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Importance of nature in american literature
Man's relationship with nature in american literature
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In the tale of his experience with the freedom of a clean slate and the ability to be entirely individualistic out in the empty expanse of Wyoming, Ehrlich shows us that while this freeing but also emptier than normal life, we can and all should open ourselves up further to seeing beyond what has become a race to “strangle ourselves with what we can buy” (Ehrlich 476). As his story out on the open plains progressed, one could see this greedy and blinding race for material goods further even out in this area renowned for open spaces. Over the years, it too had become a place where “barbed wire abrogated space … the ‘anything is possible’ fever — the lure of a new place — was constricted. The integrity of the land … and the freedom to ride anywhere
on it, was lost” (Ehrlich 473). The disparity between the fulfillment the author felt working on a sheep farm in the midst of nowhere and the greedy insufficiency felt by the majority of humanity as stated at the end of the passage highlighted the author’s main idea, clearly and explicitly stated at the very end, where “we fill up space as if it were a pie shell, with things whose opacity further obstructs our ability to see what is already there” (Ehrlich 476). Shown in his satisfaction to live in the middle of nowhere after realizing that “the silence is profound … keenly observed, the world is transformed” (Ehrlich 471), Ehrlich shows that when by oneself, one can notice all of the beauty and intrigue already surrounding him; there is no need for material goods which our world is rapidly moving to focus on — “as if what we have, what we are, is not enough” (Ehrlich 476). You are enough.
Into the Wild by John Krakauer is a rare book in which its author freely admits his bias within the first few pages. “I won't claim to be an impartial biographer,” states Krakauer in the author’s note, and indeed he is not. Although it is not revealed in the author's note whether Krakauer's bias will be positive or negative, it can be easily inferred. Krakauer's explanation of his obsession with McCandless's story makes it evident that Into the Wild was written to persuade the reader to view him as the author does; as remarkably intelligent, driven, and spirited. This differs greatly from the opinion many people hold that McCandless was a simply a foolhardy kid in way over his head. Some even go as far as saying that his recklessness was due to an apparent death-wish. Krakauer uses a combination of ethos, logos and pathos throughout his rendition of McCandless’s story to dispute these negative outlooks while also giving readers new to this enigmatic adventure a proper introduction.
Simon Wiesenthal’s book The Sunflower: On the Possibilities and Limits of Forgiveness spoke to me about the question of forgiveness and repentance. Simon Wiesenthal was a Holocaust prisoner in a Nazi concentration camp during World War II. He experienced many brutal and uneasy experiences that no human being should experience in their lifetime and bear to live with it. Death, suffering, and despair were common to Simon Wiesenthal that he questioned his own religious faith because he asks why would his God allow the Holocaust happen to his people to be slaughter and not do anything to save them. During Simon Wiesenthal time as a Jewish Holocaust, Simon was invited to a military hospital where a dying Nazi SS officer wanted to have a conversation. The Nazi SS officer told Simon his story of his life and confesses to Simon of his horrific war crimes. Ultimately, the SS officer wanted forgiveness for what he done to Simon’s Jewish people. Simon Wiesenthal could not respond to his request, because he did not know what to do with a war criminal that participate in mass genocide to Simon’s people. Simon Wiesenthal lives throughout his life on asking the same crucial question, “What would I have done?” (Wiesenthal 98). If the readers would be on the exact situation as Simon was
The Frontier Thesis has been very influential in people’s understanding of American values, government and culture until fairly recently. Frederick Jackson Turner outlines the frontier thesis in his essay “The Significance of the Frontier in American History”. He argues that expansion of society at the frontier is what explains America’s individuality and ruggedness. Furthermore, he argues that the communitarian values experienced on the frontier carry over to America’s unique perspective on democracy. This idea has been pervasive in studies of American History until fairly recently when it has come under scrutiny for numerous reasons. In his essay “The Trouble with Wilderness; or, Getting Back to the Wrong Nature”, William Cronon argues that many scholars, Turner included, fall victim to the false notion that a pristine, untouched wilderness existed before European intervention. Turner’s argument does indeed rely on the idea of pristine wilderness, especially because he fails to notice the serious impact that Native Americans had on the landscape of the Americas before Europeans set foot in America.
There are many ways in which we can view the history of the American West. One view is the popular story of Cowboys and Indians. It is a grand story filled with adventure, excitement and gold. Another perspective is one of the Native Plains Indians and the rich histories that spanned thousands of years before white discovery and settlement. Elliot West’s book, Contested Plains: Indians, Goldseekers and the Rush to Colorado, offers a view into both of these worlds. West shows how the histories of both nations intertwine, relate and clash all while dealing with complex geological and environmental challenges. West argues that an understanding of the settling of the Great Plains must come from a deeper understanding, a more thorough knowledge of what came before the white settlers; “I came to believe that the dramatic, amusing, appalling, wondrous, despicable and heroic years of the mid-nineteenth century have to be seen to some degree in the context of the 120 centuries before them” .
In Laurence Shames’s article, “The More Factor”, Shames explains how America has grown to believe and reinforce the opportunistic concept of the frontier—vast open space where possibilities of success have the potential to cultivate. This concept has become symbolic of what America stands for: the freedom to go further and farther than man has ever dreamed of, and without limits. And while this mindset still exists as an ideology of America, as well as how the rest of the world believes America supports itself, this ideology can no longer hold itself to be true. This optimistic approach cannot define the growing and upcoming generations of the 21st century. In the same way that Shames states that “in America, a sense of quality has lagged far
To understand Jackson’s book and why it was written, however, one must first fully comprehend the context of the time period it was published in and understand what was being done to and about Native Americans in the 19th century. From the Native American point of view, the frontier, which settlers viewed as an economic opportunity, was nothin...
It has never been an easy job to settle new land and explore it, and it certainly will never become easy. Even in the age of the text, Wagner Matinee, the new land that the United States were settling were still extremely difficult to work with. It is land, weather, and travel is all unexpected, thus, there really is no way to properly approach the new land. Th...
Smith’s and Bradford’s individual descriptions are simply two categories; fiction and nonfiction. Smith’s intention for his audience is that the new land is everything you can wish for without a single fight. Smith starts by describing the content and pleasure that risking your life for getting your own piece of land brings to people. He is luring his audience in by telling that it is a wonderful world of vast food and gratification. Smith wants his audience to be more of the joyful individuals who look for the good in everyt...
A theme in W.P. Kinsella’s “The Thrill of the Grass” is change, for better or for worse, affords the opportunity for us to acknowledge our emotions and love of memories and encourages us to stand up for what we truly believe in. Change, sentiment, reminiscence and defiance are portrayed through the protagonist and the plot in this admiringly, well written short story.
In the poem Grass, the speaker is assumed to be the Grass, a character, or entity of sorts, brought on by the writer. Carl Sanburg uses interrogative adverbs in order to further display the Grass’s view on humanity. Additionally, Sanburg includes the use of proper and concrete nouns to emphasize the Grass’s stability and recall violent military battles. Continually, the imperative verbs shown throughout the poem give the Grass its ultimate air of superiority. In Carl Sanburg’s poem Grass, he skillfully uses interrogative adverbs, proper and concrete nouns, and imperative verbs in order to convey a sense of superiority in the Grass, a result of brute-like human behavior throughout history.
“Driving west from Fargo on I–94, the freeway that cuts through the state of North Dakota, you’ll encounter a road so lonely, treeless, and devoid of rises and curves in places that it will feel like one 5 long-held pedal steel guitar note” (Marquart, 1-5). In the passage from The Horizontal World, Debra Marquart reveals her love for the upper Midwest region of North Dakota. Countless people who visit this region do not enjoy the site due to the location. Numerous visitors would describe the Midwest region to be boring and vacant. With the use of impressive diction and detailed allusions Marquart can show the audience that the region has outstanding characteristics and value.
During late seventeen hundreds and the early eighteen hundreds America focused on growth and development. In 1803, America bought from France 828,000 square miles of land that ranged from the Mississippi to the Rockies for the bargain price of $15,000,000. This pristine land had not yet been ravaged by the rigorous process of growing cotton, so Southern farmers were excited about the prospect. However, most farmers were also afraid of what lay in the West, be it “savages,” dangerous wildlife or inhospitable terrain. The government believed that American citizens needed convincing that travelling west, settling and stabilizing this new land was a smart thing to do. To help convince the populace, the government turned to a new media, photography. The product of this invention astounded and perplexed many viewers who believed that the photos they saw depicted the absolute truth. Their ignorance of the selective bias of photographers paved the way for rumors and myths that influenced many to venture into dangerous areas, having little idea what really lay ahead. Photography in the early American West was a manipulative tool of the government’s interest by portraying the West as a safe land filled with opportunity.
As Westward Expansion continued, many pioneers became ranchers who built permanent settlements that got in the way of the Chisholm Trail, the most utilized cattle route at the time. These ranchers were getting tired of the cattle trespassing and destroying their property, so as a solution, Joseph Glidden invented the barb wire. Barb wire was not only used to mark the borders of the rancher’s property, but it officially closed off the open frontier to the West, bringing an end to the cowboy era. The concept of the “Wild West” as explained in the frontier thesis is the only remaining record and legacy from the cowboy era, reminding people that it was truly a job for rough, independent, men. Along with the sacrifices they took to transport highly demanded food, the cowboy directly caused everlasting changes that matches perfectly with what the frontier thesis states. Along with forever changing the American Identity to be seen as rough, independent, risk-takers; Westward Expansion had truly “created a society of men and women who were committed to self-improvement, who supported democracy, and who were socially mobile”
In a society filled with overgrown establishments and inequality, some would like to have a sense of individualism. Works like Henry David Thoreau’s Walden, Kate Chopin’s The Story of an Hour, and Elizabeth Cady Stanton’s Seneca Falls Convention Declaration of Sentiments demonstrate how in the 19th century people tried and found their own type of freedom from society.
Part Eighteen, Environment, of The Post-Colonial Studies Reader frames this discussion. In Val Plumwood’s chapter, “Decolonizing Relationships with Nature,” it is argued that the sphere of “nature” includes “what are thought of as less ideal or more primitive