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Women in the bible essay
Bible and women's status
Feminist views of women in the old testament
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Found in second Samuel is a story about rape and incest within the family of King David. The story is commonly titled “The Rape of Tamar,” but the story is not just about her sexual assault. No, the story is not simply about rape and incest; when read with a feminist lens, the story is a complex intertwining of power dynamics within a patriarchal society, a passive reactions by those with authority, and a deity who remains silent throughout the entire narrative. The first topic addressed is about agency. Who had agency in this story? The first person with agency was Jonadab. He acted upon the situation when Amnon confided his desire for Tamar. It is clear that Jonadab had some significant influence over Amnon, because he did exactly what Jonadab told him to do. Rather than using his influence to convince Amnon not to physically satisfy his lust for Tamar, Jonadab devised a plan for Amnon to rape Tamar. …show more content…
Amnon, also had agency.
He was the primary physical aggressor of the rape. Amnon preyed upon Tamar by lying about his illness and luring her into an area that he could forceably rape her. Amnon was physically able to act upon Tamar, “Being stronger than she, he forced her and lay with her” (14). The narrative did not mention that Amnon thought about the plan that Jonadab had formulated; he simply followed through without considering consequences. This is perhaps because he knew that there were no consequences for him. King David, the father of Tamar and Amnon, did nothing to address the rape. “When King David heard of all these things, he became very angry, but he would not punish his son Amnon, because he loved him, for he was his firstborn.” (21). David was angry because he knew that rape and incest was wrong. David was the king of Israel, he had the authority to punish anyone for anything. He had potential agency, but chose not to use his power to give consequences to Amnon and Jonadab for their actions. He also chose not to support
Tamar. Absalom, the brother of Tamar, also had the ability to support and assist Tamar; he too chose not to help her. Rather, Absalom demanded Tamar to, “Be quiet for now, my sister, he is your brother; do not take this to heart” (20). Absalom took away Tamar’s voice when he told her to keep quiet. In cases of rape and incest, survivors need a place to talk about what happened to them, and know that there are people listening. This option was taken away from Tamar. Every person in this story had the potential to be an agent that stopped the progression of the story. Every person, chose not to be that agent. This is a power dynamic in the patriarchal society of Israel. The characters, who were all male, except for Tamar, controlled the progression of the narrative. In the time and location, women did not control their virginity, males did. After Tamar was raped, she, “Put ashes on her head, and tore the long robe that she was wearing.” (19). Daughters of the king wore the robes to identify their virginities. After the rape Tamar was no longer able to wear them, so everyone who saw her knew that she was not a virgin. She had a visual representation of her attack. Amnon, who did not have a public display of his virginity, had no judgement by his family or outsiders. The patriarchal society did not care if males were virgins or the number of sexual partners men had. There was value placed on female virgins, and they were expected to have few sexual partners. The standard was very different between males and females. This passage is very problematic for feminist readers. At no point in the story is God mentioned; the deity was a bystander. By remaining silent, did God approve of the violence against Tamar? God had spoken to David at other times in 2nd Samuel, for example, via the prophet Nathan. God had ways to communicate and use signs to show disapproval. God could have given a punishment to Amnon, David, or Jonadab, but there was none. This is a difficult idea for survivors of abuse to accept. Survivors today are left confused about where God was when they were being abused or assaulted. Rarely is this passage in 2nd Samuel used in sermons. Talking about rape makes people uncomfortable. This is an issue for feminists, and society as a whole. Not talking about assault and abuse is not going to stop the lax options on the topics. This is a passage that can be used to teach lessons. It is an opportunity to explain that these scenarios are not acceptable. Unfortunately, this scenario of rape is seen in families today. The lust for a sibling, either full, half, step, or adopted, that is satisfied by rape does happen. In many instances, anger and loathing occurs, similar to the resulting emotions of Amnon. It is also common in these cases that parents and sibling know about the situation, but do nothing to address the situation. Families want to keep the abuse silent, and respond as Absalom did. Survivors are told, and sometimes threatened to remain silent. This story does not encourage survivors to speak out, it requests quietness.
God creates laws for His children not because he wants to restrict us, but because he desires a relationship with us so that we may be able to draw nearer to Him. He also gives us laws to protect us from the harmful repercussions of sin. Therefore, if David had followed God’s laws, he would not have been faced with such turmoil towards the end of his kingship.
The image of the woman in the Wife of Bath’s Prologue is depicted by Chaucer to be “barley wheat” in a town and civilization lusting for whole white wheat or virginity (Chaucer 1711). The woman has married many men and in doing so forgotten the true value of the Christian faith and now believes worldly influence can overpower the scriptures of the Bible, “can you show in plain words that Almighty God forbade us marriage? Or where did he command virginity?” (Chaucer 1709). Jackie Shead analyzes the prologue and states, “it begins by manipulating authoritative texts--a pre-emptive strike to justify the Wife's marital history and her single-minded pursuit of self-gratification” (Shead). The possibility of the Wife of B...
Huppé, Bernard F. "Rape and Woman's Sovereignty in the Wife of Bath's Tale." Modern Language Notes 63.6 (1948): 378-81. The Johns Hopkins University Press.
Trible has three main focuses in her article that include, “the inferiority, subordination and abuse of women in ancient Israel”, “the counter literature that is itself a critique of patriarchy”, and “the stories of terror about woman” (Trible). Each one sums a different oppression that women in the Bible faced. These ideas suggest that the overall purpose of her article is to identify that while women were viewed as a “helper” to men, God viewed them as much more (Trible).
The Canterbury Tales, written by the English poet Geoffrey Chaucer, is a poem comprised of a collection of stories, which skilfully critique major aspects and attitudes of European society during the Middle Ages. Although truly horrific and atrocious, the rape of women was a prevalent occurrence within Middle Aged society. In The Wife of Bath’s Tale, Chaucer tells the story of a lustful knight who came across a young woman and “spite of all she said / By very force he took her maidenhead (Chaucer, 282).” In the tale, it is clear that Chaucer recognizes rape as a violent crime that should “[condemn] the knight to lose his head (Chaucer, 282).” At the end of this tale, however, Chaucer grants not only freedom of death to the knight, but a blissful,
Q3:What does the code reveal in particular about women's position in MEsopotamian society? Most of the punishments for harming a woman
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
The parallels that have been presented show that there are not just similarities in the tale and the Wife’s life, the prologue and the tale are the real and the ideal way that the Wife sees her world. She, like many women of her time and ours, wants control over her husbands and will do what it takes to gain it. She tells us how she gained control over her husbands, even when it lead to the oldest trick in the book, withholding “pleasures”. Then she backed up her desire for sovereignty by telling us in her tale that it was not just herself who wanted this dominance, but every woman wants the same, even if they don’t know it. Finally she idealizes what she wants from a husband with the tale of the knight and the hag. If only it were as simple as the tale told.
Chaucer's "The Wife of Bath's Prologue and Tale" is a medieval legend that paints a portrait of strong women finding love and themselves in the direst of situations. It is presented to the modern day reader as an early tale of feminism showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekin's reading aloud from "The Book of Wikked Wives" (The Wife of Bath's Prologue and Tale 691). However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This is shown in the disappearance of the rape victim and the happy ending for the Knight. While the overall story is one of supposed feminism shown through women's empowerment, there are many aspects of "The Wife of Bath" that are anti-feminist in nature.
The Wife of Bath’s insecurity and cynicism are just two of the ways in which she fulfils negative stereotypes of women. She tries to separate herself from other women of her time by taking control of her life by means of sex, but if she were truly progressive, she would have found a way to elevate herself without using her body. Alisoun is exactly what men fear and dislike about women; she is promiscuously sneaky, and she takes advantage of men. This is why while trying to present herself as strong and independent, her actions ultimately confirm misogynistic stereotypes of women; in the end, she is even more digressive to the cause feminism than a normal woman would be.
As the prologue goes on, the Wife of Bath describes her marriages and tells what women most desire in their relationship. The thing that women most desire is to have complete control over their husbands. At the beginning of the prologue, the Wife attacks arguments from the Bible to defend her position that marriage is inferior to virginity. The Wife of Bath throws herself at men, young and old, easily and based on her attraction to them.
The primary plot in the story concerns a Persian king and his new wife. After finding his wife's unfaithfulness the king, Shahryar, has her executed and afterward pronounces all ladies to be unfaithful. He starts to wed a progression of virgins just to execute every one the following morning. Inevitably the vizier, whose obligation it is to give them, can't locate any more virgins. Shahrazad, the vizier's daughter, offers herself as the following spouse and her father reluctantly concurs. On the night of their marriage, Shahrazad starts to tell the king a story, yet does not end it.
Since David had raped Melanie Isaac it was eye-opening to see the same thing happen to his own daughter Lucy. Although David believed he did nothing wrong when he was with Melanie Isaacs, he was
Many critics consider David to be an oppressor “He is a predator, an exploiter: an attitude and behavior seen most clearly in his relationship with Melanie, one of his students.” (Sarvan).David is an oppressor he sleeps with women who are smaller, younger, timid and passive. His sexual relationship with Soraya, she is described as quiet and docile even though he is intense but not passionate. One can imply that his sexual desire is a way of him to show dominance and him imposing his dominance towards his preference “exotic”(8) would suggest that he is showing that he is the superior race. Lurie’s relationship with Melanie is interpreted many ways too, he forces himself upon her, yet he says she did not resist, but every time he would force himself on her she would avert herself in a way as if “she would die within herself for the duration”(25). David should get one good vote though, after the truth has spread about his relationship with one of his students he isn’t ashamed he stands up for what he did. He pleads guilty to the charges that Melanie Isaacs has stated, yet he won’t subdue to say that he feels guilty for sleeping with a student, not even to save his job and his benefits. David Lurie adds new disgraces to his name, but stays true to
Here, David’s colleagues essentially offer him a way out of his charges and even suggest a way so David doesn’t lose his job. They try to console him and understand his position by saying that they are humans too, bringing the idea that this sexual encounter is common enough to happen to any one of them. It is shocking that David is let off so easy for his crimes and the reason for this leniency is that he is a white man who raped a black woman. This attitude towards rape is completely opposite when looking at Lucy’s rape by the three black men as there is no justification offered to explain the reasons for the crime. These men are seen as savage and inhumane.