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How Does Dracula Conform To Women In The Victorian Era
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Recommended: Views on women in the Victorian era
Throughout Dracula, we are introduced to female characters who both reject and conform to typical norms for women of the Victorian Era. In the Victorian Era there were two rigid classifications for women. Either a virgin, representing purity and innocence or a wife and mother. If you did not fall into either of those two categories, you were deemed a whore and rejected from society.
Firstly, we have the three brides of Dracula. They are embodiments of female sexuality, a topic very taboo for the time. Jonathan Harker fears the women more than he fears Dracula. They create an inner turmoil of lust and fear. "All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that
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Comparing Sexuality and Power in Dracula and Buffy the Vampire Slayer
1644 Words | 4 Pages...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
Comparing Gender Roles In Dracula And The Lady Of The House Of Love
2299 Words | 5 PagesIn Dracula, Bram Stoker explores the fantastic image of a sexually dominant woman within a patriarchal society. The battle between good and evil within the novel very much hinges upon feminine sexuality: Lucy and Nina are embodiments of the Victorian virtues, which Dracula threatens to corrupt,
Dracula and the Threat of Female Sexual Expression by Bram Stoker
1398 Words | 3 PagesHumphrey, Robert. "Ideals of the Victorian Woman as Depicted in ‘Dracula’." The Artifice. N.p., 11 Mar. 2014. Web. 6 May 2014. .
Bram Stoker's Dracula
566 Words | 2 PagesVictorian Women were highly held back in their full potential. Their main role in the household was to “be happy - a sunbeam in the house, making others happy” (Hardy, E.J. 1887). On top of this, Women in the Victorian era were not allowed to display their sexuality or “tempt” men in public; they were meant to be submissive and meek (Causey S., 2008). The Victorian era lasted from 1837 til 1901, with women being punished everyday for crimes that are nowadays just part of living for a woman. Bram Stoker was born during this era and wrote his most famous novel, Dracula (Miller, E. unknown). One of the main discourses in this novel is that of Women and their Morality of the time.
Manhood In Dracula Essay
930 Words | 2 PagesOne of the major themes of Bram Stoker’s Dracula is the triumph of the masculine over the feminine, but also the slowly rising influence of female involvement within society. Victorian society had certain expectations of different genders, which were fundamentally different. The traditional
Inverted Gender Roles: Dracula by Bram Stoker
1455 Words | 3 PagesIn Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
Victorian Sexuality in Stoker’s Dracula, LeFanu’s Carmilla, and Polidori’s Vampyre
1689 Words | 4 PagesBram Stoker’s Dracula illustrated fears about sexual women in contrast to the woman who respected and abided by society’s sexual norms. Joseph Sheridan LeFanu’s “Carmilla” represented not only the fear of feminine sexuality, but also the fear of sexuality between women. John William Polidori’s “The Vampyre” showed society’s fear of sexuality in terms of the seductive man who could “ruin” a young girl.These texts are representative of vampire stories in the Victorian Era, and will be the focus here.
Examples Of Repression In Dracula
2232 Words | 5 PagesThe Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
Dracula by Bram Stoker
971 Words | 2 PagesAs the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
Embracing Female Sexuality in Bram Stoker's Dracula
1997 Words | 4 PagesDracula accentuates the lust for sexuality through the main characters by contrasting it with the fears of the feminine sexuality during the Victorian period. In Victorian society, according to Dr.William Acton, a doctor during the Victorian period argued that a woman was either labelled as innocent and pure, or a wife and mother. If a woman was unable to fit in these precincts, consequently as a result she would be disdained and unfit for society and be classified as a whore (Acton, 180). The categorizing of woman is projected through the “uses the characters of Lucy and Mina as examples of the Victorian ideal of a proper woman, and the “weird sisters” as an example of women who are as bold as to ignore cultural boundaries of sexuality and societal constraints” according to Andrew Crockett from the UC Santa Barbara department of English (Andrew Cro...
Stoker's Portrayal of Women in "Dracula"
1196 Words | 3 PagesStoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
Summary Of Feminism In Dracula
657 Words | 2 PagesBram Stoker’s novel Dracula, is a highly controversial work of fiction that is still being read for the first time today. Dracula touches many different categories including; sci-fi horror to 1800’s English romance literature. This is the main reason why the novel Dracula can be analyzed in many different ways using many different literary theories. The theory which stuck out most to me while reading this novel was the Feminist Theory. The Feminist Theory cannot be used to analyze Dracula as a whole novel, but it can be used in order to analyze the different female characters throughout the book. Therefore, Bram Stoker’s Dracula can be analyzed through the feminist theory by focusing on the characters Mina Harker, Lucy Westenra, and the three brides of Dracula.
Suppressing Feminism In Dracula By Bram Stoker
733 Words | 2 PagesThere are a few characters in Dracula that embody society’s views of the time towards the uprising of women for better rights. On the other hand there are also characters that portray the Victorian ideals that men are stronger than women and how it should stay that way. As author Bram Dijkstra mentions in his response essay, “Stokers work demonstrates how thoroughly the war waged by the nineteenth century male culture against the dignity and self -respect of women had been fought”.(Dijkstra , p.460).
Theories Of Transnationalism In Bram Stoker's Dracula
1080 Words | 3 PagesIn Bram Stoker’s Dracula, Lucy Westenra and Mina Murray are used to contrast the societal expectations of the Victorian woman. The novel shows many elements of the literary theory of transnationalism by introducing matters of travel, gender, and sexuality. Lucy and Mina both start out similarly as typical Victorian women, but multiple events throughout the novel demonstrate their extreme differences. Lucy is portrayed as the inferior Victorian woman, who gives into sexual desires, and Mina is portrayed as the more modern and late Victorian woman who is not only pure and chaste, but also resourceful and somewhat independent.
Female Sexuality
1170 Words | 3 PagesIn DRACULA, the general content is about the fighting between Dracula and humans, since Dracula tries to transform all the female characters into vampires. The language of the book is not very sexual, but the word “Voluptuousness” did shows up a lot in the book. The female characters, Mina, Lucy and the three sisters, they have different personalities, different attitude to love, and different virginity. When Dracula tried to transform them into vampires, they experience different processes and have different endings.
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