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Free response one page essay about zora neale hurston
Journey to zora neale hurston
Zora neale hurston ipl.org
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After the negative impact of Janie’s relationship with Logan, she ran off with Jody because he promised her that she would not have to work. These promises were not successful which caused Janie to regret her relationship with Jody. Hurston was able to change the relationship between Janie and Jody by using descriptive diction, imagery, and tone. In order to show the changed nature of Janie and Jody, Hurston used descriptive diction to explain how Janie feels about the relationship she is in. She explicates Janie’s character as she describes how “she had no more blossomy openings dusting pollen over her man” (Hurston 72).This image shows how Janie does not care about Jody anymore because of the way he treats her. She uses imagery to symbolize
The pear tree, the ocean, the horizon, the hurricane are how Janie views nature. Hurston uses spring as a sign of fertility, blossoming sexuality, and a new start. The pear tree represents Janie blossoming into womanhood. In Janie’s eyes the pear tree represents beauty and freedom because she is able to reflect on her life, and her future. No one is telling her what to do when she sits under t...
Janie sees Logan Killicks' perception of marriage. In the beginning, it seems like that Logan is a very nice man, who is always treating her well. “Janie felt glad of the thought, fo...
Though Janie had three marriages in total, each one drew her in for a different reason. She was married off to Logan Killicks by her Grandmother who wanted her to have protection and security. “Tain’t Logan Killicks Ah wants you to have baby, its protection.” (Hurston 15) says Janie’s grandmother when Janie said she did not want to marry Logan. Though Janie did not agree with her grandmother, she knew that she just wanted what’s best for her. Next, she married Joe Starks, Janie was unsatisfied with her marriage to Logan so Joe came in and swept her off her feet. Janie did not like the fact that Logan was trying to make her work, so Joe’s proposition, “You ain’t never knowed what it was to be treated like a lady and ah want to be de one tuh show yuh.” (Hurston 29) was too good to pass up, so she left Logan and married Joe. Janie’s last marriage was to Tea Cake. Fed up after having been treated poorly by Joe, Janie finally found someone who liked her for who she was. “Naw, ...
Of least significance to Janie is her first husband, Logan Killicks. Hurston uses pathos to show that Janie and her first husband are not meant to be even though society thinks otherwise. Nanny thinks that Logan is really made for Janie, but Janie doesn’t love Logan. Janie tells Nanny, “Cause you told me Ah
Jody believes that Janie has poisoned him, illustrating the magnitude of both of their unhappiness. Almost immediately after Jody dies, Janie “starches” and “irons” her face, which could also imply how the headrags represent a facade that she unwillingly dons in public. Janie goes to the funeral inundated in loneliness and grief. However, after she emerges from the funeral Janie burns all of her head rags. Hurston states: “Before she slept that night she burnt up everyone of her head rags and went about the house the next morning..her hair in one thick braid”(pg 89). Fire represents the destruction of something; by burning the very tool that was facilitating the suppression of her identity, Janie is making a vow to never sacrifice herself to others. The long, nimble braid the reader is introduced to in the first chapter reemerges. It is important to note that as she lets her hair down, her circumstances change for the better. Janie meets Tea Cake, her playful new husband. Hurston describes Janie as the curious, vibrant child she was under the pear tree similar to how she is presently with Tea Cake. Therefore, Hurston reveals the overarching theme that when one unwillingly enshrouds their identity, their circumstances become unpalatable. This theme is conveyed through JAnie: As she sacrifices herself to tie her hair up, her happiness devolved into loneliness. However, once she crosses the threshold to her true self, she fully exuded the vivacious Janie that she truly is. All of this is manifested through her
Janie gained this experience in love as she discovered that the promises of love are not always true. Janie was promised many things in her life and most of them were the promise of finding love and obtaining it. Janie’s grandmother promised her that even if she did not like Logan Killicks that she would find love in her marriage with him, but Janie discovered that no love was to be found in her marriage and that those more elderly than her would think she was wrong for her values (Hurston 21-25). Then after her marriage with Logan, her luck did not change with her next husband Joe who promised her nothing, but lies. Yet again promises persuaded her into another marriage where she was not happy as Joe went back on the words he promised her
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
While Janie’s Nanny forces her into marrying Logan Killicks for security; Logan also lacks love and compassion for Janie and silences her. Janie cannot use her voice when she marries Logan Killicks because of her Nanny. Although Janie knows “exactly whut” she wants to say; expressing her voice is “hard to do” (Hurston 8). From the beginning, Logan does not resemble her perfect pear tree love, which to Janie means a man who instills confidence into his wife and listens to her voice. Logan falls short of fulfilling that dream as he isolates her from the community, leaving her with no voice whatsoever. Realizing her marriage lacks love and compassion which she longs for, Janie comes to understand that her relationship with Logan will not last long .Not only does Janie’s marriage to Logan stifle any hopes of exp...
The contrast of these two places reinforces the theme of a search for love and fulfillment. To see what an ideal situation for an independent woman like would be, Hurston must first show the reader what Janie cannot deal with. Hurston has her character Janie go on a quest, one that was begun the day she was forced to marry Logan Killucks. The contrast in the setting is similar to one between good and evil.
Hurston uses the power of language and different narrative techniques to show Janie's transition throughout the novel. It is important to notice that in Janie's journey from object to subject, the narration of the novel shifts from third person to a mixture of first and third person; thus, the shift shows the awareness of self within Janie. Language becomes an instrument of injury and salvation and of selfhood and empowerment. The use of powerful language is exemplified well in the text when Janie is asked to say a few words as the new Mrs. Mayor. Joe, her second husband, quickly cuts in and says, "Thank yuh fuh yo' compliments, but mah wife don't know nothin' 'bout no speech-makin'. Ah never married her for not...
& nbsp;   ; Second, Janie sees Logan Killicks' perception of marriage. In the beginning it appears to Janie that Logan is a very nice gentleman, who is. constantly treating her well. However, as time goes on, Janie sees Logan's the "true colors" of the.
In the early months of their marriage, Jody is able to transform Janie into a wife representative of his newly acquired wealth and rank as he instructs her to wear her finest dress for the opening of the store (Hurston, p. 41). Her submission to this request allows Jody to believe that Janie can be made in to an obedient wife who will bolster his reputation and connections within their community. Therefore, as their marriage progresses Jody’s attempts at dominance increase. For example, when Jody is elected mayor of Eatonville Janie is asked to give a speech in celebration of his accomplishment and Jody answers for her saying she will not speak because “She’s uh woman” (Hurston, p. 43). Here, in particular, control is intertwined with language and speech because allowing Janie to speak would be allowing her to assert her identity in her own words. Janie is taken aback by her husband’s decision but does not speak against him instead she “made her face laugh after a short pause, but it wasn’t too easy” (Hurston, p. 43). Her reluctance to speak against him and her forced laugh are significant because they indicate once again that Janie is willing to submit to her husband in order to share in his
The beginning of Janie’s journey is with her marriage to Logan Killicks, a man with tons acres of land to his name, but to Janie’s knowledge, is just an ugly old bag that has a huge lack of any love or companionship for her. For example, when Janie talks to Logan one night about their relationship he only says “Considerin’ youse born in a carriage ‘thout no top to it, and yo’ mama and you bein’ born and raised in de white folks back-yard” (30). Logan is emotionally destitute towards Janie in the beginning of the marriage. She cannot relate to him in any way what so ever and they both know it as well. In addition, at a point later on in the marriage Logan asks Janie to help him with chores outside, she replies “you don’t need mah help out dere, Logan. Youse in yo’ place and ah’m in mine,” (31). Not only does Logan have an absence of emotion, he also has an absence of love and he expresses the exact opposite of it through his bitterness and anger for Janie. She can now understand that Logan sees himself as supposedly “higher” than her and she loathes it even more. The marriage between Logan and Janie isn’t equal...
... Janie is free-spirited and unconcerned about what others think of her. When she returns to Eatonville after Tea Cake’s death, she shows no shame for what she has done or where she has been, because she is finally able to live the life she always wanted to lead. Hurston’s own struggles in life for individuality and an outlet for her suppressed spirit clearly contribute to the development of Janie’s character. Just as Hurston struggled for recognition, equality, and purpose in the literary world during the Harlem Renaissance, Janie’s struggle for the recognition, equality, and purpose in her relationships.