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Violence in media and real violence
Violence in television and movies
Violence in cinema and tv essay
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In this modern world of ours, Zombies have become increasingly popular. Ranging from movies, television shows, and graphics of the zombie, the viewpoint of what a zombie is can be different within each person. Taking a look at the recent images of zombies one can notice most being brain eating, undead monsters. Other few circumstances one can see that some zombies are represented as undead monsters who can feel and notice their surroundings; fall in love, and progressively become more humanized. The difference exhibited by different authors and directors all supports the notion that Zombies are not seen the same way by every person. Some may see a zombie and think instantly that they are fully prepared to fight them off, and others may be doomed …show more content…
With centuries of wars, the act of murder, mass killings, and terrorism, one can tell that humankind can be very destructive. The image of a flesh eating zombie can be a representation of one’s desire to destroy, it can calm the human mind. The directors and authors of zombies in media have two directives: to portray the images they have in their own mind to the public, and to entertain the human mind of destruction and fear. Instead of destroying themselves, one can simply turn on a film, watch a zombie horror film, and have their mind at ease. Depending on what people experience in their life, the desire of destruction is much stronger within some than others. This supports the reason why some people prefer to watch a vicious battle in a zombie apocalypse rather than a warm-to-the-soul love story. A human’s desire to destroy cannot be forgotten, but it can most definitely be contained by the fascination created by the image of …show more content…
The terrorism acts, murderers and natural disasters are all the “zombie apocalypses” of this century. This social standard that the world is a violent place fills everyone’s mind with fear, and if these standards weren’t so terrifying neither would the movies or images of the zombie be. With the jarring events and diseases transpiring such as 9/11, and the Zika virus, one cannot live a normal life of ease. The cultural anxiety of today represents the zombies of this day and age. It may be because of the social events that have occurred over the years leading to the intimidating image of the zombie, but these zombies provide ideas of how we deal with the past and present social issues. A getaway or an entertainment, individuals are so drawn to the image of zombies because they are so similar to the cultural events and anxieties that have been created over the years, almost as if zombies are a recreation. The longer this goes on, the easier it is for apocalyptic anxieties and a harmed mental state to emerge as our own zombies take
Torie Boschs “First eat all the lawyers” appeared in Slate october 2011. Her piece was to reach out to horror fans and to explain to them why zombies are a great monsters in current media. Zombie fanatics who read this short essay will love her vast knowledge of zombies while others who still do not understand why zombies are horribly terrifying can get behind her argument. Bosch explains that the current zombie craze has to do with our current society and how white-collar workers would be left defenceless in a world over run with a rampant horde of zombies. While blue-collar workers can flourish in this current state as they have more skills suited for survival.
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
As said in the previous discussion regarding the second chapter of Better Off Dead: The Evolution of the Zombie as Post-Human, zombies and their culture are examined and broke down in order to understand their motives for the progression of zombies globally. Through different perspectives from individuals based around the world, the discussion of the zombie culture debates over the idea that zombies have not just evolved within the narratives that have brought them to life, but they have evolved in such a way that ultimately transforms the narrative itself. However, in this specific chapter, “They are not men…they are dead bodies!”: From Cannibal to Zombie and Back Again, Chera Kee breaks down the introduction of zombies into mainstream consciousness,
The zombie race is very different. It doesn't not have many abilities and is not advanced like humans. Their behavior patterns are different. They cannot stand cold or winter weather. Their behavior is very different and difficult to calculate. They usually stand around lingering and waiting to attack when they hear something. They follow noises.Some abilities that they do have is that they have excellent hearing and can walk but aren't blind.The also can smell human blood. Zombies are generally weak but don’t underestimate what they can do to a human.
“Why We Crave Horror Movies,” an essay by the legendary Stephen King, explains two challenging concepts to understand: why people like gory horror movies and how people are able to control their darkest desires. “I think that we’re all mentally ill; those of us outside the asylums only hide it a little better – and maybe not all that much better, after all.” King opens the essay by addressing the hard truth- we are all insane. People have dull lives, and often it’s the little bit of crazy within in us tha...
The idea of a zombie is made up and it comes from nzambi, the Kongo word for the spirit of a dead person. In states such as Louisiana, or the Creole culture they believe zombies represent a person who has dies and brought back to life with no speech. Kings psychological argument on how we have an urge to watch horror movies because it helps to re-establish our feelings and feel natural again. Klusterman’s sociological essay helped us see the comparison of zombies and humans in real life. In conclusion zombies are not real, they are make believe but help bring a sense of normality to
Zombies have become very popular due to their depictions of being easy to kill and being communal. Zombie apocalypses are also very relatable due to the fact that they are set in lives similar to our society and seem easy to overcome. Zombies, themselves, can be identified with because we see ourselves when we look at a zombie. Zombies drudge on through the same task of finding human flesh to consume every day just like we drag ourselves to either class or our job in order to sit through another boring lecture or perform the same menial task every day. Just like the zombie, R, in the book, Warm Bodies, said, “I am Dead, but it’s not so bad. I’ve learned to live with it,” we have learned to succumb to our daily routines and just live with
In the movie “Night of the Living Dead” by George A. Romero, we are thrust in the midst of a zombie apocalypse. During this apocalypse, many themes and aspects of human nature are present. This conflict seems to bring out the aspects of humans that show how imperfect we are, in addition to how we function in groups. Before I delve into these topics, I shall begin by summarizing key aspects of the film.
Today in America, people can’t get enough of zombies, zombies are everywhere ranging from movies, books and tv shows. The entertainment business uses the zombie apocalypse theme in order to present a post apocalyptic situation that no other form of genre can really create. In American zombie apocalyptic entertainment, humans must face the horrors of survival and change, while fighting off the zombies, thus also challenging their morals. Pessimistic viewers may see the situation as depressing, prejudice and an means of expressing xenophobia. However optimistic viewers see the situation as an opportunity for better change, individually and as a collective community. A controversial example of this topic would be Robert Kirkman’s popular graphic novel, called The Walking Dead, filled with violence, betrayal and challenges. The Walking Dead can be read as a pessimistic text but the most appropriate way to read is
In the article, “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism” by Sarah Juliet Lauro and Karen Embry, the authors’ evaluate the idea of the zombie and its connection to capitalism and post-humanism. According to the authors, the zombie represents much more than just a fear, it represents a loss of oneself to many different things, primarily to a capitalist society. The authors have come to the conclusion that humans have a fear of what they cannot control, and that is why the zombie is so big in entertainment. We see zombies everywhere, in movies, books, tv shows, fundraisers, marathons, and so much more. They have been around for decades, but recently they have become very popular. The authors believe this is
Mass amounts of people will die, families will be separated, and peaceful ways of life will be long gone. Guard your loved ones, board up your windows and keep your gun under your pillow because you’re gonna need it. I have taught the facts, the opinions, and the theories on the possibility of a zombie apocalypse. I have explained with facts and statistics the ramifications of it if it was to happen, the way and speed at which it can spread, and the cruelty that will follow. You can protect yourself and the ones closest to you, but first you have to believe it.
We all have cravings, be it for snacks or sweets, there is always something we desire. We crave horror in the same way. In Stephen King’s essay, “Why We Crave Horror Movies,” he argues that people need to watch horror films in order to release the negative emotions within us. King believes that people feel enjoyment while watching others be terrorized or killed in horror movies. King’s argument has elements that are both agreeable and disagreeable. On one hand he is acceptable when claiming we like the thrill and excitement that comes from watching horror movies; however, his views regarding that the fun comes from seeing others suffer cannot be agreed with because the human condition is not as immoral as he claims it to be.
George A. Romero, the director of Night of the Living Dead accidently created the zombie genre that we are familiar with today. Night of the Living Dead reshaped the entire genre with its bitter realism. Romero established verisimilitude unintentionally by focusing on how people react to crisis. The first zombie movies relied on semi-terrifying dress codes (of their time) and the conventional diegetic scream of a female. Whereas Romero’s film is an interpretation of humankind’s collapse. Romero drew inspiration from the infamous Vietnam War spiralling at the time and the American civil war. The verisimilitude lies within the human condition in dire times, like war. Therefore, in the Night of the Living Dead the zombie/ghoul stands as a symbol for the enemy contriving those dire times. This consequently makes the genre actually terrifying because representations have altered. Zombies are no longer an otherworldly or scientific monster e.g. White Zombie but a