Iago in Othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How does othello and desdemona relationship change
It is a psychological fact that any good relationship or marriage should be based on mutual respect for it to work out. Othello is about how one person can deviously influence that respect, just for his own benefit. Anyone who understands Othello knows that Iago’s deception leads to a lack of deference between Othello and Desdemona’s relationship throughout the play. Iago implements his plan through Roderigo, Othello, and Cassio. In William Shakespeare’s Othello, it is demonstrated that any relationship needs to have mutual respect or else it will end badly. This is shown through the downfall of the Othello and Desdemona’s relationship due to Iago’s manipulation. In the beginning of the play, Iago uses Roderigo as his puppet. Iago’s manipulative nature is initially brought out when he gave Roderigo ‘advice’ on how to win over Desdemona. Iago uses Roderigo to drive a wedge in Othello and Desdemona’s relationship. Iago simply tells Roderigo the best way to get Desdemona to end her relationship with Othello: "It cannot be that Desdemona should long continue her love to the Moor – put money in thy purse – nor he his to her,” (1.3. 383-387). The fact that Roderigo is …show more content…
The handkerchief is a gift from Othello to Desdemona as a symbol of his love for her. Othello explains how he knows Desdemona is with Cassio, “’Tis pitiful, but yet Iago knows that she with Cassio hath the act of shame a thousand times committed. Cassio confessed it, and she did gratify his amorous works with that recognizance and pledge of love which I first gave her,” (5.2. 250-255). Iago’s plan is working – he is successfully taring Othello and Desdemona apart. He lead Othello into believing Desdemona loves Cassio now. He even got Cassio to admit to being with Desdemona, without even realizing it. Othello loses all respect he has ever had for Desdemona after learning the horrible so called
Othello, a play by William Shakespeare, tells the tragic tale of the black Venetian general, Othello, and how he is manipulated by his ambitious friend, Iago. Iago becomes angry at Othello when he promotes Michael Cassio rather than Iago to the lieutenancy. Iago then schemes a plot to take down Othello. Iago uses Desdemona, Othello’s new wife, to take down the great general. He leads Othello to considering that his wife is cheating on him with Michael Cassio. This causes Othello to become suspicious and eventually drives Othello into killing Desdemona. In the end, Othello learns that his wife was faithful, and Iago had lied to him. This upsets Othello and causes him to also kill himself. Iago’s many motives are never revealed to the audience or the characters as in the last scene he states, “Demand me nothing. What you know, you know. From this time forth I never will speak word.” (Othello. Act 5 Scene 2: 355-356). In the play Othello, Iago is the master manipulator that formulates devious plots against the characters of Roderigo, Cassio, and Othello by using their desires to his advantage to reveal their underlying weaknesses.
In Othello, Iago is a manipulative person in Act 1. He manages to convince Roderigo into selling all his land instead of committing suicide. In Scene 3 of Act 1, Roderigo is very upset because Othello and Desdemona are still together. There was hope when Montano found out about their marriage; nonetheless, the two remained married. (IC; CA, IC) Roderigo loves Desdemona and seeing her with Othello makes him want to die. Iago pulls Roderigo’s puppet strings and gets him to save money instead. He convinces Roderigo that Desdemona is the type of a girl that would marry a man for money; thus, he should save all the money he can. (IC; CA, IC) Then she will lov...
Towards the tail-end of the play, Roderigo, fed up with Iago’s counsel and frustrated by his lack of personal progress, approaches him with the intention of severing all ties. Iago, though, manages to maintain a leash over of him by playing on his jealous desire for Desdemona, promising him that he will have her in love in the coming days. This proves to be enough for him to convince Roderigo stay, and he resumes his manipulation. Despite his strong affinity for Othello’s wife, any romantic progress is halted due to Iago’s persistent interventions; he knows that merely mentioning the potential for a relationship between the two is enough to persuade him to do his bidding. While this seems desirable to Roderigo, in actuality, Iago is using his imaginative fantasies against him, and preventing any real advances in his journey for Desdemona, effectively destroying any possibility of this
While Desdemona is not aware of why Othello is so angry with her, she continues to do the good deed of attempting to get Cassio his job back. Desdemona speaking in front of Othello, explains to her cousin Lodovico “A most unhappy one. I would do much/ T’ atone them, for the love I bear to Cassio”(4,1,219-220). Proving that she cares for Cassio and that him receiving his position back should be up for consideration. Thus, Othello “strikes”(4,1,232) Desdemona thinking she loves Cassio due to her showing friendly affection towards him. This displays Othello allowing his jealousy to suppress his love for Desdemona by hitting her because of his thoughts that she is having an
Desdemona pleads with him and tries to convince him that she would never betray him and that she has never proclaimed love, neither physically or verbally, to Cassio. No matter how much she tries to convince Othello, all fingers point to Cassio because they find the handkerchief in his possession.
to him. For example, on one occasion Othello suspects Cassio, ''ha! I like not that''. This explains to us that Iago is making Othello. suspicious that Cassio and Desdemona are having an affair, Othello.
Iago states that the only reason he spends time with Roderigo is for his own wealth and pleasure. His plan is to continue giving Roderigo unfulfilled promises. Iago continues to manipulate Roderigo. He convinces him that Desdemona will soon grow tired of Othello and begin to search for a younger, handsome man to fulfill her desires. Continuing to build on Rod...
As a result, he uses his craftiness and his “power of language” to take revenge on Othello. Although his plan foils, he causes Othello to kill his wife Desdemona and commit suicide, all the while he deceives and exploits other characters for his plan. In Othello, Iago demonstrates his power of language through his manipulation of Roderigo, Michael Cassio, and Othello, for his use and liking. After witnessing Desdemona proclaim her love to Othello and Brabantio, her father, acknowledging their marriage, Roderigo, suitor of Desdemona, tells Iago that he is going to drown himself.
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Continuing Act three, Scene three, Othello feels the beginning of a headache. Desdemona offers Othello a handkerchief to ease the pain upon Othello’s forehead. The handkerchief is a gift from Othello to Desdemona as a symbol of the love shared by Othello and Desdemona. In Othello’s pain the handkerchief falls from Othello’s hand and Emilia steals the handkerchief. Iago uses the characters of the play as pawns, including wife Emilia. Jealousy is the fuel and the handkerchief is the spark. With the handkerchief in Iago’s possession, Iago can continue to spin the web of lies and deceit. Iago plans to leave the handkerchief in Cassio’s lodgings to further support the suspicion of Desdemona’s infidelity.
Later in the play, Iago commands Roderigo to pay him, so that Iago would give it to Desdemona, praising Roderigo. This is a significant example of Iago’s manipulation as he sways Roderigo to make certain decisions. As Roderigo puts all in line for a chance to receive love from Desdemona, Iago identifies Roderigo’s flaw with ease as it is clearly displayed that Roderigo’ love for Desdemona will blind him. Without a single doubt, Roderigo makes a rash choice to spend all of his money and his naive character restricts him to suspect Iago. In addition, Iago presents Roderigo with the
One person Iago deceives is Roderigo. Throughout the play, Iago tells him that he hates Othello and that Roderigo should make some money so he could give gifts to Desdemona, who he admires from afar. Thinking that this is sound advice, Roderigo does just that. However, Iago is actually keeping the gifts that Roderigo plans to give Desdemona for himself. Eventually, Roderigo begins to catch on to the act and confronts Iago, but he falls right into Iago’s trap again when he tells him that killing Cassio will help him win over Desdemona. Roderigo is then lead to his death by the hands of "Honest Iago."
Once Iago has poisoned Othello’s mind with lies about an affair between Cassio and Desdemona, Othello becomes suspicious and distrusting of Desdemona. He is convinced that his wife is a whore, but never speaks to her about his suspicions. Othello refuses to confront Desdemona because, just as their society mandates, to him women are untrustworthy and decietful. Othello (and society) truly believes that if he asks her about Cassio, she will deny sleeping with him. Because Desdemona is a woman, she is not given a chance to speak on her own behalf. It is this same societal issue that played a part in her death. Othello the man and thus obviously stronger and more logical, suffocates Desdemona without hearing her side of the story first. The society in which they live gave Othello permission to kill Desdemona without her even really knowing why.
Othello being a soldier had only ever had formal relationships based mostly around work until he met Desdemona who he formed his first relationship controlled only by emotion and love that they held for each other. The fact this was his first personal relationship with a woman made him naive in this new experience. Othello's lack of experience made him vulnerable to Iago's falsehoods "In Venice they do let God see the pranks they dare not show their husbands; their best conscience, Is not to leave't undone, but keep't unknown." Iago says to Othello planting a false idea of Venetian woman in Othello's mind. Othello having little knowledge of Venetian woman is easily persuaded to believe Desdemona is unfaithful to him. If Othello had of been a little wiser in lo...
Through his suggestion to Cassio, Iago can now be certain that Cassio will entreat Desdemona to petition for him with Othello. Cassio does implore Desdemona and she responds, “Be thou assured, good Cassio, I will do all my abilities in thy behalf” (Act III Scene III). Iago manages to obtain the handkerchief that Othello gave to Desdemona that had strawberry patterns on it form Bianca. He then tells Othello to ask for the handkerchief and if she doesn’t produce it, than she must be cheating on him. Iago also manipulates the undeserving devotion of Emilia. We learn at the end of the play that Iago “begg’d of me to steal it” of Emilia. Like Desdemona’s good nature, Iago exploits his own wife for his malicious revenge. The handkerchief was the final straw for